church buildings ritual Flashcards

1
Q

11.1

domus ecclesiae?

A
  • literally the “house of the church”;
  • an originally domestic dwelling, converted for special uses;
  • there are common meals and areas for baptism;
  • This is also mirrored by the Jewish Diaspora when they didn’t have a synagogue.
  • Not a secret service, people still know you’re practicing church.
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2
Q

Dura-Europos?

A
  • knocking out the walls to have larger spaces for worship, such as to enlarge room 4 (conversion of room 6 into a baptistry);
  • Mid-3rd century.
  • More religious art used, e.g. frescoes.
  • frescoes with common Christian themes.
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3
Q

Intermediate Stage: aula ecclesiae

A
  • “hall of the church” in Latin;
  • still a domestic residence outside, more obvious and larger and pieced together;
  • not secret, recognizable by authorities and others
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4
Q

titulus? insulae?

A
  • a legal term referring to the deed;
  • larger urban assemblies in insulae (or tenements);
  • here, later converted to basilica;
  • insulae means island and tenement block;
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5
Q

Imperial Patronage?

A
  • Constantine as God’s vicar on earth —> new formulation of God as emperor of Heaven;
  • requires increased prestige;
  • Clothing of priests borrows features from Roman officialdom and court;
  • a new visual approach.
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6
Q

Basilica?

A
  • modification of the Roman legal (etc.) buildings;
  • long rectangle, with a nave and side aisles set off by colonnades;
  • often with an apse at one end;
  • a forecourt at the other;
  • after a certain point, usually oriented to the east; Pointed towards Jerusalem.
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7
Q

Apse?

A
  • Gk. ᾽αψίς, lit. “arch, vault”;
  • semicylindrical space;
  • often with an arch at the entrance;
  • could house seating for clergy;
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8
Q

Nave?

A
  • from Lat. navis, ‘ship’;
  • main body of church for people rather than clergy;
  • clergy often separated, in the east, by iconostasis; the clerical side contains the altar.
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9
Q

Baptistery?

A
  • usually separate, to the west of the church;
  • often round or octagonal;
  • water source;
  • with increased infant baptism, increasingly internal;
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10
Q

Liturgy?

A
  • Greek for ‘people’ and ‘work’;
  • originally public work of any kind;
  • in the Septuagint the term means service to the Temple;
  • Prescribed, public work;
  • The aim: atmosphere of awe and holy fear.
  • Generally conservative.
  • Very consistent, but not standardised, there were still different.
  • Scripture reading and interpretation.
  • Prayer leading up to the Eucharist and Communion.
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11
Q

Eucharist

A
  • Gk.εὐχαριστία, ‘thanksgiving’
  • central act of worship
  • NT institution accounts
  • 2nd century instructions, including the Didache, Justin;
  • worthiness or unworthiness to receive —> spatial divisions;
  • gradually evolving Eucharistic Prayer;
    increasingly separated from agape, or communal meal
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12
Q

Easter Orthodox vs Western Catholic Church Architecture

A
  • Eastern/Orthodox Churches usually have a dome, there’s a different cross.
  • Western/Catholic Churches more gothic architecture style.
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13
Q

Approaches to Church Architecture: Krautheimar, White, Theological vs Modern

A
  • Krautheimar: Art historical, how it grows out of late imperial art.
  • White: Social historical, how people use the spaces, what is available to them.
    Looks at Christian Architecture in its Roman context AND its Jewish context.
  • Theological context
  • Modern context – performance/ritual approach: what are you doing in the
    church?
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14
Q

Paul on the house of the church

A
  • Early Christian transformation, this is very soon after the death of Christ.
  • Meetings seem to be done in the home, perhaps a dining room.
  • There is often a common meal shared by those who attend.
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15
Q

Interior vs exterior church

A
  • Outer walls are plainer to be less ostentatious – the church is for God not to impress the people.
  • Inside the church much more art and colour.
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16
Q

Liturgical Calendar

A

Big weekly worship on Sundays – early attempt at not calling it ‘Sunday’ because of the pagan connotations. Some success in the East at doing this.

17
Q

11.2

Obstacles in Christian art focused on? Lack of?

A
  • text-focused training;
  • training focused on stylistic and technical analyses (i.e. art history);
  • difficulties in provenancing (origin);
  • lack of interdisciplinary communication;
  • literal lack of sources, esp. prior to third century.
18
Q

The Good Shepherd?

A
  • young, beardless;
  • common in Greco-Roman art;
  • also a common theme in OT & NT;
  • more than 120 in extant (saved) catacomb frescoes (here in the Catacombs of Callixtus)
    sarcophagus reliefs, statuettes, lamps
19
Q

Christ as Orpheus/Helios

A
  • Christ as Orpheus-figure, calming man, the wildest of animals (here, Catacomb of Domitilla);
  • Christ as Helios, the sun-god: Christ as the rising sun, Easter with rebirth of the sun, etc. (here Mausoleum M under St. Peter’s).
20
Q

What do you think of when you think of Christian art?

A

mosaic, stain glass, frescoes

21
Q

Orant?

A
  • often female figure with hands raised in prayer;
    cf. of course Greco-Roman prayer
22
Q

Popular Post-Constantinian Themes?

A
  • parting of the Red Sea;
  • the Nativity and adoration of the Magi;
  • narratives around the Passion;
  • miracles and healing;
  • portraits of Christ and the Saints;
  • formalism and frontality