CODES Flashcards

1
Q

List the media codes.

A
  • Colour
  • Camera
  • Acting
  • Mise en scene
  • Editing
  • Lighting
  • Sound
  • Setting
  • Special effects
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2
Q

Explain colour.

A

Colour can be discussed in relation to mise en scene, but it is also a technical/symbolic code in its own right.
- Colour hue
- Colour saturation/de-saturation
- Colour palette
- Colour symbolism (subjective, but there are conventions)
- Black and white

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3
Q

Explain camera.

A

FOCUS
- Deep focus
- Shallow focus
- Ranking focus
- Depth of Field

DISTANCE / SHOT SIZE
- Establishing shot
- Close up
- Extreme close up
- Medium shot
- Long shot
- Extreme long shot

ANGLE
- Tilt up/tilt down
- High angle shot
- Low angle shot
- POV shot
- Eye level
- Bird’s-eye view
- Worm’s-eye view

MOVEMENT
- Zoom in and out
- Crane shot
- Hand held
- Pan
- Tilt
- Dolly
- Tracking

FILM STOCK
- Aspect ratio
- Academy 1.375: 1
- Widescreen 1.85: 1
- Cinemascope 2.39: 1
- Techniscope
- Anamorphic
- Widescreen
- Black and White
- Colour
- Digital vs Film

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4
Q

Explain acting.

A

NB/ Refers to the actor’s depiction of the character, not the character itself
- Vocal inflection
- Tone of voice
- Facial expressions
- Body movement
- Gestures
- Posture
- Casting

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5
Q

Explain mise en scene.

A

Everything that can be seen within a frame or scene. You must talk about the scene Holistically (the whole thing)
To do this successfully, you must talk about at least three of aspects listed below

  • Colour
  • Costumes, makeup and hair styling
  • Props
  • Location and set design
  • Special effects
  • Visual effects
  • Composition
  • Placement of camera, lighting, actor etc
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6
Q

Explain editing.

A

Editing refers to the selection and joining together of vision, and sound.
Editing organises a film into a cohesive whole by uniting footage rhythmically and aesthetically to create meaning.

TRANSITIONS
- Cut
- Dissolve
- Fade
- Smash cut
- Jump cut
- Match cut

RHYTHM AND PACE
- Montage
- Cut away
- Long take
- Rhythmic editing
- Jump cut
- B-Roll

PLACEMENT
- Shot reverse shot
- Cross cutting/special editing
- J cuts & L cuts

POST PRODUCTION
- Text
- CGI
- Titles
- Sound editing
- Colour correction
(These can also be discussed in terms of special/sound effects)

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7
Q

Explain lighting.

A

Lighting can be expressive in order to
convey a mood.
In describing the lighting techniques in a
film you need to pay attention to:

  • The quality of light
  • The direction of light
  • The style of light.

Quality of light is referred to as Colour Temperature (measured in degrees Kelvin)
- Warm eg Tungsten (Lower Kelvin value)
- Cool eg Daylight(Higher Kelvin value)/Fluorescent

  • Natural lighting
  • Low key lighting
  • High key lighting
  • Back lighting
  • Chiaroscuro style lighting
  • Slash lighting
  • Diffused lighting
  • Feathered lighting
  • Reflected/refracted light
  • Expressive coloured lighting
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8
Q

Explain sound.

A

Sound can communicate story information, character development, mood and emotion. Sound may be discussed using one or more of the following terms…

DIEGETIC SOUND
(from the world of the narrative)
- Dialogue
- Location sound effects/foley
- Silence

NON-DIEGETIC SOUND
(from a source outside of the narrative)
- Music
- Voice over
- Sound design

EDITING OF SOUND
- Absence of sound
- Manipulated sound (faster/slower/broken/repeated)
- Adjusted levels (louder/quieter)
- Displaced sound
- Sound bridge (to link two scenes together)

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9
Q

Explain setting.

A

The location where the story unfolds/happens

  • Most films have multiple settings
  • Settings can become characters in the film
  • Settings can motivate the characters and drive the action
  • Settings can be symbolic
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10
Q

Explain special effects.

A

POST PRODUCTION
- Text
- CGI
- Titles
- Sound editing/design
- Colour correction

(These can also be discussed in terms of special/sound effects)

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