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Question 1

Melody similarities

Answer 1

• Syllabic in places (AO3) narrative (AO4)
• Repeated melodic motives (AO3) emphatic/catchy/hook (AO4)
• (Some) leaps/disjunct (AO3) emotive (AO4)

Question 2

Tonality and Harmony similarities

Answer 2

• Minor (AO3) lament/significant message (AO4)
• Modulate to relative major (AO3) release tension/lighten mood (AO4)
• Chromatic bass (AO3) pleading/jazz walking bass (AO4)
• Repeated chord progression (AO3) urgency/emphatic/catchy (AO4)
• Functional harmony (AO3) stylistic (AO4)

Question 3

Music for a While Melody

Answer 3

• (mostly) conjunct (AO3) calming (AO4)
• (some) leaps/disjunct (AO3) emotive (AO4)
• Ornamented (AO3) emotive/stylistic (AO4)
• Appoggiaturas/suspensions (AO3) pain (AO4)
• Word painting (AO3) illustrate text/stylistic (AO4)
• Melisma (AO3) expressive/climatic (AO4)
• Some syllabic lines (AO3) narrative (AO4)
• Repeated melodic motives (AO3) emphatic (AO4)
• Sequences (AO3) emphatic (AO4)

Question 4

Music for a While Tonality and Harmony

Answer 4

• Minor (AO3) sorrow/grief (AO4)
• Modulation (AO3) variety of emotions (AO4)
• Modulation to relative major (AO3) hope (AO4)
• Functional harmony (AO3) stylistic (AO4)
• Ground bass (AO3) lament/urgency (AO4)
• Repeated chord progression (AO3) urgency (AO4)
• Chromatic bass (AO3) pleading (AO4)
• Repeated perfect cadence (AO3) sense of finality/stylistic (AO4)
• Sequence (AO3) urgency (AO4)
• Dissonance (AO3) pain (AO4)
• False relations (AO3) pain (AO4)

Question 5

It Don’t Mean a Thing Melody

Answer 5

• (often) triadic (AO3) strident/exciting (AO4)
• (some) leaps/disjunct (AO3) emotive (AO4)
• blues notes/chromatic notes (AO3) jazz (AO4)
• Scat (AO3) fun (AO4)
• Improvised in places (AO3) fun/lively (AO4)
• Mimics muted trumpet (AO3) humorous (AO4)
• Syncopated (AO3) dancing/fun (AO4)
• Syllabic (AO3) narrative/typical of popular music (AO4)
• Repeated notes/repeated tonic (AO3) emphatic (AO4)
• Repeated melodic motives (AO3) catchy/hook (AO4)
• Melody repeated up octave (AO3) climactic (AO4)
• Portamento/slide (AO3) relaxed (AO4)

Question 6

It Don’t Mean a Thing Tonality and Harmony

Answer 6

• Minor (AO3) significant message (AO4)
• Modulation to relative major (AO3) playful (AO4)
• Descending bass (AO3) purposeful (AO4)
• Chromatic bass (AO3) momentum (AO4)
• Added chords/extended chords (AO3) jazz (AO4)
• Chromatic chords (AO3) exciting (AO4)
• Substitution chords (AO3) exciting (AO4)
• Suspended chords (AO3) stylistic (AO4)
• Dissonance (AO3) exciting (AO4)
• Mostly minor chords (AO3) establish minor key (AO4)
• Repeated chord progression (AO3) emphatic/catchy (AO4)
• Functional harmony (AO3) stylistic (AO4)

Question 7

Answer

Answer 7

In exploring melody, Purcell’s “Music for a While” demonstrates a delicate balance of stepwise motion and occasional leaps, spanning a modest range of just over an octave. Deliberate rests and sequences of rising and falling notes serve to infuse the melody with expressive nuance. Furthermore, ornamentation such as mordents, appoggiaturas, and trills, emblematic of Baroque compositions, embellish the melodic line, enriching its texture and adding a layer of sophistication. Conversely, in “It Don’t Mean a Thing,” the melody often relies on triadic structures and rhythmic syncopation, characteristic of jazz influences, to create an infectious and lively energy. Blues notes and scatting techniques further contribute to the playful and engaging nature of the melody, aligning with the stylistic elements of popular music.

Turning to tonality and harmony, “Music for a While” unfolds within a tonal landscape predominantly characterized by minor keys, evoking a sense of sorrow and lamentation. Modulations to relative majors provide fleeting moments of respite, while chromatic bass lines and repeated chord progressions underscore the urgency and intensity of the piece. On the other hand, “It Don’t Mean a Thing” revels in the expressive potential of jazz harmony, with frequent modulations to relative majors infusing the music with a sense of playfulness and spontaneity. Chromatic bass lines and extended chords, alongside techniques like substitution and suspended chords, contribute to the dynamic and exciting harmonic palette, reflecting the vibrant energy of the jazz tradition.