Chapter 4: Output formats, connections and gear Flashcards

1
Q

Name Three Digital Storage formats. (Not file types, the storage method)

A

Compact Disc/CD, Digital Versatile Disc/DVD, Blu-Ray, Super Audio Compact Disc/SACD, DVD-Audio/DVD-A.

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2
Q

Name two un-compressed file types. (Full names if possible)

A

WAV - Waveform Audio File Format (can be compressed)
AIFF - Audio Interchange File Format
CAF - Core Audio Format (No size limit)

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3
Q

Name three compressed file types. (Full names if possible)

A

MP3 - MPEG-1 audio layer 3 (Uses a CODEC to compress)
AAC - Advanced Audio Coding (Better quality than mp3)
WMA and RA - Windows Media Audio and Real Audio
FLAC - Free Lossless Audio Codec
OGG Vorbis - Breakaway from FraunHofer

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4
Q

Which of the following file types use Lossless compression? MP3, AAC, WMA/RA, FLAC, OGG Vorbis

A

FLAC is the only one. All the others are Lossy.

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5
Q

What are the 4 Digital Connection systems(/Interfaces) we have learnt about?

A

AES and EBU - Allows data communication via XLRs
S/PDIF -Sony/Phillips Digital Interface Format
TOSLINK - Toshiba’s optical fibre connection sytem
ADAT Light-Pipe - Optic fibre port that transfers data through 8 channels via Toslink
A Wordclock signal is used to synchronise these devices together

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6
Q

What 4 Digital Data Connections have we talked about?

A

Firewire, USB, Thunderbolt and MADI/Multichannel Audio Digital Interface.

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7
Q

What is an advantage of having/using an audio interface?

A
  • Latency is reduced
    (because) -The sound-card is better
  • It allows you to record instruments directly in
  • It allows monitors to be connected.
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8
Q

Name The Three basic types of monitor.

A

Infinite Baffle (Sealed Box)
Reflex (ported)
Transmission Line

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9
Q

Describe the three monitor types.

A

Infinite baffle - Sealed to reduce phase issues between waves from the front and back of speaker, handles less power, LF distortion and comprised LF response.
Reflex - Enclosure with a small vent which lets emits the out of phase wave from the back (in-phase after reflection) to enforce the sound, better acoustic output and bass response.
Transmission Line- Combines both aspects, using a large diameter tube that is heavily treated

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10
Q

What three types of headphones are there? (More stylistic than design)

A

In Ear - Lower quality listening headphones. Cheap and widely used
On Ear - Medium quality listening headphones. medium price, fairly widely used.
Over ear - High quality mixing headphones, large and expensive.

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11
Q

How should your monitors be set-up?

A
  • 60 degree angle pointing at listener
  • In an equilateral triangle
  • 1/3rd or 38% of the rooms length (facing down the length)
  • Tweeters at ear height
  • On stands or some form of decoupling material
  • At least a metre from the wall behind, 0.6m for small rooms
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12
Q

What can be done to measure the frequency response of your room?

A

Software such as fuzz measure could be used
Using your ears
Using an online calculator

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13
Q

What other measurements of the room can be taken?

A

Reverberation Time, Envelope time curve (ETC) and Impulse Response.

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14
Q

Name the three pieces of equipment needed to measure factors of a room.

A
  • Software e.g. Logic, Fuzzmeasure, Room EQ wizard
  • A microphone
  • Monitors
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15
Q

Give a few basic acoustic treatment tips.

A

-Bass Traps in the corners of a room
-Diffuser on the wall behind the listening position
-First reflection points should be treated (side walls and roof)
Treatment should be placed behind the speaker.

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