Chapters Flashcards

1
Q

List the 4 interacting frameworks/forces that go into the making, formation, and evolution of films.

A

Institution
Practitioners (filmmakers)
Texts (films)
Audiences (assumptions, expectations, evidence…)

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2
Q

What is a key ‘definition’ or the documentary form that the text offers?

A

I speak about them to you.

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3
Q

What is meant by ‘voice’?

A

how the reasoning, analysis, feelings, and values in a documentary become conveyed to us.

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4
Q

What are the means by which a filmmaker expresses his/her voice?

A

1 - cut, edit, juxtapose
2 - shot composition
3 - Sound (synchronous or otherwise)
4 - Chronology
5 - Footage selection (archive, photographs, etc)
6 - Modes of representation (expository, reflexive, performative, poetic, etc)

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5
Q

What are three main forms of voice that prevail in the docu form?

A

Rhetorical
Narrative
Poetic

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6
Q

What are the five departments of the Rhetorical doc form?

A
  1. Invention (proofs)
  2. Arrangement
  3. Style
  4. Memory
  5. Delivery
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7
Q

What are two types of evidence Aristotle refers to?

A

inartistic and nonartificial (facts of the matter)

artistic and artificial proofs (appeal to emotion)

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8
Q

What are three types of artistic/artificial rhetorical techniques? (3 c’s, or EPL)

A
  • Credible, ethical proof (ethos)
  • Compelling, emotional proof (pathos)
  • Convincing, demonstrative proof (logos)
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9
Q

What is the ‘triangle of communication’ that filmmakers must keep in mind?

A

the filmmaker, the film itself, and the viewer.

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10
Q

What sort of topics to documentary films typically address?

A

contested, debated ideas/issues.

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11
Q

What are three ‘divisions’ of the rhetorical doc?

A
  • deliberative (what to do)
  • judicial and historical (what re-ally happened)
  • commemorative/critical (what are they really like)
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