Chaucer Critic And Context Flashcards

Merchant's Tale

1
Q

(Brunner) ‘Merchantile logic… leads to a breakdown of…

A

…human relations’ (Brunner)

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2
Q

(Brunner) ‘Underscoring the devious and secretive first impression of this pilgrim and…

A

…firmly establishing him as an unreliable narrator’ (Brunner)

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3
Q

(Hathaway) ‘The real ‘snare’ in this raucous tale is not marriage…

A

…but the prison of his own desire that he has constructed around himself’ (Hathaway)

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4
Q

(Shores) ‘Cynical condemnation of…

A

…courtly convention’ (Shores)

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5
Q

(King) ‘His natural habitat is indoors; he loses control…

A

…when the action moves to the garden’ (King)

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6
Q

(Tolliver) ‘His misery and resulting hatred…

A

… could be likened to buying a faulty product’ (Tolliver)

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7
Q

(Harrington) ‘we are left with a disturbing notion that a level of happiness is…

A

…possible through folly and self-deception’ (Harrington)

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8
Q

(Hoffman) ‘Because of Eve’s sin, women were thought to be carnal and decetiful […] and the source of…

A

…the world’s problems. If a man lusted, it was always the women’s fault’ (Hoffman)

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9
Q

define Nomenclature

A

Act of naming something/someone.

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10
Q

define Misogamous

A

Hatred of marriage

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11
Q

define Prolepsis

A

Asking a rhetorical question that’s then answered by the asker

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12
Q

define Interjection

A

‘O’ or ‘Ah’ at the beginning of a line

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13
Q

define Periphrasis

A

Extended description (big words use) often followed by bathos and is used to break up the narrative

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14
Q

define Traductio

A

Previous metaphor that becomes reality

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15
Q

define The burlesque

A

Exaggerated imitation for comedy

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16
Q

define Parody

A

A mocking intimidation of a style of literature

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17
Q

define Euphemism

A

Word or phrase that softens an uncomfortable topic

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18
Q

define Apostrophe

A

Speech addressed to someone or something that’s not present

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19
Q

define Pathos

A

Evokes great pity or sadness from the audience

20
Q

define Masculine and feminine rhyme ending

A

Masculine rhyme ending have one syllable and are stressed. Feminine rhyme endings have two or more syllables and are unstressed

21
Q

define Senex Amans

A

Translated as ‘amorous old man’ - his lustful desire for a youthful, ill-matched wife makes him a source of ridicule

22
Q

define Iambic Pentameter

A

‘stressed, unstressed’ syllables x5

23
Q

define Feudalism

A

A social structure and hierarchy

24
Q

define Fabliau

A

a type of burlesque with lustful women and foolish men. Told in verse, they were coarse, crude and often very cynical about the characters of women. They stemmed from folklore and allusion.

25
Q

define Courtly Love

A

In literature only romance could be found outside marriage - followed strict rules, combined with the Code of Chivalry

26
Q

define (Mock) Heroic Couplets

A

AABBCC rhyme scheme mocked in the fabliau

27
Q

(Ackroyd) ‘battle of supremacy between…

A

…husband and wife’ (Ackroyd)

28
Q

(Ackroyd) ‘notion of authority…

A

…seems to be parodied’ (Ackroyd)

29
Q

define pashtiche

A

imitation of an art style

30
Q

around when were the Canterbury tales written

31
Q

describe the turbulent times Chaucer was writing in

A

England was engaged in the hundred year war, there were bad harvests (= peasants revolt) and the black death had wiped out 1/3 of europe’s population

32
Q

describe Chaucers career marriage to Phillipa Roet

A

the married in 1366 there marriage is more recently deemed as a career marriage they lived apart and there were rumours that Phillpa had a lover

33
Q

when did phillipa die and how did Chaucer react

A

1387 - Chaucer publicly vowed to never marry again

34
Q

how did the black death effect england

A

in 1348 between half and a third of the population were dead, this only increases social mobility and lead to the peasant’s revolt in 1381

35
Q

define Petrarchan lover

A

a literary convention - a melodramatic, self-consciously suffering lover, under the power of his mistress

36
Q

what was the overarching purpose of the Fabliau

A

to trivialise medieval society, particularly mocking glorified knights and the church

37
Q

who was Chaucers contemporary audience

A

the medieval aristocracy

38
Q

describe St Jerome’s anti-feminist thoughts

A

women were daughter’s of Eve and therefore should be held responsible for the loss of paradise and should be punished accordingly

39
Q

changing purpose of marriage at this time

A

marriage was moving away from the church and towards more mercantile ideals of inheritance and career mariages

40
Q

how did Boccaccio’s ‘The Decameron’ inspire the pear tree scene

A

a wife states that whoever climbs up the tree will see people making love on the ground, the husband climbs the tree and sees the wife and her lover on the floor

41
Q

how did ‘Roman de la rose’ inspire the garden

A

A similar garden which the courtly lover searched through for his love (as a rose) where she remains unattainable. That Januarie attempts to reproduce this marks his hubris and sinfulness

42
Q

how did ‘Le Miroir De Marriage’ by Eustache Deschamps inspire the marriage debate

A

old man debating about whether he should marry with three friends - a long epistle full or misogynous undertones

43
Q

what was the youngest age girls could be married off

44
Q

how did the church view marriage

A

a means for regulating sexual activity and controlling carnal desire - St Augustine stated that ‘passionate love of one’s own wife is adultery’

45
Q

What kind of family did Chaucer come from

A

a merchant family