Classical Era Flashcards

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1
Q

Text used in an opera

A

Libretto

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2
Q

A solo that is sung only by one person with or without instrumental accompaniment

A

Aria

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3
Q

Singer adopts rhythms of ordinary speech rather than the rhythm of the music (speak-singing)

A

Recitative

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4
Q

A group of people, large or small, singing in unison. The other meaning to the word is “climax of the song”

A

Chorus

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5
Q

This is played as an introduction to a larger musical piece.

A

Overture (Prelude)

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6
Q

A classical male singing voice that is equivalent to a soprano, mezzo-soprano, or contralto, where the pitch is derived from the absence of hormones (Before purberty hits)

A

Castrato

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7
Q

A classical male singing voice that is equivalent to a female soprano, where the pitch of the voice is derived from well trained falseto (Not using their natural voice to sing)

A

Countertenor

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8
Q

A musical form of arias that was the most common in the Baroque era

A

Da Capo Aria

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9
Q

Rapid alternation between 2 notes a half or whole step away. Reffered to as “The Shake”

A

Trill

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10
Q

Free perfomance of a musical passage. It normally stays within the style of the piece, but stays free from following a written set of notes, most of the time

A

Improvisation (Extemporization)

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11
Q

A musical structure that has 3 main sections: An expostion, a development, and a recapitulation

A

Sonata Form

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12
Q

Presentation of the thematic material of a musical composition. It basically implies what material will be developed

A

Exposition

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13
Q

It is carried out upon portions of material treated in many different presentations and combinations at a time

A

Development

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14
Q

Occurs after the movement’s development section, and typically presents once more of the musical themes from the movement’s exposition.

A

Recapitulation

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15
Q

A passage that brings a piece to an end

A

Coda

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16
Q

An improvised or written-out ornamental passage played or sung by a soloist or soloists

A

Cadenza

17
Q

The shortest structual unit in a piece that has thematic identity

A

Motive

18
Q

A secondary melody that is sung or played in counterpoint with the original melody, very common in fugues

A

Countermelody