Classical Period Flashcards
Define sonata form
Sonata form usually consists of an introduction (optional) followed by an exposition section that has two themes that are played in two different keys (there’s a bridge part for modulation) followed by a closing theme, this section is repeated. Then comes the development section where any/all of the themes are played. Then comes the recapitulation part where theme one and two from the exposition are played in the same key (the transition period is called episode) and with no repetition only for it to end in a coda (optional)
Key points about the classical symphony
One of the principal instrumentals forms of the period
Classical Orchestra around 30 to 40 players (Strings augmented with combinations of Woodwind, Brass and Percussion)
Key symphony composers Haydn, Mozart & (Early) Beethoven.
Key point about the classical concerto
Three Movements – Fast, Slow, Fast
First Movement – Concerto Form like Sonata Form but with a double Exposition
Solo Instrument with Orchestral Accompaniment
Written to demonstrate the capabilities of the solo instrument and the performer
Piano Concertos the dominant solo concerto
The concerto form
Similar to the sonata form but with a double exposition.
Key points about chamber music
Music for 2 to around ten players, one player part
Golden Age of Chamber Music
The main chamber ensemble in the period was the String Quartet
Other popular types:
Duo, Trio, Quintet, Serenades and Divertimento
Standard Chamber ensumble
Duos:
Solo Instrument and Piano
Trios:
String Trio – Violin 1, Viola or Violin 2, Cello
Piano Trio – Piano, Violin, Cello
Quartets:
String Quartet – Violin 1, Violin 2, Viola, Cello
Piano Quartet – Piano, Violin, Viola, Cello
Quintets:
String Quintet – Violin1, Violin 2, Viola 1, Viola 2, Cello
Piano Quintet – Piano and String Quartet
Divertimento & Serenade:
Larger chamber groups, considered to be half way between chamber music and the symphony.
Key points about Vocal genres
Dominant choral works: Mass Requiem Mass Oratorio Two Types of Opera: Opera Buffa Opera Seria
Mass, requiem and oratorio
Traditional all these choral genre performed in the church.
Early 19th Century these works began to be performed in concert halls, exposing this music to a greater audience
Haydn, Mozart & Beethoven all contributed and influenced these genres. Mozart Requiem is considered a master piece of the Viennese school.
Classical operas
Opera Seria:
Serious or Tragic Opera
Italian Opera
Continuing the traditions of the Baroque period
Opera Buffa:
England knows as Ballad Opera, Germany – Singspiel, France – Opera Comique & Italy – Opera Buffa
This genre developed by Germany composer Gluck
Opera Buffa continued to use Arias & Recitatives but more use made of choruses and ballet sections
Less formal and considered to be more natural
Often in the language of the audience
Lively plots, humorous dialogue, popular tunes
Often touched on social issues of the day
Thematic Development
Expansion of the Theme: Varying its melodic outline Rhythm Harmony Motive a small melodic idea a section of the theme. Motives can be used: Sequence Ostinato
Classical forms
absolute Music: Form very important Not telling a story but the music itself is the story Large Scales Works: have an overall form Each movement within the larger work has a form Binary Form Ternary Form etc..
Multi movement cycle
The cycle consist of three or four movements Works using multi movement cycle: The Symphony The Solo Concerto (3 movements) String Quartet (other chamber music) Sonata
Movements
First Movement Sonata Form (formal name Sonata-Allegro Form) Allegro Tempo Second Movement Usually the slow movement Ternary Form, Shortened Sonata Form or Theme & Variations Slow Tempo – Andante or Adagio Theme & Variation All music based on the original theme and is developed by varying: Melodic Variation Harmonic Variation Rhythmic Variation Third Movement Most often Minuet & Trio Triple Time Two Dances – as one movement Both Dances in Binary Form
Significant composers
W A Mozart 1756-1791
J Haydn 1732 – 1809
L van Beethoven 1770 – 1827
F Schubert 1797 -1828
Key features of Classical period
Melody – Symmetrical melody in balanced phrases and cadences; tuneful, diatonic, with narrow leaps.
Rhythm – Dance rhythms and regular recurring accents.
Harmony – Diatonic; tonic – dominant relationship expanded, becomes basis for large scale form
Texture – Homophonic
Instrumental Genres – Symphony, Solo Concerto, Solo Sonata, String Quartet, other chamber music genres.
Vocal Genres – Opera, Mass & Oratorio
Form – Large forms such as Sonata Form
Dynamics – Continuously changing dynamics through crescendo and decrescendo
Performing Forces – Orchestra standardized into four families; introduction of the Clarinet, Trombone, rise of piano