Christo, Wei Wei, and Dadang Flashcards
1
Q
Christo Key Points
A
- interventions in the world and the built environment
- alters both the physical form and the visual experience of the sites
- allows viewers to perceive locations with a new appreciation of their formal energetic and volumetric qualities
2
Q
Christo Postmodern
A
- a new sculptural dimension, challenges conventions of art
- transformation, wrapping and revealing
- questions gallery space and the function of art and the role of the artist
- develops epic aesthetic accounts of the environment
3
Q
Christo Conceptual
A
- worlds out of gallery space
- documented form
- makes a statement to the audience
- no spontaneity
- entirely financed by artists
4
Q
Christo Cultural
A
- reveals essence of buildings in different locations
- fabric as a fascination of art, historical influence
5
Q
Christo, Wrapped Reichstag: Project for Berlin 1971-95
A
- For 2 weeks, the rich flow of vertical folds highlighted the features and proportions of the imposing structure, revealing the essence of the Reichstag
- Building stands in open, metaphysical area
- symbol of democracy
- shiny light coloured fabric takes force of the wind, building appears to be breathing
- communal energy (collaboration)
- forming folds, pleats and draperies
- classical tradition of using fabric
6
Q
Wei Wei Key Points
A
- his work is founded on an engagement with China’s cultural heritage
- responds to the contemporary issues in a changing China
- refers to himself as a readymade artist, merging his life and art to advocate both the freedoms and responsibilities of individuals
7
Q
Wei Wei Postmodern
A
- re-contextualises objects and challenges traditions and contemporary issues
- ready made: challenges every day function, questions value of art and role of artist
- social media as an art form
8
Q
Wei Wei Cultural
A
- works are layered with Chinese history and culture
9
Q
Wei Wei Conceptual
A
- responds to changes occurring
- challenges audience to reconsider historical culture
10
Q
Wei Wei, Sunflower Seeds
A
- preciousness of materials, effort of production, and personal content make this work a powerful commentary on the human condition
- porcelain (prized exports)
- seeds individually sculpted/painted in workshops
- traditional craftsmanship, “made in China” phenomenon
- vast sculpture and installation, commentary on relationship between individuals and masses
- poses questions: what does it mean to be an individual today? are we insignificant and powerless unless we stand together?
- perceptions are challenged
11
Q
Dadang Key Points
A
- father disappeared when he was 8, no explanation
- addresses social and political unrest
12
Q
Dadang Cultural
A
- use of real people in work - dedication to issue, personal
- monuments commemorating freedom
- raises awareness and sympathy
- cultural activism
13
Q
Dadang Post Modern
A
- performance art
- globalised culture
14
Q
Dadang Conceptual
A
- encourages audience to interact
- artist is aware of the effect on audience
- issues presented are “distant from their (audiences) reality” however they react and are “interested in the themes evident”
- different cultures = different presentation (black plastic)
15
Q
Dadang, They Give Evidence
A
- reflects the traumatic incident from Dadang’s childhood
- volatile political situation, censorship
- each face slightly different expression
- bundles batik fabric - identity
- figures stand in grid-like formation, all facing the same direction representing displaced victims
- mute but express non-verbally a silent monument of communal grief
- when performed in jakarta protests about nudity - black coverings - revealed and given new life in Australia
- already silent but black plastic added a new dimension and forced figures to physically disappear