Chapter 9 Islam Flashcards

1
Q

Islam Design

A

does not denote a specific time in history

  • Existed from the 7th century to present
  • Does not denote a specific location
  • does not denote a religion: because islamic design covers all aspects of life, including buildings, interiors and decorative elements design for secular use.
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2
Q

Factors that unified Islamic Design

A

culture, geographic, religious, political, temporal

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3
Q

Some of its characteristics

A

geometric

  • sometimes having representational ornament
  • vegetative or agricultural motif can be found in come islamic art
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4
Q

Islamic lands to be called the Rug belt.

A
  • ties to nomadic past ion which personal belongings had to be.
  • portable and durable, providing a waving tradition of hand knotting
  • terrain and climate suitable for sheep grazing provides supplies of wool
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5
Q

Flux:

A

used to make linen

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6
Q

cotton: was intro ducted by?

A

India

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7
Q

Silk was from?

A

China

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8
Q

What does islam mean?

A

submission to god

  • Prophet Muhammed founded islam in 622AD
  • Islamic design could not have existed before that date
  • Islamic design was devised to reveal islam on earth (similar to Gothic style strived to reveal christianity)
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9
Q

Koran:

A

sacred book of Islam

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10
Q

5 Obligations of Islam:

A
  1. Profession of faith
  2. Charity to the poor
  3. Daytime fasting during Ramadan
  4. Pilgrimage to Mecca once in lifetime
  5. ritual prayer, 5x a day, facing Mecca
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11
Q

Mosque:

A

A building dedicated for public worship

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12
Q

What is the Largest Mosque?

A

The Great Mosque at Sammara located North of Baghdad, 9th C.

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13
Q

2 major sects in Islam:

A

Sunni and the Shia

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14
Q

The Sunni:

A

were orthodox Muslims who held that, after Muhammad’s Death, leadership of the Islamic community was elective

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15
Q

The Shia:

A

held that Islamic leadership could only be hereditary, that is, only direct decedents of Muhammad could rule.

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16
Q

Sufism:

A

mystical and ascetic order that emerged from the Shia sect. later integrated into Sunni sects

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17
Q

Sufis were not only inclined to value the arts, but also to value the art of a specific kind:

A

ecstatic, allegorical, metaphorical, and rich ith layers of religious reference not immediately obvious.

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18
Q

Structure material varied depending on economic structure:

A
  • Good times: use of stone, high levels of ornament, preservation of structures, precious and semi precious metals
  • Times of despair: use of mud brick, low levels of ornament (if any) destruction of structures to re-use materials, precious + semi precious metals melted dow,
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19
Q

The most important building types of Islamic Architecture are?

A

religious buildings such as

  • mosque
  • the shrine
  • the covent
  • the mausoleum
  • religious school called the MADRASA
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20
Q

Religious School Name?

A

Madrasa

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21
Q

Minaret:

A

a slender tower attached to -or near- a mosque from which the faithful can be called to prayer.

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22
Q

Within the Mosque (parts that make up the mosque)

A
  • Central area, either open or covered, for praying
  • a prayer niche or Mihrab (indicate direction of Mecca)
  • Pulpit or Minbar: stood adjacent to the prayer niche, and a waster basins as nearby for ritual washing before prayers.
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23
Q

Mihrab:

A

indicates the direction of Mecca

-highly decorative, part of mosque interior

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24
Q

Minbar:

A

a prayer niche with water basin nearby

-highly decorated, carries honoring sultan during which rein it was constructed.

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25
Q

The Suleymaniye Mosque was built by who?

A

Built by Architect Sinan, he was chief architect for a series of powerful sultans, his previous works were mechanic and engineer.

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26
Q

Architecture of the Suleymaniye Mosque

A

Flooded with light

  • Use of Corinthian columns
  • Interior surfaces enriched with great quantities of tiles
  • Carved wood shutters and doors, stained glass, carpets
  • mosque lamps and Koran manuscripts and stand to hold them.
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27
Q

Famous Tile Maker?

A

Iznik

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28
Q

2 chief materials used in Suleymaniye Mosque

A
  • Ivory colored stone on exterior

- dark gray lead for roofing

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29
Q

Horseshoe Arch

A

a semicircular shape above straight piers that narrows further below its spring line (imaginary horizontal line above which arch begins to curve).
-Some had round or pointed tips and were Foliate or cusped with small arcs or scallops cut into their intrados.

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30
Q

The Topkapi Palace home of Ottoman Sultans 15th C. -19th C.

A

Clear organization

  • plan is pf scattered pavilions, kiosks, halls, harems, libraries, and service buildings, all meet in courtyard.
  • Gigantic kitchen
  • Tazar
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31
Q

Tazar:

A

slightly raised seating platform

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32
Q

The Private House:

A

From street view, presented plain blank walls
-Interiors would be built around as many as 4 courtyards
marble floors, high decorative ceilings.

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33
Q

The Tent

A

Islamic Tradition of Nomadic life, served not by permanent structure

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34
Q

The Famous Ardabile Carpet:

A

36Ft Long, too long to fit inside tent, must have been used outside

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35
Q

Islamic Ornament:

A
  • representative of luxurious platen life, but highly stylized
  • animal forms used less often
  • human forms used scarcely
  • allah NEVER USED
  • geometry was a natural alternative to the depictions of humans and animals, squares, rectangles, hexagons, octagons, stars, infinite variations of forms are seen.
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36
Q

Ceramic and Textile Design

A

rosettes, pearls, dots, hatchings, diamonds, circles, stars, vase forms were used.

37
Q

Diaper pattern:

A

checkerboards of lozenge shapes

38
Q

Arabesque:

A

fanciful with interlocking vines (based on plate life)

39
Q

Sunni Ornament:

A

Strictly opposed to representation of living things in art, on the basis that they were Idolitrous. (meaning no idols)

40
Q

Shia Ornament:

A

had more liberal artistic views

  • allowed floral, animal, and human subject manner
  • real & imaginary animals
  • humans, birds, leaves, flowers ives, and trees were often incorporated into patterns or arabesques.
41
Q

Ibex:

A

a royal symbol

42
Q

Lion symbolizes

A

power

43
Q

Equestrian subjects symbolize

A

common

44
Q

Pine cones symbolize

A

good luck

45
Q

Plaster:

A

composite of soft material that hardens after being spread in place, while soft can be carved and decorated

46
Q

Stucco:

A

slow setting kind of plaster, cheap, easy to apply, extremely popular, ornamentation includes cross hatching and geometric vegetation forms

47
Q

Muqarina:

A

specialized used of plasterwork, AKA as honeycomb work.

-Consist of superimposed tiers of concave shapes, like a great network of adjacent pendentives.

48
Q

Woodwork, an important part of Islamic building and interiors. When available it was used for

A

-door panels
-wall panels
-tie beams
-furniture
-chest
-koran covers
Within carved wood pieces, inlay of ivory, bone and mother of pearl

49
Q

Open Grille:

A

turned wood members made into a screen, used on mosque to separate a prince sanctum from the congregation

50
Q

Mashrabiya:

A

window grille

  • put over windows so that ladies of the sultans house could look out without being seen from public
  • also shields interior from extreme sun exposure and gives touch of mystery
51
Q

Tile

A

Islamic design is highly imaginable without the profuse and virtuoso use of glazed ceramic tile

52
Q

2 basic types of tile designs:

A
  1. Designs made by the outline of the tile themselves

2. those in which the design extends across number of tiles

53
Q

Mosaics used where?

A

on interior and exteriors, flooring and walls

54
Q

What kind of tile did the grandest mosques use?

A

Glass-gold mosaics

55
Q

Suffa:

A

long, low seating benches/source for english sofa

56
Q

Pushti:

A

small mats used mostly as sitting carpets

57
Q

Balisht:

A

pillow covers used in same manner as carpets

58
Q

thrones:

A

were for rulers and people of authority

59
Q

beds:

A

were not used for sleeping, sleeping was customary on the suffa cushions or carpeted floors

60
Q

Maqsuras

A

screened enclosures

61
Q

3 most decorative arts

A

Ceramics
metalwork
textiles

62
Q

materials

A

wood, metals, ivory, mosaics, tile, lacquer, calligraphy, glass, and rock crystal

63
Q

Earthware:

A

was made in tan color

64
Q

fritware:

A

a white ceramic made from white clay, crushed quartz and glass, developed as an imitation of Chinese ceramics

65
Q

Mina’i ware

A

AKA Haft range: meaning 7 colors ceramic

66
Q

Lajvardina:

A

similar to Mina’i sober colors and abstract designs

67
Q

Iznik:

A

most famous kinds of Islamic tiles, clouds, waves, clusters of grapes, trios of balls, adopted from Chinese, arabesque, scrolls chevrons, geo-vegational depictions, traditional

68
Q

Metal ewers:

A

used in mosques to cleanse in before prayer

69
Q

Techniques used for metal designs

A

casting, hammering, embossing, filigree, lost wax (circle perdue egyptian)

70
Q

Damascening:

A

form of decoration by inlay, beating thin gold or solver wires into tiny groves that have been cut into surface of the base metal.

71
Q

Niello:

A

silver compound with a lustrous black appearance: another form of inlay

72
Q

3 basic types of traditional woven carpets

A
  • persian
  • turkish
  • chinese
73
Q

4 basic types of carpet (before machines)

A
  • embroidered and needle work
  • flat woven
  • tapestry woven
  • pile
74
Q

Islamic carpets were:

A

cut pile carpets

75
Q

Quality of carpet is based on what?

A

density of knots per sq. inch most common 100

76
Q

Shape ratio:

A

length of carpet divided by width

77
Q

Palace carpets

A

larger than 14’ x 24’

78
Q

Keleh:

A

traditional village carpets, made to fit long narrow rooms

79
Q

Kernarehs

A

long narrow rugs AKA runners

80
Q

Scatter rugs:

A

used as bed cover or furniture cover AKA throw rugs

81
Q

Prayer Rug:

A

made of silk, usually shaped like mihrab and points towards mecca

82
Q

Gul or Gol:

A

a geometric emblem “flower or rose”

83
Q

Boteh:

A

motif familiar from the paisley pattern

84
Q

Tree-of-Life:

A

motif symbolizes the life force in the form of a tree, sometimes with fruits and birds int he branches

85
Q

Vase of immortality:

A

motif shows foliage sprouting from a case rather than from the ground

86
Q

herati:

A

floral representation

87
Q

hands of fatima

A

outline of pair of hands near the tops of some prayer rugs

88
Q

Palmette:

A

lotus floral motif