Chapter 5 Flashcards

1
Q

Apprentice of Giovanni Bellini
Painted Assunta
Painted the Venus of Urbino

A

Titian

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2
Q

German Renaissance painter
Work wrongfully attributed to Albrecht Durer
Best works is Isenheim Altarpiece
Shockingly intense realism in the crucifixion

A

Matthias Grunewald

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3
Q

Italian renaissance painter
Known for frescoes and altarpieces
Made the “assumption of the Virgin” which is in the dome of the Cathedral of Parma, Italy

A

Antonio da Correggio

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4
Q

Court Painter for Henry VIII

Best Known for lifelike portraits of royal families

A

Hans Holbein

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5
Q

Italian Renaissance architect
Best known for palaces and villas
Symmetrical villas like the Villa America Capra
Inspired by the Roman Pantheon

A

Andrea Palladio

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6
Q

Baroque, Venetian painter
Best known artist of the mannerist style.
Student of Titian, influenced by Michelangelo
Known for “The Last Supper” and “Presentation of the Virgin”

A

Tintoretto

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7
Q

Supervised the reconstruction of Rome’s St. Peter’s Cathedral

A

Michelangelo

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8
Q

Style of elongated necks and small heads
Dramatic gestures, odd perspectives
Strange uneven light

A

Mannerism (1520-1600)

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9
Q

Italian Renaissance painter
The Feast in the House of Levi
Originally called his painting “the Last Supper”, got in trouble by the authorities, and changed its name

A

Paolo Veronese

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10
Q

Revived the late Gothic Style of Hieronymus Bosch
Best known for his pleasant scenes
“The Blind Leading the Blind”

A

Pieter Bruegel

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11
Q

Painter Sculptor and Architect of the Spanish Renaissance
Known for Mannerism painting
Often compared to Titian and Tintoretto
Known for “The Holy Trinity”

A

El Greco

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12
Q

Italian Baroque painter
Style mix of Mannerism and dark realism
Known for ceiling frescoes,
pioneered a style of idealized realism that would influence the course of Baroque art for a century

A

Annibale Carracci

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13
Q

Italian Baroque painter
Dramatic lighting
Used gritty realism that was completely new
Used ugly, deformed, and common folks for his models

A

Caravaggio

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14
Q

Style that portrayed religious subjects with realism and emotion
Direct result of the counter reformation

A

Baroque (1600-1700)

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