Chinese Landscape and Nature Painting Flashcards

1
Q
A
  • Name: Travelers Among Mountains and Streams
  • Artist: Fan Kuan
  • Date: c. 1000
  • Uses Fan Kuan’s “Raindrop Brushstroke” technique
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2
Q
A
  • Name: Solitary Temple amid Clearing Peaks
  • Artist: Li Cheng
  • Date: c. 960
  • Uses Li Cheng’s famous “Crabclaw Brushstroke” technique
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3
Q
A
  • Name: Early Spring
  • Artist: Guo Xi
  • Date: c. 1072
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4
Q
A
  • Name: 5 Colored Parakeet
  • Artist: Emperor Huizong
  • Date: c. 1110
  • Painted using the Literal Style of the Imperial Painting Academy
  • Stylistic emphasis on precision, linearity, decorative pattern, use of color vs. ink
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5
Q
A
  • Name: Walking on a Mountain Path in Spring
  • Artist: Ma Yuan
  • Date: c. 1300
  • Uses the “Lyric Style” of Southern Song, less expansive, monumental views but more intimate experience of nature
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6
Q
A
  • Name: Six Persimmons
  • Artist: Mu Qi (What Michiru says when she’s mad)
  • Date: c. 1300
  • Painted using the “Spontaneous Style” of Chan Buddhist painting, reflects the need to be intuitive, spontaneous and introspective, monochromatic technique is a reflection of Yin and Yang
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7
Q
A
  • Name: Sheep and Goat
  • Artist: Zhao Mengfu
  • Date: c. 1300
  • Showcases the importance of inscriptions and seals to the asthetic merit and documentation of a painting
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8
Q

What were the five major approaches to interpreting landscape painting in the Song Dynasty?

A
  1. Courtly Style: A decorative style associated with academic court art from the Tang Dynasty, emphasis on blue and green coloration, a traditional approach to landscape
  2. Monumental Style: Landscape concieved as an immeasurable expression of the universe
  3. Literal Style: Bird and flower paintings, emphasis on precision, linearity, decorative pattern, and use of color vs. ink
  4. Lyric Style: Less expansive, monumental views; more intimate experience of Nature, asymmetrical compositions based on a diagonal complex corner vs. “void”
  5. Spontaneous Style: Reflects the need to be intuitive, spontaneous and introspective, monochromatic technique is a reflection of Yin and Yang
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9
Q

What is a Shan Shui

A
  • A Shan Shui is the symbolism a “Mountain Water Picture”
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10
Q

What is a Literati?

A
  • A Literati is an educated man in the Neo Confucianist movement, most of whom were encouraged to become government officials and scholars.
  • A Gentlemanly Scholar
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