Chapter 4 Test Flashcards

1
Q

Name of the color (green, blue, red, etc.)

A

Hue

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2
Q

Lightness or darkness of a hue

A

Value

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3
Q

Brightness or dullness of a hue

A

Intensity

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4
Q

Different values of a single hue

A

Monochromatic Color Scheme

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5
Q

Complimentary colors used

A

Analogous Color Scheme

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6
Q

Hues that appear side by side on a color wheel

A

Complimentary Colors

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7
Q

Red Yellows Oranges

A

Warm Color Scheme

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8
Q

Blues Greens Violets

A

Cool Color Scheme

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9
Q

What the eye sees when light is reflected off an object

A

Color

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10
Q

The path of a moving point through space

A

Line

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11
Q

Rest (line)

A

Horizontal

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12
Q

Dignity, Formality, Strength

A

Vertical

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13
Q

Action, Excitement

A

Diagonal/Slanting

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14
Q

Confusion, Action

A

ZigZag

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15
Q

Graceful, Flowing Movement

A

Curved

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16
Q

An area clearly set off by one or more of the other elements of art

A

Shape

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17
Q

Square Circle Triangle Rectangle

A

Geometric

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18
Q

Free Form (clouds, pebbles, water)

A

Organic

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19
Q

An object with three dimensions: length, width, depth

A

Form

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20
Q

Distance between, around, above, below, and within things

A

Space

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21
Q

Includes the actual shapes and forms

A

Positive Space

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22
Q

Empty space between the shapes and forms

A

Negative Space

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23
Q

The way things feel or look as though they might feel, if touched

A

Texture

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24
Q

Arranging elements so no one part of a work overpowers, or seems heavier than any other part

A

Balance

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25
Q

Symmetrical-2 halves are mirror images

A

Formal Balance

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26
Q

Asymmetrical – combination of unequal elements

A

Informal Balance

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27
Q

Objects positioned around a central point

A

Radial Balance

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28
Q

Making an element stand out

A

Emphasis

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29
Q

How one part relates to another and to the whole

A

Proportion

30
Q

How the size of different objects relate to each other

A

Size Proportion

31
Q

How different colors relate to each other (Which color in a painting is used in greatest proportion?)

A

Color Proportion

32
Q

Hand-produced picture transferred from a printing surface to paper

A

Print

33
Q

cuts away non-image areas and inks the raised surface that remains

A

Relief Printing

34
Q

ink transferred from grooves cut into a flat surface (opposite of relief printing)

A

Intaglio

35
Q

image drawn onto a flat surface then transferred to paper (lithograph)

A

Planographic Process

36
Q

photographer is an interpretive artist; he decides size texture and value contrasts

A

Art Photography

37
Q

famous American art photographer – known for his landscapes

A

Ansel Adams

38
Q

photographer seeks to document social problems

A

Documentary photography

39
Q

American pioneer in documentary photography

A

Dorothea Lange

40
Q

Pencil, Charcoal, Chalk

A

Dry Media

41
Q

Pen & Ink

A

Wet Media

42
Q

Material used to create a work of art

A

Medium

43
Q

Use of more than one medium in a single work of art

A

Mixed Media

44
Q

Colored Powder

A

Pigment

45
Q

Liquid holding together grains of pigment (makes pigments stick to surface

A

Binder

46
Q

Material used to thin a paint’s binder (turpentine, water)

A

Solvent

47
Q

Most popular

drys slowly to allow artist to blend colors on canvas

A

oils

48
Q

any color medium that used water as a solvent

A

water colors

49
Q

mixture of pigment, egg yolk, water-

oldest paint medium

A

tempura

50
Q

uses synthetic products- does not darken or yellow with age

A

acrylic

51
Q

color applied to wed plaster

becomes permanent when plaster dries

A

Fresco

52
Q

art made to stand out in space

A

sculpture

53
Q

sculpture surrounded on all sides by space – can be viewed from all sides

A

freestanding

54
Q

sculpture only partly enclosed by space – flat back – viewed from front only

A

relief

55
Q

relief that projects only a small distance from their

base

A

Base Relief (low relief)

56
Q

relief that projects by at least half of its depth

A

Haut relief (high relief)

57
Q

cutting or chiping a form from a mass

A

carving

58
Q

liquid molten metal or other liquid poured into a mold to harden

A

casting

59
Q

soft, workable material built up and shaped

A

modeling

60
Q

combining different kinds of materials

A

assembling

61
Q

the planning and creating of buildings

A

architecture

62
Q

horizontal beams laid across vertical supports

A

Post & Lintel

63
Q

curved structural support

A

Arch

64
Q

overhanging beam or floor supported at only one end

A

Cantilever

65
Q

wall supports itself, the floors, and the roof

A

Bearing Wall

66
Q

Framework that supports the building

A

Skeleton Frame

67
Q

Metal forms the frame (skyscraper)

A

Steel Cage Construction

68
Q

Size and relationship of the building to the human form

A

Scale

69
Q

relationship of individual elements to each other

A

proportion

70
Q

environment surrounding a work of architecture

A

context

71
Q

design and flow of space relative to function

A

space

72
Q

often determines building materials & design

A

climate