Chapter 7-8 Flashcards

1
Q

What is a sequence?

A

A pattern that is repeated immediately in the same voice but that begins on a different pitch class.

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2
Q

What is a tonal sequence?

A

A sequence that stays in a single key

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3
Q

What is a real sequence?

A

A sequence that transposes to a new key

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4
Q

What is imitation?

A

A pattern which occurs between two or more voices

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5
Q

What is real imitation?

A

Imitation which occurs in a different voice

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6
Q

What is a modified sequence?

A

A sequence where the repetitions of the pattern are neither tonal nor real.

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7
Q

What is the definition of the circle-of-fifths progression?

A

A progression which consists of a series of roots related by descending fifths and or descending fourths.

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8
Q

What is prolongation?

A

The process of expanding the domain of a chord through the use of one or more subsidiary chords.

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9
Q

What is this an example of?:

[ii]—>[V]—>(1)

A

Pre-dominant chord

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10
Q

What is a plagal progression?

A

When IV proceeds to I

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11
Q

Avoid _____ diminished triads.

A

Root position

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12
Q

What are three uses of triads in first inversion?

A

1) to improve the contour of the bass line
2) to provide a greater variety of pitches in the bass line
3) to lessen the weight of V and I chords that do not serve as the goals of harmonic motion

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13
Q

What is the usual technique used to avoid parallel fifths in a sixth-chord passage?

A

To put the root of each chord in the melody.

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14
Q

What is counterpoint?

A

The combining of relatively independent musical lines

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15
Q

What period is counterpoint seen in most?

A

Baroque (roughly 1600-1750)

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16
Q

After 1750, counterpoint is mostly found in _____.

A

Outer voices

17
Q

What is a canon?

A

A piece of music in which the motives and figures appearing in one voice are reproduced in another at a fixed interval of time and pitch from the first.

18
Q

What is it a whole series of parallel first inversion triads to get from chord X to Y?

A

Sixth cords

19
Q

What is a canon that is perpetual?

A

A round

20
Q

Canons and rounds make use of a special type of counterpoint called _____ counterpoint

A

Imitative

21
Q

Can counterpoint have similar rhythms?

A

Yes

22
Q

What is a piece in which each voice state a short team (the subject) in turn, after which it is tossed about among the voices, fragmented, and developed.

A

Fugue