Chapters 9,10,11,12 and Global Theatre Flashcards

1
Q

Name 3 elements of scene design

A
  1. line
  2. Mass
  3. Composition
  4. Texture
  5. Color
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2
Q

Name 3 objectives of costume design

A
  1. Establish the style of a production
  2. Indicate the historical period of the play and the locale
  3. Indicate the nature of the individual character of groups in a play; their station in life, their occupations, their personalities
  4. Show relationships among characters
  5. Symbolically convey the significance of individual characters to the theme of the play
  6. Meet the needs of each actor
  7. Be consistent with the whole production design
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3
Q

Name 3 Primary Functions and objectives of lighting

A
  1. Provide Visibility
  2. Reveal Shapes and forms
  3. Provide a focus on stage/create visual compositions
  4. Assist in creating mood and reinforcing style
  5. Help establish time and place
  6. Establish rhythm of visual movement
  7. reinforce a central visual image, establish visual information
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4
Q

What is Musical Theatre

A

Theatre that integrates songs, spoken dialogue, acting and dance

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5
Q

Conventions of Opera

A
  • drama set entirely to music
  • began in Florence Italy 1600 to 1900
  • Arias (strong, melodic solos) stiring duets,trios,quart,choruses
  • Composer(and soloists) reigns supreme
  • well known Wolfgang Amadeus Mozart/Richard Wagner
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6
Q

Types of Musical Theatre

A
  • Opera
  • Operetta
  • Musical Comedy
  • Musical Theatre
  • Revue
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7
Q

Operetta

A
  • between opera and musical theatre
  • Emphasis on musical numbers
  • Often comic or romantic in tone
  • Pirates of Penzance
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8
Q

Musical Theatre

A
  • integrates song, dialogue, acting and dance
  • Evolved out of the operetta, vaudeville(juggling’n’stuff), and burlesque(elaboratesexualsrtipshow)
  • considered an invention of American Theatre
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9
Q

Musical Comedy

A
  • light comic story interspersed with popular music
  • Far-fetched, silly
  • Contemporary
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10
Q

What was the golden age of American Musical Theatre

A

20th century

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11
Q

Book Musicals

A

have a linear stoyline(beginning middle end

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12
Q

Librettist

A

author of the book in a musical

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13
Q

Lyricist

A

author of the lyrics in a musical

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14
Q

1920s to 1930s

A
  • ‘Showboat’ by Kern and Hammerstein II
  • ‘Of The I Sing’ by George and Gershwin
  • ‘Porgy and Bess’ by Gershwin and Heyward
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15
Q

1940s and 1950s

A
  • ‘Oklahoma, Carousel, South Pacific, The King and I, The Sound of Music’ by Rogers and Hammerstein II
  • ‘Guys and Dolls’ by Loesser
  • ‘My Fair Lady’ by Lerner and Loewe
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16
Q

1960s through 1980s

A
  • ‘Fiddler on the Roof’ by Harnick and stein
  • ‘Hair’ by Mac Dermot Ragni and Rado
  • ‘Sweeney Todd, the Demon Barber of Fleet Street by Sondheim
17
Q

1990s to the Present

A
  • ‘Rent, In the Heights, Hairspray, Next to Normal, The Lion King’
18
Q

How long has Theatre been around?

A

2000+ years

with the Greek and Romans

19
Q

India Theatre

A
  • Kathakali- dance drama with vibrant costumes
  • import and domestic production of cinema has disrupted the cultural evolution of theatre in India
  • Bollywood- film in India (Slumdog Millionaire)
20
Q

China Theatre

A
  • Beijing(Peking) Opera- noted for being a propaganda machine for the communist party
  • Vehicle for taking government messages to far reaches of the countryside
  • Traditional Spoken Word dramas were suppressed until the death of Mao
  • Arthur Miller directed Death of a Salesman in Beijing(1980s)
  • still restricted by the government
21
Q

Japan Theatre

A
  • Traditional JTheatre- nō, bunraku, Kabuki
  • all three thriving despite western influence
  • Shingeki- modern,western influenced
  • Experimental Theatre- Suzuki
22
Q

Middle East Theatre

A
  • Islam prohibits topics such as it’s prominent figures and supernatural elements
  • Saudi Arabia open to theatre from western influence
  • Exception Israel and Palestine
23
Q

Africa (Portuguese)

A
  • Angda, Cape Verde, Guinea-bissau, Mozambique
  • before 1975 vaudevillian in nature
  • After independence, explored social issues in liberation
24
Q

Africa (French)

A
  • Congo, Cameroon, Rwanda, Chad

- Traditional theatre storytelling and French influences

25
Africa (English)
- Nigeria, South Africa, Kenya, Uganda, Zimbabwe, and Zambia - western influence - Ogunda- founder of modern Nigerian theatre - Fugard- South African playwright challenged goustructual
26
Russia and Eastern Europe
- like china, heavily censored by soviet union - Moscow and Saint Petersburg - The Moscow Art Theatre
27
Western Europe, Britain, and Irland
- Classic Theatre(Shakespeare,Greek,Moliere) - Ongoing Modern Theatre - Avant-guard or Experimental
28
Latin America Theatre
- Realistic Drama, Experimental | - Sociopolitical Drama
29
Mexico Theatre
- finding it's own voice apart from European influence
30
Cuba Theatre
like china, heavily censored,but historical context usually permitted
31
Name 3 Scene Design Objectives
1. help set the tone and style of the production 2. Establish the locale and period in which the play takes place 3. Develop a design concept consistent with the director concept. 4. Ensure that the scenery is coordinated with other production elements 5. Solve practical design problems