COM 100 Final Flashcards

1
Q

People working together in a work environment (sometimes reflectively and consciously, sometimes not) to create common understandings between coworkers is an example of ____________________________.

A

Communication being inherently collaborative.

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2
Q

What is the reader’s responsibility to the author and the teacher as expressed in the book?

A

Agree to do the readings and think about the ideas expressed in the book.

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3
Q

______________ is the collaborative construction and negotiation of meaning between the self and others as it occurs within cultural contexts.

A

Communication

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4
Q

______________ mean that when we act, we do so in a way that not only makes us happy but also enriches our lives and the lives of others.

A

Informed choices

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5
Q

The responsibility to not just represent or understand something but to interrogate it is what separates ________________ and ________________.

A

Critical theory; traditional theory

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6
Q

________________ means that we question and challenge what we experience, never taking it for granted.

A

Critical Perspective

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7
Q

Reflecting carefully about the communication you witness and asking questions about how it came to be the way that it is, whom it benefits, and whom it harms however inadvertently is an example of ____________.

A

Critical engagement

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8
Q

________________ shapes not only our own lives but also our understandings of communication and our interactions.

A

Critical Paradigm

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9
Q

T/F: We learn as we communicate, not before we speak or write.

A

True

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10
Q

T/F: Communication is simply a conduit, channel, and tool for transferring information.

A

False

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11
Q

T/F: To have a critical perspective means to be “critical” or in other words: harsh.

A

False

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12
Q

T/F: There are many different models of writing or speaking as a process, but the most basic and common is idiosyncratic.

A

True

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13
Q

T/F: Communication helps create us and what we think of as our realities; such as our social relationships, our sense of right and wrong, our belief that we can or cannot effect change in the world, and so forth.

A

True

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14
Q

T/F: Communication as representation means that communication is abstract or separate from our lives and the world around us.

A

True

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15
Q

What is Logos?

A

To reveal logical reason.

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16
Q

What is Pathos?

A

To appeal to listeners’ emotions.

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17
Q

Culture is now a central consideration or question within _______________________.

A

Nearly every major area of communication research.

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18
Q

Engaging in Pathos, Ethos, and Logos not only helps us become better, more persuasive speakers, but it also helps:

A

Discern when someone is attempting to persuade us so we’re not easily misled by people who would do us harm.

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19
Q

____________________ is communication between two or more people who are interdependent.

A

Interpersonal communication

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20
Q

“History has shown time and again that absolute power corrupts absolutely.” This persuasive appeal is an example of ____________.

A

Logos

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21
Q

In a commercial for toothpaste, an actor puts on a white lab coat and talks about how that particular toothpaste is good for teeth. By putting on a white lab coat, an actor looks like a doctor, and thus gains credibility as people consider a doctor’s remarks to be more credible than an actor’s. This persuasive appeal is an example of ____________.

A

Ethos

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22
Q

What is Ethos?

A

To establish the speaker’s credibility with listeners.

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23
Q

T/F: These new places of inquiry are, at least in part, a result of the critical/cultural turn in communication.

A

True

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24
Q

T/F: Having an ‘objective truth’ doesn’t mean you don’t have meaningful information or insights.

A

True

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25
T/F: It is not very important for writers to develop a heightened awareness of audience in order to develop strong, powerful, effective writing.
False
26
T/F: New areas like gender communication have emerged to examine gender and sexuality in more critical ways, asking how sexism or homophobia is perpetuated in public communication, such as in the mass media or in political speeches.
True
27
T/F: History is a story we tell in the present about the past; it is less about capturing what actually happened and more about finding the meaning behind those events.
True
28
T/F: Communication studies begins with the ancient Greeks.
True
29
T/F: To have a critical perspective means to be “critical” or in other words: harsh.
False
30
T/F: Having an ‘objective truth’ doesn’t mean you don’t have meaningful information or insights.
True
31
______________ is a type of insight that helps each of us understand how we participate, consciously and unconsciously, in social systems that both help and harm us.
Reflexivity ## Footnote Reflexivity involves critical self-reflection on one's role within social structures.
32
______________ is a type of reflection and action on the world in order to transform it.
Praxis ## Footnote Praxis emphasizes the connection between theory and practice.
33
It is through careful, conscientious reflection on our lives—on our privileges and struggles, and on the privileges and struggles of the people we love and respect and fear and find unfathomable—that we can ____________.
Begin to identify ways to take action and effect change.
34
The idea of ____________ serves as a reminder that even our most basic communication is action in the world.
Praxis
35
What is public advocacy?
To reflect upon and take action against the injustices we encounter and seek a better world for our communities and our families.
36
What is Social significance about?
Meeting people where they are and responding to real problems that matter personally.
37
The ____________ approach to teaching and learning helps us develop our sense of agency—the sense that we can, in fact, change our lives, our communities, and our worlds.
Problem-posing ## Footnote This approach encourages critical thinking and active participation.
38
______________ is a Brazilian educator and profound innovator in literacy instruction. His philosophy was if one can read the word then one can read the world.
Paulo Freire
39
The process of granting some group with more power and privilege the ability to shape our worldviews, attitudes, beliefs, expectations, and actions is called ______________.
Hegemony ## Footnote Hegemony refers to the dominance of one group over others through cultural means.
40
T/F: When you address your audience to persuade them, you need to craft your argument in ways that position your audience members as potential allies who might join you in making a difference.
True
41
T/F: Social theorist Antonio Gramsci (1971) described hegemony as domination by consent.
True
42
T/F: The concept of Critical Inquiry attempts to reveal how people or groups who are oppressed, or who have less power, participate in that process, even when it’s harmful to them; however, this process of participation is complex.
True
43
T/F: The best critical thinker can tear something apart, and tell the person they're critiquing to improve.
False
44
T/F: The challenge of listening is further complicated by trying to remember that the person speaking is a complex human being with reasons—however intelligent or ill-conceived, in our opinion—that are informed by their past and present experiences.
True
45
T/F: Unearned privilege is a difficult concept for many of us because it makes us feel uncomfortable.
True
46
Modes of listening help to clarify the notion of listening as a stance by pointing to the ways our relationship as listeners is always shaped by ____________.
Contexts of the listening situation.
47
______________ meaning that the structure—the given conditions of existence, the structure of determinations in any situation—can also be understood from another point of view, as simply the result of previous practices.
Double articulation ## Footnote This concept highlights the interplay between structure and agency.
48
We might begin to develop a more complex and inclusive understanding of listening if we think of listening as a ____________.
Stance
49
What happens when we listen to learn?
We can begin to enact change in the world and in our relationships with others.
50
Our stance as listeners is always shaped ________________________.
By our individual position as listeners.
51
What are Dwight Conquergood’s four ethical pitfalls?
The Custodian’s Rip-Off, The Enthusiast’s Infatuation, The Curator’s Exhibitionism, The Skeptic’s Cop-Out.
52
What is the goal that informs our stance of compassionate critical listening?
To listen to others as if we might learn something.
53
The idea of modes of listening can help us consider ______________________.
The ways context, personal experience, and cultural expectations might shape the way we engage as listeners.
54
__________________ functions to expand listening to include more than just a way of hearing and includes all the ways we might approach or encounter others in communication.
Framing listening
55
T/F: Contexts shape expectations of what is considered socially or culturally appropriate modes of listening.
True
56
T/F: Modes of listening are simply strategies we develop and deploy on our own.
False
57
T/F: Listening to learn from others requires an awareness of your position in the world.
True
58
T/F: Recognizing the ways we listen and engage with others can be challenging because the practice of listening can be so easily taken for granted.
True
59
T/F: The concept of “dialogic listening” is a way of thinking about our sensory experiences are, in part, shaped by our individual practices.
True
60
T/F: Listening stance is informed by context and our individual practices.
True
61
A ______________ is the spoken and/or written representation of something or someone, such as the word 'cat.'
Signifier
62
Working together, the ____________ (the spoken or written representation) and the ____________ (the connotative or associative meanings of the term) become the _______________.
Signifier; signified; sign
63
A claim about the relationship between language and reality that many communication scholars find compelling is called ___________________.
Sapir-Whorf hypothesis
64
________________________ are words that describe or identify a state of affairs.
Constatives
65
What are semiotics?
The structure of language, asking how we could understand language via the use of symbols and their connected referents.
66
An official enacts the marriage of two people by stating, 'I now pronounce you (x) and (x).' This example illustrates how _________________ work.
Performatives
67
To make a word ________________ represents the meanings we associate with that word.
Signified
68
The ___________________________ explores how people use language rather than only (or primarily) studying the structure of language.
Speech act theory
69
_________________ is the understanding of language as arbitrary, ambiguous, and abstract.
Semiotic perspective
70
T/F: Our news media routinely shows us examples of important, powerful people making language choices that positively affect others and that sometimes draw significant public admiration.
False
71
T/F: Our language has effects that extend beyond our intentions, effects that have good and bad consequences not only for ourselves.
True
72
T/F: Semiotics do not address how power affects how we make meaning.
True
73
T/F: Sexist, racist, homophobic, or otherwise harmful language has consequences for you and for the people who hear you speak it.
True
74
T/F: You can, but do not need to engage in audience analysis or inherently consider who your message affects and how.
False
75
T/F: Words build, sustain, and challenge power and privilege.
True
76
What is Haptics?
The study of the significance of touch.
77
Another area of nonverbal communication includes how people use ____________ to express themselves.
Artifacts
78
___________________ does not occur through words, such as vocal inflections, gestures, and even use of space.
Nonverbal communication
79
What is Chronemics?
The study of how time functions as part of communication.
80
________________ is how we come to know and learn within our flesh—our neurons, muscles, bones, and other tissues.
Body epistemology
81
The body is in training; we are becoming who we are through our bodies’ experiences. Our bodies are __________________________; that is, we come to know through our bodies.
Epistemic
82
______________________ is how others 'read' our bodies and our actions in order to determine who we are.
Body-identity connection
83
What is Epistemology?
The study of knowing, or how we know what we know.
84
What is Proxemics?
The study of how people use space to communicate, including their relative (dis)comfort with intrusions into their personal space.
85
T/F: The body (both our own and our experience of others' bodies) is fundamental to our learning about solely ourselves.
False
86
T/F: The United States is the only country that has a linear understanding of time.
False
87
T/F: Classroom desks play an important role in training us to forget about our bodies.
True
88
T/F: How you use artifacts like clothing and makeup can communicate more than individual style—you also shape perceptions and create meaning.
True
89
T/F: Even if we say one thing, our bodies may say otherwise.
True
90
T/F: Truth is partial and incomplete, privileging some people and perspectives and not others.
True
91
What are rituals?
Repeated patterns of human action that function to shape and define our identities.
92
Like identity, __________ is always a product of who we are in the moment and the conditions we find ourselves within; it grows and adapts too.
Perception
93
What is agency?
The conscious ability to reproduce or resist social systems.
94
What is symbolic interactionism?
Theorizes that the self is a product of the messages that it has encountered over past interactions.
95
Who we are is the result of _______________.
Repeated actions.
96
T/F: Performance theories of identity help us understand the way communication messages (our own and others’) constitute identity.
True
97
T/F: "Identity" simply refers to who someone is, in the sense that your identification is your driver’s license, social security, student ID card, etc.
False
98
T/F: If we were static and unchanging, we would not repeat the same mistakes.
False
99
T/F: Our positionalities only shape our identities, not our perceptions.
False
100
T/F: Positionalities are where we stand in relation to various categories or elements of difference—those markers that make us different from each other, whether race, economic background, or ability.
True
101
When we communicate and build bridges, we create ______________.
Culture
102
____________ is the interaction or exchange that occurs between people who are in an interdependent relationship.
Interpersonal communication
103
What is individual creativity?
The agency or self-determination that makes possible our ability to resist or comply with 'the way things are.'
104
__________ represents a relationship, a living moment of being with another. Here, the subject encounters a person and sees this person as a relationship rather than as an experience.
I-Thou
105
The _______________ is a carefully crafted performance, one that we all style, rehearse, and produce for an audience.
Self
106
T/F: Communication is the bridge that connects one or more people.
False
107
T/F: A culture is never fully formed and static but rather a process, alive and in flux.
True
108
T/F: All interpersonal relationships exist within culture.
True
109
T/F: People intently make and remake culture.
True
110
T/F: Voice, in the form of your word choices, tone, or degree of formality, is an inevitable function of purpose and audience.
True
111
Spano (2001) explains, dialogue means living in the tension between our own ___________.
Assumptions or commitments and someone else’s.
112
What are facts?
Social knowledge and commonly understood explanations of 'how and why the organization operates the way it does.'
113
____________ is a situation in which two or more people learn or attempt to learn something together.
Collaborative learning
114
Communication remains ___________; we remain concerned with verbal and nonverbal communication, we must engage in critical and compassionate listening, and so forth.
Constitutive
115
The best way we can build alliances is through communication. Thus, ___________.
When we enter the space, we must be willing to engage in dialogue.
116
T/F: A willingness to dialogue is a willingness to share and learn.
True
117
T/F: Rites, like graduation, give us insight into how members participate in creating and interpreting organizational culture.
True
118
T/F: The forming stage is about conflict within a group, especially over interpersonal issues.
False
119
T/F: Alliance entails entitled groups of people working together toward social change.
False
120
T/F: Leadership is a dynamic relationship based on mutual influence and common purpose.
True