Chapter 7: Sound Flashcards

1
Q

What are the functions of sound in cinema?

A
  1. engages a distinct sense mode
  2. a single rhythm or expressive quality can bind together image and sound
  3. shapes our understanding of the image
  4. steers our attention within the image
  5. shapes expectations
  6. gives a new value to silence
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2
Q

What is included in film sound?

A

speech, music, and sound effects

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3
Q

Loudness

A

the sounds we hear result from vibrations in the air- the amplitude, or breadth, of the vibrations produces our sense of loudness or volume

also related to percieved distance

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4
Q

Pitch

A

the frequency of sound vibrations affects pitch- the perceived highness of lowness of the sound

helps us distinguish music and speech from background noise and to distinguish objects

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5
Q

Timbre

A

the harmonic components of sound give it a certain color, or tone quality
ex) calling someone’s voice nasal

distinguishes muscial instruments from each other and often enhances emotion

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6
Q

What do loudness, pitch, and timbre do?

A

define the overall sonic texture of a film

ex) enable us to recognize different characters’ voices

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7
Q

Sound Mixing

A

involves combining sounds

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8
Q

Dialogue Overlap

A

the filmmaker continues a line of dialogue across a cut, smoothing over the change of shot

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9
Q

Sound Perspective

A

the closer the camera is to a source, the louder the sound

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10
Q

Rhythm

A

involves, minimally, a beat, or pulse; a tempo, or pace; and a pattern of accents, or stronger and weaker beats

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11
Q

Mickey-Mousing

A

tightly matching movement to music

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12
Q

Fidelity

A

refers to the extent to which the sound is faithful to the source as we conceive it

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13
Q

Space (in relation to sound)

A

sound has a spatial dimension because it comes from a source

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14
Q

Diegetic Sound

A

sound that has a source in the story world

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15
Q

Nondiegetic Sound

A

sound that comes from a source outside the story world

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16
Q

External Diegetic Sound

A

the sound has a physical source in the scene (objective)

17
Q

Internal Diegetic Sound

A

the sound comes from the mind of a character within the story space (subjective)

18
Q

Synchronous Sound

A

sound that is matched temporally with the movements occuring in the images

ex) dialogue corresponds to lip movements

19
Q

Asynchronous Sound

A

sound that is not matched temporally with the movements occuring in the image

20
Q

Story Time

A

consists of the order, duration, and frequency of all the events pertinent to the narrative, whether they are shown to us or not

21
Q

Plot Time

A

consists of the order, duration, and frequency of the events actually represented in the film

shows us selected story events but skips over others

22
Q

Simultaneous Sound

A

he sound takes place at the same time as the image in terms of the story events

23
Q

Non-Simultaneous Sound

A

the sound occurs earlier or later in the story than the events we see in the image

24
Q

Sound Bridge

A

the sound from the previous scene may linger briefly while the image is already presenting the next scene

may create smooth transitions by setting up expectations that are quickly confirmed