Chapter 8- Grouping Flashcards

1
Q

What are the 7 grouping cues?

A
  1. Harmonicity/Temporal Regularity/Fundamental frequency
  2. Spectral separation
  3. Spectral profile
  4. Spatial Separation
  5. Temporal Separation
  6. Temporal Onsets and Offsets
  7. Temporal Modulations (AM stronger than FM)
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2
Q

Describe the effects of hearing loss on perceptual restoration.

A

Describe effects of hearing loss on perceptual restoration
Different configurations were presented to NH, mild HI, and moderate HI listeners of speech interrupted with noise
• Rates of speech in noise interference
• Amount of interfering noise
• Percentage of time of speech vs. noise

Results:
• NH were good at phonemic restorations
• HI resulted in worse phonemic restoration than NH
o Noise interrupted hinders speech understanding
o Want to study this because abrupt interrupters occur all the time in real life

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3
Q

Describe the effects of aging on perceptual restoration.

A

Describe the effects of aging on perceptual restoration
Older people show larger perceptual restoration
• Aging process provides many opportunities to practice because hearing is getting worse (acquire compensation strategies)

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4
Q

How does the galloping demonstration work?

A

• Tones alternate in a sequence of A and B tones, at times resulting the perception of two streams in a “galloping rhythm” and at other times the two tones seem isolated
• Streaming example facilitated by:
o Harmonicity: when tones were inharmonic, less inclined to hear galloping and vice versa

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5
Q

Why are there a maximum of 37 dimensions to characterize timbre?

A

of non-overlapping CBWs across the basilar membrane

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6
Q

What are the limitations on # of stimuli that can be discriminated?

A

Generally follows the 7 +/- 2 rule

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7
Q

What is a sound source? What is a sound stream?

A

Source: emits a sound

Stream: comes from the sound, but the sound can change

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8
Q

What are the general perceptual organization rules that apply to auditory grouping?

A
  1. Similarity
    - In frequency (pitch), timbre, loudness, location
  2. Good continuation
    - Smooth transitions grouped, discontinuities not
    - i.e., changes in frequency (pitch), timbre, loudness, location
  3. Common fate
    - Start-end at same time (no asynchronies)
    - Change in coherent way (AM, FM, amplitude or frequency glies, etc.)
  4. Disjoint Allocation (“Belongingness”)
    - If a component was used to form one stream, it can’t be used to form another
    - Perceptual organization may be ambiguous
  5. Closure (i.e., continuity effect)
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