Classical Era Flashcards

1
Q

When does the Classical Era take place in music?

A

1750-1825

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2
Q

What major philosophical movement takes place during the Classical Era?

A

The Enlightenment (Age of Reason)

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3
Q

How do the historical, philosophical, and technological events of the Classical Era influence the music of the era?

A

1) Philosophy - The Age of Enlightenment puts a heavy emphasis on order, objectivity, and harmonious proportion. Thus, there is a heavy emphasis in music on staying to the classical forms as established.
2) Political and Social Order - Growth of the middle class fuels the production of music for the home. Also allows for the production of concert halls where the middle class can see symphonies and operas. (This leads to the development of opera buffa.) Still kings and royalty which means the majority of music is made from the patronage style. (Mozart brakes the trend but oh well.)
3) Technological - The Industrial Revolution and advances of the like help mass produce pianos with steel strings, allowing piano focused music to be produced and played within concert halls. Instruments now make a more powerful sound and the orchestration of music is adjusted to fit the new and larger spaces.

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4
Q

What is the Viennese School?

A
  • A group of composers, notably Haydn, Schubert, Mozart, and Beethoven. Tried to perfect the sonata form of large-scale instrumental music. Had elements of classical forms and romanticism in their music.
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5
Q

List and define the key elements of classical style.

A

1) Sequence - Frequent use of a pattern repeated at a higher or lower pitch. Allowed for balanced and reasonably accessible structures.
2) Diatonic Chords - Chords are built from the seven tones of the major or minor scale and are rooted in the key.
3) Homophonic Texture - A Melody with an accompanying harmony.
4) Basic Meters - Either 2/4, 3/4, 4/4, or 6/8 and moves at a steady tempo. Does not change meter.
5) Some kind of folk element.

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6
Q

Define theme.

A

The basic building block in a composition.

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7
Q

Define Thematic Development.

A

The varying of the melodic outline, rhythm, or harmony of the theme over the course of the composition.

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8
Q

Define Motives.

A

The parts that make up a theme. The smallest melodic or rhythmic unit. Can be as simple as a sequence or ostinato.

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9
Q

Define absolute music.

A

Music without an accompanying story or text.

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10
Q

Define program music.

A

Music with an accompanying story or text or work of art.

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11
Q

What are the two simplest forms and define each.

A

1) Binary form (A-B). Has two main themes.

2) Ternary Form (A-B-A). Has two main themes with the first theme repeated at the end.

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12
Q

What is the multimovement cycle?

A

Consists of three to four movements in prescribed forms and tempos. Present in major instrumental genres like the symphony, sonata, string quarter, chamber music, and concertos in the Classical and Romantic eras.

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13
Q

What is the Sonata-Allegro form?

A

The longest movement in the cycle and the first movement. Establishes a home key, moves or modulates to another key, and then returns to the home key.

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14
Q

Define the key parts of the Sonata Allegro Form.

A

1) Exposition (Statement) - Presents Each of the themes and its expansion in their opposing keys.
2) Development - Builds up tension to the return on the home key.
3) Recapitulation - The return to the first theme in the home key. Both first and second theme is performed but in the home key.

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15
Q

Define the parts of the Exposition of the Sonata Allegro.

A

1) Slow Introduction - Optional. Not necessarily a part of the exposition in all cases.
2) First Theme and its Expansion in the Tonic/Home Key.
3) Bridge - Modulates the Key to a Contrasting Key from the Tonic/Home Key.
4) Second Theme and its Expansion in the Contrasting Key.
5) Closing Section/Closing Theme - Cadence in a contrasting key.
6) Exposition reported once more.

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16
Q

Define the parts and qualities of the Development of the Sonata Allegro.

A

1) Tension Building Back to Tonic Key - Done through the use of frequent modulation to foreign keys and fragmentation and manipulation of themes and motives.
2) Transition back into the tonic key.

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17
Q

Define the parts and qualities of the Recapitulation of the Sonata Allegro.

A

1) First theme and its expansion in the tonic key.
2) Bridge - Rarely modulates in key.
3) Second theme or theme group in the tonic key - transposed into the tonic key from its initial exhibition in the contrasting key.
4) Closing theme/cadence in the tonic key.
5) Coda - an extension of the closing idea that leads to the home key.

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18
Q

Which movement in a major work is always in the sonata allegro form in the Classical Era?

A

The 1st Movement.

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19
Q

What is the second movement in a multimovement cycle and what are its qualities?

A
  • It is usually an Andante or Adagio in the A-B-A (ternary) form, a shortened sonata form, or a theme-and-variations form.
  • The slow movement of the cycle to contrast the Allegro that proceeded it.
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20
Q

What is the main form used in the second movement of the multimovement cycle?

A

The Theme and Variation form.

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21
Q

Define the key points and qualities of the theme and variations form.

A
  • Theme clearly stated out the outset and is the point of departure for all future movements.
  • Theme is usually a small two or three part idea.
  • The theme is followed by a series of variation with some new modification.
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22
Q

How is the theme varied in the theme and variations form?

A
  • Adding or omitting notes in the melody. (Melodic Variation)
  • Shifting the melody to another key. (Melodic Variation)
  • Chords that accompany the melody are replaced by others. Like minor to major key. (Harmonic Variation)
  • The shape of the accompaniment changed. (Harmonic Variation.)
  • Melody Moves to a Lower Register with new harmonies sounding above it. (Harmonic Variation)
  • Note lengths, meter, or tempo change. (Rhythmic variation.)
  • Interweaving the melody with new themes or countermelodies.
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23
Q

What is the main form used in the third movement of the Classical symphony?

A

Minuet and Trio.

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24
Q

What are the origins of the minuet and trio?

A

The Baroque era. The minuet was originally a court dance with triple meter. Had a symmetrical construction.

25
Q

Define the key parts, structure, and qualities of the minuet and trio.

A
  • In the A-B-A form. Made up of two dances with the first being played again after the second.
  • The B dance was arranged for only three instruments, thus the name trio.
  • da capo at the end of the B dance to indicated that the A was to be played over again.
26
Q

Define the binary form of the minuet and trio.

A
  • Minuet (A) - (a-a-b-b)
  • Trio (B) - (c-c-d-d)
  • Minuet (A) - (a-b)
    (a - first melody of first dance, b- second melody of first dance, c - first melody of second dance, d - second melody of second dance.)
27
Q

Define the Rounded Binary Form of the Minuet and Trio.

A
  • Minuet (A) - (a-a-b-a-b-a)
  • Trio (B) - (c-c-d-c-d-c)
  • Minuet (A) - (a-b-a)
    (a - first melody of first dance, b- second melody of first dance, c - first melody of second dance, d - second melody of second dance.)
28
Q

What part replaced the Minuet in the Minuet and Trio in the early 19th century?

A

The Scherzo.

29
Q

Define the Scherzo’s qualities.

A

A quick-paced dance in triple meter. Marked by abrupt changes of madd from humorous to whimsical to mysterious and sometimes demonic.

30
Q

What is the Last/Fourth movement in the Multimovement Cycle?

A

1) Sonata Allegro Form

2) Rondo/Sonata-Rondo

31
Q

What is the simplest form of the Rondo?

A

An extension of three part form. A-B-A-C-A. Eventually grew more ambitious to things like A-B-A-C-A-B-A. Symmetrically structured. Featured a catchy dance-like theme to be heard over and over again.

32
Q

Define the setting and qualities of chamber music.

A
  • For about 2-10 performers. Smaller settings and gatherings. Mostly performed at social functions.
  • Most important genre of chamber music was the string quartet.
  • One player performs each part.
33
Q

List the genres of chamber music.

A

1) String Quartet.
2) Serenade
3) Divertimento
4) Sonata - The most expressive of the genres of chamber music.

34
Q

What are the roots of the Classical symphony?

A

The overture of Italian Opera.

35
Q

What are some of the developments in Classical Symphony added by German composers?

A

1) Rocket Theme - The use of a quick and aggressively rhythmic theme rising from low to high register at speed.
2) Steamroller Effect - The use of drawn out crescendos that slowly gather force while building to a climax
3) The addition of a dance movement, a minuet, to the end of the cycle.

36
Q

Describe the instrumentation in the Classical symphony orchestra.

A
  • All four families of instruments, woodwind, brass, strings, and percussion, present in the orchestra.
  • Strings were the heart of the orchestra.
  • Woodwinds provided varying color and doubled the strings often.
  • Brass sustained harmonies and contributed body to the sound.
  • Timpani served as the main percussion and provided rhythmic vitality.
  • Numbered 30-40 players. Volume did not get reach the levels of the concert hall until later.
37
Q

What are the four movements of the Classical Symphony? (Note which one is optional.)

A

1st - Sonata-Allegro
2nd - Often A Three-Part Form or Theme and Variation
3rd - Minuet and Trio
4th - Sonata Allegro/Rondo

38
Q

Define the cyclical form and what symphony it is used in.

A
  • A theme or musical idea from one movement returns in a later one.
  • Beethoven’s 5th Symphony.
39
Q

What is the pace of the three movements of a concerto?

A

Fast-Slow-Fast

40
Q

What is a cadenza?

A

A virtuosic solo passage in the manner of an improvisation that comes towards the end of a movement.

41
Q

What is first movement concerto form?

A

Like sonata allegro form but with a double exposition. Solo cadenza appears at the end of the movement and a coda closes it out.

42
Q

Name two famous women virtuosos of the 18th century.

A

1) Maria Anna Mozart

2) Maria Theresia von Paradis - Blind

43
Q

Define a mass.

A

A musical setting of the most solemn service of the Roman Catholic Church.

44
Q

What is a requiem?

A

A musical setting for the mass of the dead.

45
Q

What an oratorio?

A

The musical staging generally focused on a Biblical story or text.

46
Q

Define opera seria.

A

Serious or tragic opera. Highly formalized in Italian opera. Designed to showcase the virtuosity of a singer.

47
Q

Define comic opera/ballad opera/opera buffa.

A

Comedic opera the often poked fun at the aristocrats. Written in the vernacular.

48
Q

Give a brief synopsis of the plot of Don Giovanni.

A

Don Giovanni seduces a woman and breaks her heart, tries to seduce another. Takes one out of marriage. Invites a statue to dinner. Stature drags him to Hell.

49
Q

Why does the Viennese School tend to be called Romantic?

A
  • Deeply emotional character
  • Minor mode
  • Dramatic themes and modulations
  • New Orchestration and instruments
  • Sudden dynamic contrasts
  • Daring modulations
  • Explosive accents
50
Q

Describe the life, composition style, and major works of Mozart.

A

Mozart was a young virtuoso born in Austria and showcased around the world. Established himself as a freelance musician in Vienna but wasn’t responsible. Only composed when rushed by a patron and so he finished The Magic Flute before his requiem mass to make a paycheck. He died before the age of 36. His piano concertos were incredibly important in elevating the piano in classical music. Major operas: Don Giovanni, Marriage of Figaro, The Magic Flute. Major Pieces: A Little Night Music Serenade, Requiem (unfinished), Symphonies, Piano Concertos

51
Q

Describe the life, composition style, and major works of Beethoven.

A

Also a young virtuoso born in Germany. Moved to Vienna at 22 where he made his way without being in the direct service of the court. Lost his hearing in his 20s, considered giving up but stuck to music. Composed through the vibrations he felt etc. Master of large scale forms like Sonatas and Symphonies. The most romantic of the composers for his dynamic use of emotion, tempo, and crescendos. Became a Romantic later in his life. Beethoven’s Fifth Symphony is one of his key compositions.

52
Q

Describe the life, composition style, and major works of Haydn.

A

The old guard of the three composers of the Viennese school. Composed in the court in a Hungarian prince for most of his life. Wrote a lot of chamber music as if it were his job due to the functions of a royal court, specifically hosting social gatherings. Wrote The Creation, along with the Emperor’s String Quartet.

53
Q

Give a brief plot synopsis for Mozart’s Opera The Magic Flute.

A

Main character Tamino is looking for a good deed. Three ladies give him a test to save them from a Drago. After he rescues them, he sees a picture of Pamina and falls in love. He finds out from her mother, The Queen of the Night, that she’s been taken prisoner by Sarastro in a Temple. Tamino promises to rescue her. Morostatos, an agent of Sarastro tries to rape Pamina. Found by Tamino. Meets a bird man, Papageno, who later gets a bird wife, Papagena. All are taken prisoner by Sarastro who reveals that the Queen of the Night is the real villain. Tamino passes the tests of the order and becomes a member of the temple and lives happily ever after with Pamina.

54
Q

How many movements are there in Classical Symphony?

A

Four Movements.

55
Q

How many movements are there in the Classical Sonata?

A

Three Movements.

56
Q

How Many movements are there in the Classical String Quarter?

A

Four Movements.

57
Q

How Many Movements are there in the Classical Concerto?

A

Three Movements.

58
Q

In Classical Works with Three Movements, which one is omitted?

A

Minuet and Trio or Scherzo and Trio.