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Songwriting > Chapter 9 > Flashcards

Chapter 9 Flashcards

1
Q

5 royalty streams

A

mechanical, performance, synchronization, print, digital

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2
Q

name of mechanical comes from

A

old player piano

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3
Q

mechanical rate

A

9.1c

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4
Q

in US, mech/print/synch/digital flow from

A

publisher to writer

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5
Q

standard rate for synch

A

there is none, negotiable

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6
Q

performance is not ___ in regards to money flow

A

pass through

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7
Q

PRO gives money to

A

publisher and writer

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8
Q

by joining a PRO, you give them

A

rights of performance

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9
Q

DSU, institutions, restaurants, venues pay ___ for live music

A

blanket license

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10
Q

which streams have a fixed rate?

A

only mechanical

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11
Q

DPD

A

digital phonorecord delivery

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12
Q

mechanical is for sale of

A

CD, LP, cassettes, DPD

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13
Q

Harry Fox Agency issues

A

mechanical licenses

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14
Q

who pays for license issued by HFA?

A

label

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15
Q

compulsory license

A

CR holder can determine who gets first use of song, lets song be “on hold”

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16
Q

controlled composition

A

reduced rate demanded by record company

17
Q

controlled composition rate

A

75%

18
Q

to sample, you need the permission for

A

recording and underlyingwork

19
Q

ASCAP started because

A

wanted to protect writer rights and collect fees

20
Q

ASCAP non-profit?

A

yes

21
Q

ASCAP membership?

A

open

22
Q

ASCAP cost?

A

$50 writer

23
Q

BMI started by

A

radio businesses

24
Q

BMI non-profit?

A

yes

25
Q

BMI membership

A

open

26
Q

BMI cost

A

150 publisher, 50 writer

27
Q

SESAC started

A

with European works

28
Q

SESAC royalties

A

keeps % of all royalities

29
Q

SESAC membership

A

invitation only

30
Q

PRS

A

Performing Rights Society

31
Q

PRS membership

A

open

32
Q

PRS fees?

A

yes

Songwriting (12 decks)

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