Classical Counterpoint Flashcards

1
Q

Monophony

A

A solo melody. A single line of music

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2
Q

Homophony

A

A harmonized melody. A melody with chords

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3
Q

Polyphony

A

More than one melody happening at the same time.

Poly - Many
Phony - Voice

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4
Q

What is counterpoint

A

2 or more melodic lines working together to create music

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5
Q

What does consonance refer to

A

Greater and lesser degrees of relaxation

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6
Q

What does dissonance refer to

A

Increases and decreases in tension

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7
Q

What is Species Counterpoint

A

Species Counterpoint identifies the voices rhythmic relation to one another.

It defines how to use consonance and dissonance.

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8
Q

Species 1 Counterpoint

A

The bass and Treble voices use the same note durations. A ratio of 1:1

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9
Q

Species 2 Counterpoint

A

One Voice has 2 or 3 notes for each single note in the other voice
A ratio of 2:1 or 3:1

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10
Q

Species 3 Counterpoint

A

One voice has 4 notes for each single note in the other voice.
A ratio of 4:1

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11
Q

Species 5 counterpoint

A

A mixture of all species. Also called florid counterpoint.

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12
Q

What are the 2 groups of non chord tones.

A

Notes that are prepared and resolved by step

Notes that prepared and resolved by leap

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13
Q

Where are consonant notes nearly always placed.

A

On a strong beat.

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14
Q

What is a grouping of notes (CT-NCT-CT) called

A

A figure

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15
Q

What modern chord tones are considered dissonance in baroque music

A

7th, 9th, 11ths, 13ths

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16
Q

What intervals are avoided when moving by leap

A

7ths and augmented intervals

17
Q

What must happen after a leap larger than a 4th?

A

The melody must immediately change direction.

18
Q

When writing counterpoint what is the original melody line referred to as.

A

Cantus Firmus

19
Q

Define Punctus Contra Puntum

A

counterpoint

20
Q

What are the loose origins of counterpoint

A

Composers would be hired by the wealthy to write contrapuntal lines against familiar melodies

Usually the music was used for celebrations such as weddings, birthdays etc.

21
Q

Ratio Rules

A
  1. Ratios do not account for rests. A rest is considered a silent “note”
  2. A Syncopation ia when notes are tied over the beat OR a stronger portion of the beat. Articulations occur on the off beat.
  3. Intervals are identified in their simplest forms except 9ths.
22
Q

What makes counterpoint effective?

A

Strong melodic lines 2 w/ independent rhythms.

These pitches and rhythms must also work well together

23
Q

Contrary Motion

A

Two notes moving different intervals in opposite directions

24
Q

Parallel motion

A

Two notes moving the same direction and intervals

25
Q

Oblique Motion

A

One voice moves, the other voices stays stationary

26
Q

When does syncopation occur

A

Syncopation occurs when one voice articulates on the weaker beat or weaker portion of the beat while the other voices note occurs on the beat

27
Q

Hierarchy of note groups

A

Several notes - Motive
Several motives - Measure
Several measures - Melodic gesture or Phrase
Several phrases make a piece of music

28
Q

Perfect Authentic Cadence

A

Dominant to tonic movement with the tonic scale degree in the treble. and both chords in root position

29
Q

Imperfect authentic cadence

A

Dominant to Tonic chords with :
3rd or 5th may be in the treble of the tonic chord
Either chord can be voided with the 3rd in the bass
Leading tone can be substituted for dominant