Classical Flashcards

1
Q

Age of Enlightenment

A

a european intellectual movement of the late 17th and 18th centuries emphasizing reason and individualism rather than tradition. it was heavily influenced by 17th century philosophers such as Descartes, Locke, and newton, and its prominent figures included Kant, Gothe, voltaire, rousseau, and Adam smith. (concise oxford)

Stressed the power of humanity through the application of reason, to understand and improve its condition and the power of the individual, granted sufficient liberty, to use reason above all else
Kant: Mans emergence from his self imposed immaturity”
Idea still resonate to our society today.
Do not just do what you’re told, think for yourself and educate yourself

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2
Q

Glorious revolution

A

The Glorious Revolution,also called the Revolution of 1688, and the bloodless revolution, was the overthrow of King James II of England (James VII of Scotland and James II of Ireland) by a union of English Parliamentarians with the Dutch ruler: William of Orange. William’s successful invasion of England with a Dutch fleet and army led to his ascending of the English throne as William III of England jointly with his wife Mary II of England, in conjunction with the documentation of the Bill of Rights 1689.

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3
Q

François-Marie Arouet (Voltaire)

A

(1694 - 1778)
was a French Enlightenment writer, historian, and philosopher famous for his wit, his attacks on the established Catholic Church, and his advocacy of freedom of religion, freedom of expression, and separation of church and state. Voltaire was a versatile writer, producing works in almost every literary form, including plays, poems, novels, essays, and historical and scientific works. He wrote more than 20,000 letters and more than 2,000 books and pamphlets. He was an outspoken advocate of several liberties, despite the risk this placed him in under the strict censorship laws of the time. As a satirical polemicist, he frequently made use of his works to criticize intolerance, religious dogma, and the French institutions of his time. Became a leader among a group of French thinkers who called them selfs: philosophies

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4
Q

Denis Diderot

A

(1713-1784)
was a French philosopher, art critic, and writer. He was a prominent figure during the Enlightenment and is best known for serving as co-founder, chief editor, and contributor to the Encyclopédie

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5
Q

Jean-Jacques Rousseau (1712 - 1778),

A

was a philosopher, writer, and composer of the 18th century. His political philosophy influenced the Enlightenment in France and across Europe, as well as aspects of the French Revolution and the overall development of modern political and educational thought.

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6
Q

Glorious revolution

A

The Glorious Revolution,also called the Revolution of 1688, and the bloodless revolution, was the overthrow of King James II of England (James VII of Scotland and James II of Ireland) by a union of English Parliamentarians with the Dutch ruler: William of Orange. William’s successful invasion of England with a Dutch fleet and army led to his ascending of the English throne as William III of England jointly with his wife Mary II of England, in conjunction with the documentation of the Bill of Rights 1689.

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7
Q

François-Marie Arouet (Voltaire)

A

(1694 - 1778)
was a French Enlightenment writer, historian, and philosopher famous for his wit, his attacks on the established Catholic Church, and his advocacy of freedom of religion, freedom of expression, and separation of church and state. Voltaire was a versatile writer, producing works in almost every literary form, including plays, poems, novels, essays, and historical and scientific works. He wrote more than 20,000 letters and more than 2,000 books and pamphlets. He was an outspoken advocate of several liberties, despite the risk this placed him in under the strict censorship laws of the time. As a satirical polemicist, he frequently made use of his works to criticize intolerance, religious dogma, and the French institutions of his time. Became a leader among a group of French thinkers who called them selfs: philosophies

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8
Q

Denis Diderot

A

(1713-1784)
was a French philosopher, art critic, and writer. He was a prominent figure during the Enlightenment and is best known for serving as co-founder, chief editor, and contributor to the Encyclopédie

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9
Q

Jean-Jacques Rousseau (1712 - 1778),

A

was a philosopher, writer, and composer of the 18th century. His political philosophy influenced the Enlightenment in France and across Europe, as well as aspects of the French Revolution and the overall development of modern political and educational thought.
In 1752 wrote Le Devin du Village (1752)
simple music (drawn from folk songs)
plot: shepherd and sheaperdess love each other that drew on conventions of Italian opera Buffa.
Simple unpretentious music that everyone liked. Became very popular.
Rouseau writes about the drawbacks of french music too in his letter on French music. in this he is saying that this debate is pointless

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10
Q

Philosophes

A

An optimistic group
Believed that human beings were innately good, and society could be perfected if reason was permitted to replace superstition and tradition in the shaping of the social order.
This led to the new outlook on the relationship between the individual in the state and God.

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11
Q

Encyclopédie

A

A movement in the classical era to write down and categorize all knowledge

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12
Q

Seven years war

A

Began in America
1756-1763
Showed the military strength of Prussia and Frederick the great
long dispute between France and great Brittian. Also happened in India
It’s steaks were the supremacy in the growing world economy, control of the colonies, and command of the sea.
Both were fairly evenly matched in territory and resources.
Expulsion on the Acadians, plains of Abraham. British dominance over North America.
William Pitt guided Brittian through the seven years war.
Could be considered the First World War
Britain emerged as one of the great powers
Prussia gained military status

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13
Q

American Revolution

A

(1775-1781)

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14
Q

Industrial revolution

A

From hand made things to factory made things

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15
Q

Textile mills

A

is a factory housing powered spinning or weaving machinery for the production of yarn or cloth from cotton,[1] an important product during the Industrial Revolution when the early mills were important in the development of the factory system.
Spinning jinny: 1764

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16
Q

Steam engine

A

1745-1755

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17
Q

Technological improvements to music printing and instruments

A

Allowed the music trade to become international in the second half of the 18th century.
Instruments became more affordable.
More cities = more people = more people who want concerts.

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18
Q

Music periodicals

A

Audiences wanted to know more about the Music that was being performed at the concerts they were at.
Important because composers were starting to become cultural icons and consequently less dependent upon the patronage system.
Examples:
German composer and theorist Johann nikolaus attempted to educate the general public so they could appreciate music more.
John mainwarings: memoirs of the late Handel.

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19
Q

Musicologist

A

A musicologist is someone who studies music (see musicology). A historical musicologist studies music from a historical perspective. An ethnomusicologist studies music from the perspective of different world cultures (see ethnomusicology).

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20
Q

Charles Burney (1726-1814)

A

Organist and composer

Wrote the general history of music. A four volume work published in 1776-89 that he traveled greatly for.

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21
Q

Classical

A

Period between 1750 and 1800
Although short it gets its own era because of what happened in these few short years.
Classical is enduring, the ideas developed here are the building blocks of our modern society.
Related to balance, proportion, and naturalness. To understand what happens in history after this period one has to understand classicalism. The “craziness” of the romantics and modern era make sense then,

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22
Q

natural’ / ‘artificial

A

avoid artifice or too much ornamentation
polarity between natural and artificial.
this is what they want for their art.
its a reaction to the ornamentation going on at the end of the baroque.
invite nature into your compositions and avoid artifice.
Ornate (baroque) to simple (classical)
Passionate

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23
Q

Homophony

A

one melodic line that is harmonically supported but never up staged
“Subordinate voice or voices support and single prominent melodic line- as opposed to the continuo homophony of the baroque era.
Prominence of B.C fades away (expectation: conservative opera and church music). the bass line in the baroque is kinda its own part. but here it kinda fades in except for those 2 genras)

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24
Q

Bass line

A

Is no longer and independent voice in the classical.

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25
Q

Periodic Phrase Structure

A

symmetry
antecedent/ consequent (call and response)
things doing what you expect them to do.
every thing is balanced.
Found in operas, symphonies, concertos, and chamber music.

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26
Q

Antecedent / Consequent musical statements

A

when a weakly conclusive phrase (antecedent) pairs with a stronger more conclusive phrase (Consequent). There WILL be a cadence after the first part.

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27
Q

Syntactic vs paratactic form:

A

fewer paratactic forms so more:
syntactic form: means melodic material comes back. paratactic means you go from one thing to the next to the next…….
“A few thematic ideas are manipulated in various ways over the course of a movement” over “discrete thematic ideas that follow each other in sequence”

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28
Q

Harmonic rhythm

A

Slowing of the amount harmonies changed in a phrase or set of phrases
in the baroque it is not unusual to have different harmonies for every note. this is one of the things that makes it interesting. Classical they dial this back. harmonies change for larger functional reasons. So we are focusing on the melody line and not much else essentially.

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29
Q

Balance / proportion

Asymmetry and irregularity.

A

At a glimps classical music is this was, it is apparently ordered.
“The sence of balance And proportion that characterizes the classical style, it is equally countered by and undercurrent asymmetry and Irregularity.
We tend to think that composers were shackled by rules but in fact there were only conventions to observe, and consequently bend.
Painting of the girl: the illusion of order.

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30
Q

Sonata form

A
Exposition: exposes thematic ideas 
Development: manipulates these
Recap: return of exposition.
See RCM for more details. 
Listening: Scarletti sonata in D+
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31
Q

Empfindsamkeit

A

German for sensibility.
Describes A characteristic aesthetic associated with the new style.
German for Sensitivity. Emfind is a German word that means to sense something. to find inside one self. sam makes it an adjective, and keit is a noun. so a noun and a verb to find in side one self ish. basically very hard to follow in English.
other labels for some movement: Galant, rococo
Simultaneously emotion and refined.

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32
Q

Rococo/ Galant

A

Term borrowed from art history and used by some music historians to describe The musical style of the mid 18th century, emphasizing qualities of lightness and grace

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33
Q

Alberti Bass

A

Repeated figurations on a series of Triadic harmonies

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34
Q

Carl Philippe Emmanuel Bach

A

(1714-1788)second surviving son of bachs first wife Maria,
Chamber musician and clavencinist to Frederick the great of Prussia.
In 1753 he published the first volume to volume treatise on harpsichord technique,
second oldest son of bach chamber musician and harpsichord player for Frederick the Great (Fredrik II) at potsdam
great musicians there, including Quantz (flute)
he hired the best people he could find and gave them all this freedom.
Candidacy to replace his father in Leipzig denied
got hamburg job as a replacement for Telemann.
Charles Burney watched CPE play and writes an account of it. he gets sweaty basically.

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35
Q

Johann Christian Bach

A

(1735-1782)
youngest son of J.S.B
the London Bach
studied first with dad, then CPE (big bro)
went to Italy (organist at Milan Cathedral, 1760) then London England (1763)
his opera Orione, was a success in London and it encouraged his to move there
Became music master for Queen Charlotte
his music stops selling.
died in debt, Queen charlotte paid a pension for his wife (and his debts)

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36
Q

Heinrich Christoph Koch (1749-1816)

A

Just As a linguistic sentence consists of a subject and a predicate so can music.
applies linguistic idea of subject and predicate to music
he is trying to set out all the musical rules of german music like grammar.
So he takes for example:
subject: the main noun in a sentence, what it is about.
predicate: tells us something about the subject. I am eating an Apple, I is subject and apple is predicate. It is the completion of the thought.
So musically, what is the subject?
first 2 or 4 bars of a melodic line, also known as the antecedent
and what is predicate?
second following 2, or 4 bars of the melodic line, also known as the consequent.

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37
Q

Hauptsatz

A

German for head sentence or topic sentence.
The inner coherence of an instrumental work, according to Koch, depends on how the composer manipulates and sustains the Hauptsatz.

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38
Q

Johann Philipp Kirnberg

A

(1721-1783)
student of J. S bach
1771: Allgemeine theoriie de sconen Kunste (General theory of the final arts
1774: die junst des reinen Statzes in der music (The art of strick composition in music)
317: the functon of the Hauptzatz (or theme)
how to keep the main mood introduced by the Hauptsatz through variation and variety through the piece
quotes mattheson: Hauptzsatz in like a scripture reading that informs the sermon, in church.
people have no problems in writing essays we do not think I’m not a great writer i cant do that, but people do that when writing music. So this guy writes a guide for music basically

39
Q

Sonata

A

Quintessential domestic genre of instrumental music in the classical era
See RCM

40
Q

String quartet

A

Preforming forces: 2 via lines, viola, and violoncello. All have similar sound.
No b.c
Domestic genre
4 movement string quartet becomes standard
3-4 and 5 movement ones are possible though. these are more common earlier though.

String Quartet in C major, Haydn.
opus 33 no. 3
the bird.

Main features:
F movement of the Bird:
Listen:
relationship between figures in carious voices. there are 3 figures, and they are immitated in the other voices, like dialogue
are repeated, lower notes just accompaniment. sets the mood for the piece. lightens it, makes what happens above it more important.
where is the melody, when?

2nd movement:
minuet and trio
Haydn called it the ScherzoListen for:
Distinction between “minuet proper and trio

Third movement:
Sonata form (with an interesting return of the exposition
Key areas confirm its sonata nature
Called Sonata form with varied reprise.

Fourth movement:
Rondo
thme A is in tonic, three times, dispersed
Theme B:
First time in A minor
Second time in C major
Coda
Table on pg 322. 

Why is it called the bird
repitition of single pitches in quick succession = bird cals
Bird like themes (mvt 1: repeated pitches, mvt 2 the trio mvnt 4: violin themes)
elaboration on previous themes = variations
ornementation.
But Haydn probably did not say that he was going to write about birds.

Cyclical coherance/ unity
several factors “bind” each movement together with the whole
in the first
first inversion of triands
heavy use of thirds and arpeggios in violins and violas
mood created by the work as a whole
In Later classical works:
thematic material is carried over from mvt to mvmt.

41
Q

Symphony

A

Origin of the Symphony
interesting enough, the cradle of the symphony is in the vocal world.
symphonies were at first openings of an oratorio of opera
Haydn called the opening of his Missiah a Symfonia (but like a symphony Symfonia)
We still see this today in instrumental openings of musicals and films (mis 20th c.)
Either 1 or 3 movement works.
if it is 3 then it is fast-slow-fast like a sonata.

A Genra on its own in the 1720s
Performances at public concerts, courts, churches
Giovanni Battista Sammartini
is the guy we attribute to the first symphonies conceived of as an independant work (no vocals)
so he developed this not really knowing where it was going

Symphony = a group of Musicians
you do not know in the classical if you are talking about a group of people or a form.
aka london symphony orchestra is a people and a literal work
At first:
there was violins, violas, cellos, basses
Then:
if you had some money:
oboes (flutes (French at first) bassoons
Then later (latter half of the 18th c. they are standard
horns, trumpets, tympani
Clarinets are not used till 1770’s. they were also not really standardized at this time
Others used sometimes:
english horns, cymbals, triangles, other percussion.

talking about the form of the symphony
they really only have 3 movements instead of the standard 4
the 3 mvmt ones derive from the Italian overture
so 3 mvmt ones are kinda just the next generation of the Italian overture (not french)
but this is NOT a deffinative
composers could change it up
like slow medium fast, etc.
so we can not just throw symphonies is this standardized box at first

Standardized Symphony
started around 1770
so why?
Social pressure
it got really popular really fast.
so they got stereotyped.
four movements:
first: Sonata form “weighty” musical “figure head”. usually in a different key.
Second: Slow sonata form, or sonata minus developpment
(slow movement sonata form (theme and variations, some ABA ternary
Third: usually the minuet, main point is that is derived from dance music. They are still clinging to this. it is trying to evoke a livley vivid mood for you. and if you call that dance well thats great. But really they’re not dance like
fourth: faster, emotionally compelling. gets your pulse going.
form: sonata, rondo, sonata rondo.
so this is your classical symphony.

42
Q

Concerto

A

showy. the genera for show offs, especially the keyboard
keyboard player now has harpsichord or piano options
Three movements: Fast-Slow-Fast
cadenzas at the end of the first movement (sometimes others too) cadenzas are “moments of intense improvisation”.
we are reaching back into the Baroque with this concept
remember the piano forte looked a lot more like a harpsichord back then

1st movement:
Sonata form or
Expanded version: double exposition Concerto form
First exposition: full orchestra (tutti exposition
and stays in the tonic at the end
Second exposition: the soloist (solo exposition)
And modulated to V or I or III at the end.
Box on pg 33.
so you’re tipping your toe into the development on the second on. On the first you you stay put.

Mozarts Piano concerto in D Major:
Based on he first movement of a keyboard sonata by the London Bach (J.C.B sonata in D major)
Different instrumentation. it is now not just 1 instrument, it is many.
Listen to the ends of the expositions.
harpsichord is the basso continuo for some of it.

43
Q

Minuet

A

One of he inner movements (usually the fourth) in a sonata
Often rollicking and sometimes down right boisterous.
Derived from baroque dance form
In tripped meter and consists of two juxtaposed binary forms.
1. Minuet proper
2. Trio
Minuet repeated,

44
Q

Rondo

A

A type of movement associated with finales and found in many different instrumental genres, including symphonies, string quartets, concertos, and sonatas.
Derived from baroque dance form
Alternation of reoccurring theme with different material
ABACADA

45
Q

Refrain

A

Reoccurring idea (the A) in rondo

46
Q

Episode or couplet

A

Contrasting ideas in rondo (B,C,D etc)

47
Q

Sonata rondo

A

Sonata rondo form
refrains return between episodes (rondo like)
what makes it sonata like
first episode is in the dominant key area (you would expect the next part of a sonata to be in the dominant and an episode in a rondo is the next part)
first episode repeated at the end, between iterations of the refrain= tonic key

48
Q

Sturm und Drang

A

Get RCM definition

49
Q

Italian Overture

A

Consisted of three movements: fast slow fast
Predecessor to the modern symphony
Haydn used it sometimes

50
Q

Sonata form with varied reprise

A

Exposition is not repeated nite by note but instead written out and changed in subtle ways.

51
Q

Four-movement symphony structure

A

Sonata form “weighty” musical “figure head”. usually in a different key.
Second: Slow sonata form, or sonata minus developpment
(slow movement sonata form (theme and variations, some ABA ternary
Third: usually the minuet, main point is that is derived from dance music. They are still clinging to this. it is trying to evoke a livley vivid mood for you. and if you call that dance well thats great. But really they’re not dance like
fourth: faster, emotionally compelling. gets your pulse going.

52
Q

Public concerts

A

Latter half of the 18th c.
London, Paris, Vienna
the popularity of “a night out for the symphony” say in a Brittish high classvoice
Plays a role in standardizeing the symphony as a form
standardize it to the point where the upper-middle class could under stand what is going on. And give those ladies something to talk about after
London:
Bach able concerts (1766-1782)
Organized by J.C Bach and C.F Able (fellow German cello player)
London: the concerts of Ancient music
Music had to be at least 20 years old
Paris: Concerts Spiritual series (1725-1790) it was put on during times when they were not allowed to have opera for church movements. So they were supposed to have a spiritual aspect.
Vienna several public Concerts
178’s: organized by Mozart to show-case his piano skills. and he normally played concertos.
London had the most.

53
Q

Double-exposition concerto form

A

Two expositions
1: for full orchestra. Does not modulate
2. For soloist. Begins in tonic then moves to second key area.
Development and recap are same as typical sonata form.
Solo cadenza (intense improvisation part ) at end commonly.

54
Q

Franz Joseph Haydn

A

Born in Rohrau Austria in 1732
At age 6 he was sent to live with Johann Matthis Frankh in Hainburg
Learned harpsichord, violin, and singing at church
at age 8 got scouted by St. Stephens Cathedral In Vienna (1740)
At age 16, thrown out of the cathedral choir. His voice broke.
Finds work as a music teacher in Vienna and For Count Morzin
Gets position with Esterhazy family (1761). at first he retains none of the rights to his compositions. it meant that Haydn could not publish his works then sell them.
Renegotiates contract in 1779. he could publish now.
goes to England for 5 years. but still employed there. But has way less to do for them.
returned to continent and stayed in Vienna until his death. Still wrote some stuff for the Esterhazy’s
Died 1809

55
Q

Opera Buffa

A

The Baggars Opera (J. Gay, 1728)
Makes a caricature out of opera seria
characteristics:
simple melodies
libretti contain every day people
Duets, trios, etc, (instead of focus on solo arias)
very new da capo arias
involved bass singers. Opera seria basses tent to be the guard at the castle then go away for the rest of the opera. But in Buffa they take the spotlight. They have big roles, sometimes with a comic tinge.
Avoid castrari, lighter subject matter. Generally more widly appealing.
this has a wider appeal to other people because its not just a reflection of the nobility
it started in England, but it has appeal on the continent too.

56
Q

Intermezzo

A

it did not start life as a lampoon of Opera seria but rather its brother.
Lighter pieces of entertainments between the bigger acts of opera seria were called Intermezzi.
Singular: Intermezzo.
Relate this to the intermeddi.
Sung Drams

57
Q

La serva padrona (1733)

A
keep in mind this is contrasting opera seria
cast: 3 people (one of whom is mute)
seripina (Soprano)
Uberto (bass)
Vespone (manservent, mute)

Plot: Part 1
Uberto is an exasperated with Seripina for being arrogant and tells Vespone to find him a woman to marry so he can get rid of her,

In the second part:
seripina and Vespone trick Uberto. Vespone disguises himself as tempesta, a man about to marry Serpina, who wants 4000 crowns dowry. When Uberto refuses “tempesta” tells him to either pay the dowry to marry Serpina himself. Which he does. So basically he’s so cheep he would rather marry the chick he was trying to get rid of over paying the 4000$.

58
Q

Giovanni battista Pergolisi

A

(1719-1736)

wrote the most well known of these including la Serva padrona

59
Q

War of the Buffoons

A

(Guerre des Bouffons) in 1752
La Serva padrona had been performed in Paris, By italians in 1746 and all was well
But then it was preforme in 1752 by a troupe that called them selfs the bouffons (the comedians).
It was performed in the Royal Academie, which was usually reserved for tragedie Lyrique.
So we have this academie that stands for the monarchy and Italians were performing this there. But now we have ideas about cultural mixing too.
Related to politics and supporters of the traditional French monarchist, against Italian e who wanted a lighter style almost musical theatre like opera. (King Louis French, Queen Marie Italian)
Also pitted aristocracy with intellectual bourgeois.
This was was faught mostly in Phamphlets
Jean Jacous rousseau. he was swiss
He wrote his own opera about what he thought opera should be for the people
Traditionalist lost.

60
Q

Quarrel of the Gluckists and Piccinnists (1770)

A

debate in france between French and Italian opera reopened 20 years after the war of the bouffons.
Gluck vs Puccinni. But both were foreigners.
Gluck was seen as a successor to Lully, Rameau, and the French Tragedie lyrique.
Piccinni was seen to represent opera Seria.

61
Q

Niccolo Piccinni

A

1728-1800
wrote and opera buffa La Cecchina, passia la buona Figliuola 9the good natured girl, 1760) this will eventually give us musical theatre. Plot is simple girl makes good. It is very sucessfull.
Invited to Paris in 1774 by Marie Antoninette
First Italian (after Lully) to write operas for the academie Royal. So they are starting to embrace a more international style.

62
Q

Christoph Willibald Gluck (1714-1787)

A

born and raised Chezch
he comes at reforming opera seria from the out side
Vienna (chamber musician)
Milan (Studied with Sammartini)
writes and opera seria (1741-1745)
operas in London (not great sucess) Handle says he sucks here.
back to Vienna. his compositions start to sound increasingly modern.
1755: begins conduction French opera comique peices for the Vioennese court. the court people are giving him French opera comique to kinda like cover. this goes on for about 10 years and he re writes a lot of French stuff.
1773/4: paris. gets embroled in the Opera Buffa fight. He sticks it our for about 5 years then moves back. The stir he makes politicaly brings him to our attention that way but also dont forget about his other contribution: opera reform.
1779: Vienna.

63
Q

Orfeo et Euridice (1762)

A

Contains operatic reforms that Gluck mentions in his preface to Alceste (although it premiered 6 years before his manifesto). A ‘happy ending’ was tacked on to the end of the Greek legend.

64
Q

Alceste (1767)

A

Glucks reform opera.
About queen Alceste’s devotion to her husband admetus. He learns he’s dying but his life can be spared if another mortal agrees to take his place, his wife does. In the end they both live.
See text pg 343 for more details.

65
Q

Gluck’s Operatic Manifesto / preface to Alceste (1769)

A
Resolved to free Alceste from all the abuses which have crept in either through I will advised vanity in the part of singers and indulged by composers. 
No da caop arias
Less vocal improv 
No long melismas 
Words more intelligible 
Less repetition of text. 
Accompanied recit 
Overture reflects mood
More prominent chorus.
66
Q

Synthesis of operatic styles

A

Mozarts later operas set a standard for this Genra. it was premeired in Prauge and they loved it there.
3 kinds of opera into 1:
opera seria: dramatic elements
Opera buffa: natural characters. Bass characters
Singspeail: German equivalant to music theater. there is singing but there is also spoken dialouge.

67
Q

Singspiel

A

German language spoken drams with interpolated musical numbers (arias, duets, trios, etc)
Forerunner to the later operetta and musical.

68
Q

Le Nozze di Figaro, Don Giovanni (1787), Così fan tutte, Die Zauberflöte,

A

Mozarts later operas
Libretto by: Lorenzo da Ponte (1749 - 1838)
Generally Considered his greatest operas.
Text and music probe deeply into central human concern and love and war between the sexes.

69
Q

Don Giovanni

A

Based off the legend of Don Juan, a Nobel man and notorious womanizer.
Both comic and serious
Pits men against women, commoners against novels, and individuals against community.

70
Q

Characteristics of classical sacred music

A

Simpler more chordal settings of the liturgy.
Basso continuo still present
Counterpoint
Stile Antico style: subjects in long note values and written in alla breve meter.
In HRE, political factors limited musical outlets after 1780… until his death in 1790
- influenced by Enlightenment thinking, Emperor Joseph II implemented extensive reforms to limit inherited privileges of nobility, and restrict the church’s influence [extending to music]
- elaborate masses with full orch, chorus, soloists were no longer welcomed
- court encouraged simpler more chordal settings of liturgy
- after death of Emperor, church still struggles with role of music in liturgy [restrictions relaxed, and eventually dropped]
~ the 1780s weren’t hospitable for sacred music in Vienna; Emperor limited scope of sacred music
~Mozart privately commissioned to write a Requiem, but didn’t finish… Constanze (widow) asked his pupils to finish it so she could be paid.

71
Q

virtuosic

A

In their orchestration, melodic style, and demand for vocal virtuosity, the sacred works of Haydn, Mozart, and others are indeed sometimes hard to distinguish from their secular theatrical works. On the whole, however, church music remained relatively conservative during the Classical era.”

72
Q

Mozart’s Requiem.

A

some sections still written in old style…i.e. elaborate fugues
~Requiem exemplifies blend of old/new style in sacred music
- Mozart drew on chorus from Handel’s Funeral Anthem for Queen Caroline…
- “te decet hymnus deus in sion”~in this section Mozart brings in Gregorian chant; 9th psalm tone in soprano (associated with Magnificat)
- “dona eis pacem”~this section brings back opening theme, but combined with countersubject
- controversy of Requiem–he died before he could complete it, and his widow/students finished it…the opening half is clearly his, but the rest is disputed who the author is

borrowing in first section (that mozart wrote)
Opening of the requiem is bassed off of Handles Isreal and Egypt.
chant borrowing from for the “te decet Hymnus deus in Sion” (9th psalm tone).
oping of mozart is clearly Handel.

comissioned anonymously by Count Franz Won Walsegg. why? so that he could then present it as a requiem for his dead wife and then call it his own. when he asked Mozart to write it he gave him half the money before so thats why his wife tried to get other people to finish it and hide it.
Franz xaver sussmayer compleated it in 1792
Copiest for mozarts late operas; student of Salieri in Vienna
Joseph von Eybler was approached first (by Mozarts wife constanze) but he refused to complete it.
Constanze has a benefit concert featuring the requiem after receiving $
Interviews with Constanze feed rumours.
Myth Mozart wrote this for his own death because he suspected he had been poisined. Constanze started this rumour.
Constanze look the requiem away from Mozart when he started to get sick because she thought it was straining him.
so our perception of this piece is more from Constanze then Mozarts.

73
Q

Baron Gottfried van Swieten

A

Mozart was able to obtain Handels score for the work anthem for Queen Charlotte from this guy.
He was a nobleman who took a special interest in the works of Handel and Bach,

74
Q

Johann Baptist Wanhal (1739-1813)

A

not mentioned in text
Wrote in Maria Theresas Vienna
There is a scarce a church or covenent in Vienna whuch has not every morning its mass in music: that is, a great portion of the church service of the day, set in parts, and performed with voiced accompanied by at least three or four violinn’s a tenor (viola) and bass) chello) besides the organ,.
so he is describing these musical forces that are happening every day.
so this is the vienna this guy lives in
Born in Bohemia (i.e chez Lands)
became a music teacher inn Vienna
went to Italy to study composition in his late 20’s to do the handle things
Returned to Vienna (age 31) and bacame a free-lance composer for the rest of his life
wrote 50 mass settings:
pastorial mass (missa pastoralis) in G major
mm. 65-68 violins call the cows.
there was a traditions at this time that the sheapherds come down into the towns and they play their pipes as kinda a christmas tradition. So when we hear bagpipes this is what they were depicting.

75
Q

Scarlatti ‘Sonata in D Major’; J.C. Bach ‘Sonata in D major’

A
Sonata
Has both baroque and classical styles.
Periodic phrase structure
Slow harmonic rhythm
Virtuosic runs
Sequential passages. 
Features two areas of harmonic stability, tonic and dominate. 
Lacks a clear return Of the opening idea in the tonic in the second reprise.
76
Q

Haydn ‘Piano Sonata in C minor’;

A

Sonata
Three movement work
Rapid shifts between forte and piano
Strum und Drang

77
Q

Haydn ‘String Quartet in C major’

A

Accompaniment and melody are “linked”

Slow third movement is in sonata form with varied reprise.

78
Q

Haydn symphony no 103

A

Drumroll: quiets audiences down
Sublime (imposing, powerful)
Opening theme in low strings
Slow intro

79
Q

Mozart piano concerto in D+

A

Based off of Johann Christian Bach’s keyboard sonata in D+
Sonata and double exposition concerto form
Also has rittornello form.

80
Q

Leopold Mozart

A

Mozarts father. Violinist and composer. Wrote Treaties on playing the violin
Violinist at the Satlzburg court of the Prince-Archbishop
author of a Treatise on the fundamental principales of Violin playing. this was actually a big deal
Education: Philosophy (partial law degree)
Composer
Married Anna Maria Pertl 7 children (5 died in infancy)
his dream was to give his children the musical dream he wanted.
Reconized children’s talents

81
Q

Maria Anna nenneral mozart

A

Mozarts older sister

Competent musician, but not as reconized because every one loved Mozart

82
Q

Wolfgang Amadeus Mozart

A

Born 1759 in Saltzburg Austria
Father wrote famous violin treaty
Child protege: toured Europe with younger sister
Concertmaster (church stuff) at fathers gig
Vienna: tried to make a living for him self.
Was a mason
Married Constance Webber
Died 1791
Exemplified classical ideals in his work
Explored and developed almost all classical Genres
Three mvmt concerto structure
Influenced by J.C Bach.

83
Q

Mozarts symphonies

A

Wrote less then Haydn but out more of a climax on the final movement, making it the ultimate movement in grandiosity
Ambitious
Wrote London symphonies as a calling card, he wanted to do the Haydn thing.

84
Q

Haydn quartets (Mozart)

A

Wrote 27 quartets, 6 dedicated to Haydn in 1785 because they worked together. Features prominent use of cello .

85
Q

Mozart concertos

A
40 or so. 
23 for piano
5 violin
4 horn
6 for other woodwinds
Designed to be simple enough for common folk to enjoy, but with enough complexity that the more educated listener could enjoy too.
86
Q

Mozarts sacred works

A

From his time In saltburg (1760-80)

Wrote masses , vespers, and offertories

87
Q

Song

A

Classical era: vocalist’s equivalent of (instrumentalist) sonata.
what she means by song is that it is basically a german leid in English. The vocal equivalent of a sonata.
pupular form of domestic entertainment
many published in collections.
Typically strophic

88
Q

Johann Friedrich Reichardt (1752-1814

A

Wrote about 1500 leider many by Gothe
des Knaben Wunderhorn dedicated to him
Born in Konigsberg (East prussia). he is the son of a lutenist and a town musician.
Studied philosophy (inspired by Kant)(who came from the same town as him);
was working composer
Kappelmeister for Frederick the great. He sent an opera to him and he liked it so he was hired. Marries daughter of former Kappelmeister. had a couple different children.
Friends with Goethe and Schiller, and some other famous poets.
Political. Has a weakness for it. he gets in trouble for being a bit more political then he should have been. gets to sympathetic for the French revolutionaries and Fredrick kicks him out. Becomes director of a salt mine. But composer by night.
Visits paris in 1802 and becomes super disillusioned with Napoleon.
Bureaucrat. graduates as a Bureaucrat with his philosophy degree.
leider lived on after his death. But most of his other stuff was forgotten by his death.
rediscovered by the Wandervogel/ movement (mid 19th C.) this was a youth movement. they are interested in rediscovering really folky German stuff. Because they are really into nationalism.
wrote essays and critiques of music and travel

89
Q

Johann Wolfgang van Goethe (1749-1832)

A

Famous poet of Age of Enlightenment. Wrote most of Germany’s most famous poetry.

90
Q

William Billings

A

1746-1800
born in Boston
Became a Tanner at age 14
composer and singing teacher eventually though and later his full occupation
wrote essays and books on singing instruction. he teaches to forget the letter names and just read the interval.
he did not keep up with the fashions of the time.
died poor and unpopular.
singing master for a lot of his life.
singing societies are popular in England now.

91
Q

New England psalm singer

A

1770

Billings first collection of published song

92
Q

The singing masters assistant

A

Second collection of published song by billings

1778

93
Q

Social song

A

Songs were used as domestic and Intervalic entertainment