Chapter 4 - Perception Flashcards

1
Q

1- Explain sensations (exteroceptive vs. interoceptive).

A

Exteroceptive sensations
* Any form of sensation that results from stimuli located outside the body detected by sensory organs
-vision: light entering eye
-audition: vibrations in the air entering the ear canal
-touch: pressure, heat and vibrations on skin
-gustation: chemical compounds in the mouth
-olfaction: airborne chemical in nasal passage

Interoceptive sensations
* Sensations from inside our body
-Proprioception: Sense of where our limbs are in space
-Nociception: Sense of pain due to body damage
-Equilibrioception: Sense of balance
* Dancers have increased interoceptive accuracy (Christensen et
al., 2017)
-They could estimate heart rate more accurately than non-dancers
-This was unrelated to fitness levels or counting ability

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2
Q

2- Explain synesthesia.

A
  • A neurological condition in which one sense automatically triggers the
    experience of another sense
    Grapheme-color synesthesia:
    -A person sees colors with certain letters or numbers
  • Genetic component
  • One hypothesis is that it is due to cross wiring (cross-talk) between processing areas in the brain
  • Artists are eight times more likely to have synesthesia than nonartists
  • The cross-talk between sensory areas in the brain increases the ability to think creatively and in metaphors
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3
Q

3- Sensation vs. perception

A

Stimulus (light, sound, smell)….
Sensory receptors (eyes, ears, nose) + neural impulses= sensation
Brain (visual, olfactory, auditory areas)= perception
* Perception is when meaning is added to
sensory data
* Perceptions are subjective and can change
* According to how you feel, desirable objects will appear
closer/larger than less desirable objects
* A water bottle appears closer than crackers when thirsty
* Hills look steeper when you are tired

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4
Q

4- Explain the McGurk Effect.

A

When you hear what you see
* A multisensory illusion such that there is a change in auditory perception from visual perception
* A voice articulating a consonant (/ba/) paired with a face articulating another one (/fa/) leads you to “hear” what you “see”
* This shows us that there is an integration of sensory
information
* This also illustrates the dominance of visual input

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5
Q

5- The visual system: Explain early visual processing (sensation) (eyes and the optic nerve)

A
  1. Light waves enter the eye and are projected
    onto the retina
    * The retina, a thin layer of tissue at the back of the
    eye, forms an inverted image
    * Later processes turn this image around
  2. Photoreceptors in the retina convert light to
    electrical activity
    * Rods: low light levels for night vision (high sensitivity, low acuity)
    * Rods are mostly outside of the fovea, in the periphery
    * Periphery of your visual field is less detailed and less accurate
    * Cones: high light levels for detailed color vision (low sensitivity, high acuity)
    * Cones are most concentrated in the fovea,
    which is a small area on the the central part of the visual field
    * Center of your visual field is most detailed
  3. The electrical signal is sent to bipolar cells and then to the ganglion cells
  4. The signal exits through the optic nerve to the brain

(know the pathways and where they cross)

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6
Q

6- Explain information compression.

A
  • Millions of photoreceptors in each retina converge onto 100 x fewer ganglion cells
    à optic nerve à brain
  • Input from the eyes to the brain is compressed
  • You don’t ‘see’ everything that is out there in the world
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7
Q

7- Explain perceptual filling-in.

A
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8
Q

8- Explain the blind spot.

A
  • Photoreceptors are at the back of the retina
    (farther from the ‘world’)
  • Ganglion cells are at the front of the retina
    (closer to the ‘world’)
  • Ganglion cells make up the optic nerve that take
    this signal to the brain and have move past the
    photoreceptor layer
  • At this ‘exit location’, there are no photoreceptors so visual stimuli are not received

But we do not ‘see’ our blindspot!
* This is because of perceptual filling-in
* Later visual processes in the brain provide the missing information by
‘interpolating’ visual information (e.g., colors) from surrounding areas
* This is also because the left and right visual fields can compensate for each other’s blind spot

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9
Q

9- Explain early to late visual processing.

A
  • Thalamus: A way-station between sensory
    inputs and the cortex
  • The optic nerve of each eye transmits information to both hemispheres, leading to the principle of contralateral representation
  • Left visual field is perceived via the right hemisphere
  • Right visual field is perceived via the left
    hemisphere
    (see image)
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10
Q

10- Explain late visual processing and the two pathways.

A
  1. Primary Visual Cortex (occipital lobe) (primary = first place info goes to) contains specialized regions that process particular visual attributes or features (functional specialization)
    * Edges
    * Angles
    * Color
    * Light
    * Demonstrates functional specialization
    * Features of visual input are processed in
    different regions
    * Damage leads to conscious vision loss
    * Demonstrates we can have perception
    without awareness
  2. Visual Association Areas interpret visual information and assigns meaning

AND THEN 2 PATHWAYS to the visual association areas.
* WHAT (ventral) pathway
-Occipital to temporal lobes
-Shape, size, visual details
* WHERE (dorsal) pathway
-Occipital to parietal lobes
-Location, space, movement information
* Neuroimaging studies show separation of what and where pathways

Neuropsychological case of dorsal ‘where’ pathway
Goodale & Milner (1991):
* Ventral damage with intact dorsal stream
=Impaired performance on visual object recognition or matching tasks
* Dorsal damage with intact ventral stream
=Accurate performance on object recognition or matching tasks
=Impaired performance on visual guided action (picking up an object
appropriately)
* Some suggest this may mean that dorsal and ventral pathway represent “perception” and “action”

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11
Q

11- What are lessons we can learn from the visual system?

A
  • Visual stimuli is altered at many stages of the
    processing pipeline (e.g., inversion, compression,
    within the primary visual cortex)
  • In the cortex, visual input is broken down, processed
    separately and then combined to form a perception of an entity
  • The reality we perceive is a construction of the brain
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12
Q

12- Explain bottom-up vs. top-down processing.

A
  • Bottom-up processing: the influence of information from the external
    environment on perception
    -Information from the sensory organs (eyes) to the visual cortex
  • Top-down processing: the influence of knowledge (expectations, context and
    goals) on perception
    -Information from final stages of higher areas of the brain (prefrontal cortex
    or higher visual processing areas) that is sent back to the visual cortex
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13
Q

13- Explain the Constructivist Theory of Perception and use examples of illusions.

A

Constructivist Theory of Perception:
* Governed by top-down processes
* We use what we know, and current context to predict how to perceive sensory data
* Perception is influenced by stored knowledge and context
* Mental models
* We make unconscious inferences to interpret and to predict
sensory data

Pain perception is subjective
* Perception of pain is partly determined by expectation
* Rate pain of the shock in Phase 2 in the low and high cue trials
* The shock levels were the same across conditions
* Pain ratings were higher in the high-cue than the low-cue

Using knowledge to perceive: The Ponzo illusion (lines and train tracks): assumptions about depth cues

Using knowledge to perceive: Distance and size (2 monsters): assumptions about depth cues

Knowledge to perceive: The world is lit from above: assumptions about shadow cues

Perception is predicted by knowledge
* We use assumptions about what we expect to see to guide perception
* Knowledge, heuristics and schemas that reflect assumptions about how the world works, affects perception
* The specific illusions we are susceptible to illustrate some of these assumptions
(ex: mouse vs face)

Context affects visual perception
* Changes in visual perception based on the surrounding
information (the context)
-Ames room: assumptions about size constancy
* A functional illusion when expectations guide perception
* These are expectations of ‘observation’
-The letters in context effect:
* The ability to read words in sentences even when the letters in the middle of some of the words are mixed up
* This is because you ‘expect’ to see real words in a sentence
-The color in context effect: assumption of context effects
* The context a color appears in can influence how you see that color.
* Color perception depends on both:
* the wavelengths of light that fall on our retina
* Our past experiences of how objects look under different contexts
of illumination
Other examples: the Munker-White illusion, the wolverine, rotating snakes

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14
Q

14- Explain blindsight.

A

Damage to the primary visual cortex
Blindsight:
* No conscious awareness (explicit perception) of visual
objects in their damaged visual field
* Able to implicitly respond to questions about objects presented in the damaged visual field
* Suggests that they can perceive something without ‘consciousness’ or awareness (implicit perception)
* There is a processing division between conscious (explicit) and
non-conscious(implicit) perception

Test:
* Over trials, turn a light on or
off in the blinded visual field
* Ask patients to guess if the
light was on or off (forcedchoice responding task)
* Patients performed above
chance on the forced-choice
responding task for lights in
the blinded area

Perception is first processed without conscious awareness in the brain
* Raises the idea that awareness is on a
continuum with respect to perception
* Critiques
-There may be other pathways for visual
information to bypass the PVC
-These cases rely on self report
-Some blindsight cases report a non-visual
feeling that something happened

Blindsight and visual imagery
* Activity of patient with blindsight perceiving faces and houses was reduced when compared to control
participants
* Activity of patient with blindsight when imagining faces and houses
was similar to control participants
* Blindsight leads to deficits in consciously processing incoming visual information but not imagery

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15
Q

15- Describe effects of damage to the where/dorsal pathway.

A
  • The dorsal ‘where’
    pathway
    -spatial information
    -depth perception
    -estimating movement
    and direction of objects

Akinetopsia
* Visual motion blindness: cannot see motion. Instead, perceives motion as a
series of stationary objects

Optic ataxia
* Inability to reach for objects with the ability to name objects
-Problems reaching for a cup of coffee … can
recognize coffee
-Problems pouring milk … can recognize milk
* There might be action specificity in this
pathway
* Selective damage leads to problems with certain types of movement

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16
Q

16- Describe effects of damage to the what/ventral pathway.

A

Visual agnosia
* Difficulties recognizing
everyday objects
-Often from damage to the
Lateral Occipital Cortex
* Difficulties can be selective
to visual categories (faces)
-Functional specialization
within the ventral pathway

Prosopagnosia
* Fusiform face area (FFA) damage leads to a selective deficit in recognizing faces, keeping intact the ability to visually recognize other objects
* Is the FFA special for faces or just discrimination?
* Participants learn to
discriminate between
“Greebles”
* fMRI data as participants
viewed greebles and other
objects
* Greebles activated FFA more than other objects (cats, household objects)
* There is selective face processing in
the brain: case of the sheep farmer

Agnosia subtypes
* The location of the deficit along the visual information
processing pipeline determines impairment
* Apperceptive agnosia: Problems perceiving objects (faces for prosopagnosia look contorted)
* Associative agnosia: Problems assigning meaning or labelling objects (can’t recognize familiar famous faces for prosopagnosia)

Apperceptive visual agnosia
* A failure in recognizing objects due to problems with
perceiving the elements of the objects as a whole
* Single visual feature perception (e.g., color, motion) are relatively intact
* Problems with perception and discrimination of
objects
* Impairment is in grouping visual features to form
perceptions that can interpreted as meaningful

Associative visual agnosia
* An inability to associate visual input with meaning
* Problems on tests that require accessing
information from memory
* Drawing objects from memory
* Naming objects
* Indicating the functions objects
* Determining if a visual object is a possible or impossible object

17
Q

17- Explain Gestalt organizational principles.

A
  • Gestalt approach to perception states the whole that is perceived is greater than the sum of its parts
  • There are fundamental organizational principles meant to deal with ambiguity in our environment
    -Constraints to guide interpreting sensory input
  • These principles are based on knowledge and experience (topdown processes) and shared among people
  • The principle of experience
    -Figure ground segmentation
  • Visual grouping principles
    -Principle of proximity
    -Principle of closed forms
    -Principle of good contour
    -Principle of similarity

Principle of experience
* Image segmentation (figure-ground) depends on sensory input, detect edges
or shadows
* Experience and knowledge also drives figure-ground segmentation
* Regions perceived as the figure are the ones that are more familiar and more
easily named to the observer

Principle of proximity:
Objects or features that are close to one another in a scene will be judged as belonging together

Principle of closed forms:
We see a shape in terms of closed forms, and we like to see items that enclosed
as whole

Principle of good contour:
We perceive objects as continuous in cases where it is expected that they
continue

Principle of similarity
We organize objects or features of a scene based on similarity

Context affects interpretation….example: seeing rabbit during easter vs. seeing duck during fall

18
Q

18- Explain direct models.

A
  • No mental model for sensory input to guide
    perception and action
  • Perception involves using information directly
    from our environment directly, without
    transforming it in our minds
  • A passive bottom-up approach to perception
  • First, to understand, perception must be studied in the real world,
    an ecological approach (JJ Gibson)
  • This is because the ambient optical array (AOA) that reaches the retina has enough information to direct perception and movement
  • This works because there are cues (computational tricks) in the AOA (not in the mind) that are used to guide perception and action
  • We don’t need to create a mental model of the world
  • What we perceive from the environment is to help guide actions
  • Cues provides information on the potential function of an object and are perceived directly, immediately
    -Buttons, levers, slots

Examples:

Texture gradients give the appear of depth
* The density of a texture
(gradient) provides information about distance
* Near objects are farther apart and Far objects are closer together
* Incremental changes in texture can provide information about
your movement and distance

Topological breakages
* Discontinuity created by the
intersection of two textures
* Provides information about
edges of object and aids in
object identification

19
Q

19- Explain theories of visual object recognition.

A
  • Some theories focus on how basic visual elements are processed and
    then recognized
  • Pattern recognition theories emphasize:
  • Identifying a pattern (the data) in visual input
  • Matching the pattern in visual input to existing patterns (concepts)
    stored in memory
  • A percept (trace) represents the visual input pattern that probes long-term memory traces, looking for a match
  • The highest similarity between the probe and memory trace will determine recognition
  • Question: What is the probe being compared to in long-term memory?

Template matching theory:
* Every object has a ‘template’ inlong-term memory
-too simplistic
-computationally demanding
* Cannot explain
-Identification: The ability to recognize objects with shifts in perspective
-Classification: The ability to
recognize new objects as
members of a known category

Prototype theory:
* A prototype is the average representation of an object concept
* recognition is determined by a ‘good enough’ match (resemblance)
* allows for ‘flexible’ object identification

Feature detection
* Visual input is broken down into individual parts (features)
* each feature is processed
separately
* the combination of features is used as a pattern for
recognition to compare to a
prototype
* All objects are reducible to a set of features, geons, basic
geometric shapes
* Recognition involves:
-Mentally separating a visual object into geons
-Examining the arrangement
-Finding best match of arrangement to memory
representations of geon combinations
* Geons have distinct
properties that we can
perceive from any
angle/view/perspective
* Thus, such feature
detection theories can
account for how we can
recognize objects with
shifts in perspective

Recognition in context
* Scene consistency effect
(see image and graphs)…and is a problem for AI

20
Q

20- What is sound

A

Air molecules compressed into sinusoidal wave…. does NOT “travel” to the ear

21
Q

21- Describe the anatomy of the ear.

A

Outer ear:
-pinna
Middle ear:
-ear canal: like a funnel for sound
-ear drum: tissue that vibrates when sound waves hit it, transduction
-ossicles: malleus, incus, stapes: chain of small bones, transmit sound to cochlea…amplify sound!
Inner ear:
-cochlea: coiled, fluid-filled tubes…wrapped inside cochlea is the basilar membrane…tonotopic map

hair cells: transduce mechanical signal into electrical signal

auditory nerve: projects to primary auditory cortex
2 pathways:
dorsal/where pathway= sound localization
ventral/what pathway= sound properties

22
Q

22- Explain pitch and loudness.

A

Perceptual property= pitch
Physical property= frequency (Hz) = time it takes for one cycle…more cycles for amount of time= high frequency

Perceptual property= loundess
Physical property= amplitude (dB)= height of wave

Mix together

Complex sound waves= combination of simple sound waves

23
Q

23- What are the two cues for locating sound in space?

A

-Interaural time difference
-Interaural level difference

*explain

relation of anatomy to function
??

24
Q

24- Explain the principles of auditory scene analysis.

A

1) Grouping: Sounds come from the same source
-Temporal grouping:
Sequential integration: auditory streams arise
Physical cue: temporal proximity
Ex: when slow, sounds like one stream with high and low sounds, when fast sounds like two separate streams (low vs. high)
-Pitch/harmonic grouping:
Fundamental frequency:
Lowest frequency component
Harmonics: Multiples of the
fundamental frequency
* Influence what we hear
Target frequency
Shift fundamental frequency
+ harmonics around the
target frequency

2) Separating: Sounds do not come from the same source