Chapter 5 - Swing Flashcards

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1
Q

Generally, what makes swing different from jazz?

A

it has a looser, less stiff rhythmic feeling, and developed in the 1920s.

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2
Q

Is it true that most jazz from the mid 1930s to 1940s was called swing music?

A

True

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3
Q

How many musicians were usually in a swing band, and what was this era was this music considered to be a part of?

A

Usually 10 or more musicians in a band, and the music was considered as part of the “big band era”

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4
Q

What was the most popular style in jazz history?

A

Swing, and it attracted millions of dancers.

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5
Q

Why were several of the big dance bands were important in jazz?

A

because of their soloists and the ways the bands combined written with improvised parts

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6
Q

How does swing differ from early jazz?

A
  1. the preferred instrumentation for swing was big band rather than combo. this made for greater reliance on written arrangement during the swing era.
  2. Saxophones were more common in swing
  3. Bass viol appeared more often in swing
  4. high-hat cymbals were used more
  5. Collective improvisation was rare in swing
  6. Overall rhythmic feeling was smoother
  7. Swing musicians usually showed a higher level of instrumental proficiency in terms of speed,agility, tone control, and playing in tune
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7
Q

How many musicians were in big bands and what categories did their instruments fall into?

A

10 or more.

Brass, saxophone, and rhythm.

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8
Q

Are saxophones brass or woodwinds?

A

they are made of brass by technically called woodwinds because they originated from instruments traditionally made of wood (clarinet, flute, and oboe). They are also played in the manner of traditional wooden instruments

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9
Q

What was the sax section often called and why?

A

Reed section, because most sax players also played clarinet and both instruments have cane reeds attached to their mouthpiece

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10
Q

What are the two most frequently used saxes?

A

alto and tenor

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11
Q

How large was the sax section?

A

three to five musicians

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12
Q

What instruments could saxophonists play?

A

clarinet, alto, and baritone

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13
Q

What was the size of the trumpet section?

A

two to five, most had three

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14
Q

What was the organization of the trumpet and trombone sections section?

A

Lead trumpeteer in the middle, and lead trombonist in the middle

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15
Q

What was the size of the trombone section?

A

one to five

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16
Q

Tell me about how written music stemmed?

A

As bands began getting larger, improvising became more and more difficult to produce a respectable performance, although some did succeed in playing without written arrangements. eventually musicians had to learn to read and write arrangements to have a big enough repertory on hand. this made it easier for newcomers to learn the music

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17
Q

Who played the melody?

A

the entire band in unison or in harmony

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18
Q

What followed the melody?

A

jazz improvisation, accompanied both by the rhythm section and by figures scored for other members of the group

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19
Q

What are riffs?

A

Short, simple phrases of figures

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20
Q

How were the meodies and accompanying figures taken up ?

A

In turn by one section of the band and then another

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21
Q

what is call and response?

A

a compositional technique in which one section states a theme as a question and another section states another theme as an answer to it

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22
Q

What is the rhythm section comprised of ?

A

piano, guitar, bass, and drums

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23
Q

what is a rhythm guitar?

A

guitarist strumming one chord on each beat

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24
Q

Which instruments were dropped from big band rhythm sections?

A

rhythm guitar, tuba.

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25
Q

Before the guitar and string bass became firmly established, guitarists often alternated between?

A

guitar and banjo

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26
Q

What did bassists alternate between?

A

tuba (brass bass) and string bass

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27
Q

During the swing era, did the pianist just play chords and embellishments? Also, what style did they play?

A

no they also played the rhythm section. They used stride style or played a chord on every beat or every other beat

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28
Q

During the swing era, was comping the common accompaniment style ?

A

No, but Count Basie used it

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29
Q

Which instruments were assigned time keeping duties?

A

Guitar and bass

30
Q

What is rhythm guitar style?

A

when the guitarist strummed one chord on each beat

31
Q

Which beats did the bassist generally play?

A

the first and the third of every 4 beats, two beat style, or on ever beat, walking style. They would remain in the background

32
Q

Describe the role of big band drummers during the swing period?

A

they made the beat obvious for dancers and lend to the swing feeling. Keeping time with occasional dramatic effect. Tended not to play new or provocative rhythms that ran counter to the horn lines (this came later in modern jazz, where the drummers began offering a parallel line of activity instead of just keeping time)

33
Q

what instrument did roy eldridge play?

A

the trumpet

34
Q

What was he considered the most advanced at?

A

The most advanced improvisor of swing era

35
Q

He is considered the link between what styles?

A

Swing and modern jazz

36
Q

How did they describe Eldridge’s mastery over the trumpet?

A

Fiery, aggressive style and unprecedented mastery

37
Q

what two artists was Eldridge described to bridge a gap between with his imaginative choice of notes and sax-like lines?

A

Louis Armstrong and Dizzy Gillespie

38
Q

Did Eldrige have a low or high register and what quality did it have?

A

He had a high-register that had a sweeping scope. With this, he gave his entrances a rhythmic feeling that suggested modern jazz inflections to come.

39
Q

What did Eldridge demonstrate with the trumpet?

A

Long, sineway lines were possible on trumpet. This was usually easy to do for the saxophone but not the trumpet.

40
Q

T or F: DID Eldridge influence modern trumpeters to cultivate greater instrumental facility and to improvise in more intricate and unpredictable ways than their earlier jazz counterparts did?

A

True. He even influenced Gillespie to build his own influential modern style upon his foundation with his bristling high-register work, unorthodox choice of notes and saxophone style phrasing.

41
Q

Who is considered to be the first important jazz tenor saxophonist?

A

Coleman Hawkins.

42
Q

Was the saxophone well known before Hawkins?

A

Not really. It was fairly novel. His playing brought recognition to the horn.

43
Q

What about Hawkins’ playing became a model for other saxophonists?

A

His command and his deep, husky tone.

44
Q

T or F: Hawkins’ playing made the saxophone one of the most popular instruments in Jazz.

A

True.

45
Q

T or F: Hawkins showed less interest in chord progressions than most other premodern saxophonists.

A

False. He loved to play over complex chord progressions such as those in his song Body and Soul.

46
Q

Hawkins was less interested in what?

A

In devising new melodies. He would rather investigate the chord progressions that could be added to a tune’s original accompaniment.

47
Q

To his listeners, was Hawkins considered primarily a harmonic improviser or a melodic improviser?

A

Harmonic improviser. Because of his attitude.

48
Q

Which big band do musicians generally agree on that was the most swinging?

A

Count Basie’s band. It never seemed out of breath nor the least bit frantic, and it always seemed to swing more.

49
Q

For how long did Basie lead a band?

A

From 1937 until his death.

50
Q

What type of musician was Basie?

A

A stride-style pianist. He was very light and extremely precise. His choice of notes was nearly perfect. His impeccable sense of timing was equivalent to a good drummer’s.

51
Q

Did Basie start off as a pianist?

A

No, he started off as a drummer.

52
Q

Did he ever solo?

A

Yes, he artfully used silence to pace his lines.

53
Q

T or F: Basie led the first rhythm section in jazz history that consistently swung in a smooth, relaxed way.

A

True.

54
Q

Which instrument did Jo Jones play?

A

The drums.

55
Q

Name 4 things that Jones was distinguished for.

A
  1. A loose, assured manner that was precise without being stiff.
  2. Quieter bass drum playing than was common in the swing era. Jones sometimes omitted bass drum entirely, sometimes using it only for off-beat accents.
  3. Quiet use of wire brushes on high-hat.
  4. Ride rhythms played on high-hat continuously as the apparatus was opening and closing. Jones let his cymbals ring prominently between strokes, thereby creating a sustained sound that smoothed the time-keeping pattern instead of leaving each stroke as an abrupt sound.
56
Q

In recordings of the Basie band, did it often happen that you could member would stick out?

A

No. The band was well balanced among the sounds of each member. The four parts were so smoothly integrated that one listener was inspired to compare the effect to riding on ball bearings.

57
Q

What is known as comping?

A

The bounce, syncopation, and flexibility and playing accompanying chords as accents behind the soloists. This required the pianists to carefully and play interactively.

58
Q

Did Basie invent comping?

A

No , but he is so thoroughly associated with comping that he might as well have.

59
Q

Which instrument did Lester Young play?

A

Tenor Saxophone. He played for Basie.

60
Q

What was Young’s nickname?

A

Pres which is abbreviation for president of tenor saxophone players.

61
Q

Which category of jazz music did Young serve as model for?

A

Cool jazz.

62
Q

Did other types of musicians get inspired by Young?

A

Yes, trumpeters and guitarists.

63
Q

T or F: Young became one of the five most influential saxophonists in jazz history.

A

True.

64
Q

T or F: Young offered a clear alternative to the complicated style of Hawkins with its heavy tone and fast vibrato.

A

True.

65
Q

When Hawkins seemed to be chugging, what was Young doing?

A

Floating.

66
Q

Hawkins made improvising seem like hard work whereas?

A

Young make it seem as easy as talking.

67
Q

Hawkins accented hard and often directly on main beats whereas

A

Young was more subtle

68
Q

Between Hawkins and Young, who played more intricately?

A

Hawkins, but youngs melodic ideas were certainly as advanced.

69
Q

Which type of musicians have proven to be the most versatile?

A

Pianists.

70
Q

Which instrument did Mary Lou Williams play?

A

The piano. She could play a boogie-woogie style, swing style and modern jazz style.

71
Q

How many original compositions did she write?

A

Over 250.