Chapter 3 Color, texture, form, & style. Flashcards

1
Q

Dynamics

A

louds and softs.

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2
Q

Forte (FOUR-tay)

A

Loud

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3
Q

Piano

A

Soft.

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4
Q

Crescendo

A

A gradual increase in volume.

Strauss’s Also sprach Zarathustra

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5
Q

decrescendo or diminuendo

A

A gradual decrease of volume.

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6
Q

Color or Timbre (TAM-ber)

A

The tone quality of any sound produced by voice or instrument.

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7
Q

Soprano & Alto

A

The two female vocal parts.

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8
Q

Tenor & Bass

A

The two male vocal parts.

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9
Q

mezzo-soprano

A

midway between the soprano and alto

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10
Q

baritone

A

midway between tenor & bass.

Most male pop singers.

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11
Q

The Strings

A

By Size : violin, viola, cello, double bass.

Higher————————————-Lower

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12
Q

Vibrato

A

A controlled “wobble” in the pitch

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13
Q

Pizzicato

A

Plucking the strings. It gives a sharp attack, but fades quickly.

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14
Q

Tremolo

A

Repeating the same pitch with quick up & downstrokes of the bow

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15
Q

Trill

A

Rapid alternation between pitches.

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16
Q

Glissando

A

a rapid run up or down the strings.

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17
Q

Arpeggio

A

When the notes of a triad are played in quick succession.

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18
Q

Woodwinds

A

by size: piccolo, flute, clarinet, oboe, English horn, bassoon, contrabassoon.

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19
Q

Brass

A

By size: trumpet, trombone, French horn, tuba.

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20
Q

Percussion

A

Can be pitched (timpani) or un-pitched (snare)

21
Q

The Harpsichord

A

ancestor of the piano. only one level of sound.

22
Q

Piano

A

Invented around 1700, can be loud or soft.

23
Q

Conductor

A

The traffic cop.

24
Q

Texture

A

How melody & harmony work.

density & arrangement of elements.

25
Orchestral score
a composite of all parts
26
Monophony
One sound A single line of music with no harmony.
27
Homophony
Same sounding The voices, instruments, and lines all move together to a new pitch at the same time.
28
Polyphony
Many Sounding Two or more melodies.
29
Counterpoint
The harmonious opposition
30
Form
The arrangement of musical events.
31
Strophic form
Same tune, different words on each stanza (folk music)
32
Verse/Chorus
The same tune in each verse with new words. Same words and tune in chorus. Glory Glory Hallelujah
33
Statement
The presentation of am important musical idea.
34
Repetition
Validates the statement by reiterating it.
35
Contrast
Takes away from the familiar and into the unknown.
36
Variation
Original melody returns but altered in some way.
37
Theme and variations
one musical idea continually returns but varied in some fashion. Mozart twinkle variations.
38
Binary
if A is the tune, B is something different. AB
39
Ternary
AB and repeat A. Dance of the Reed Pipes by Tchaikovsky
40
Rondo
if A is tune rondo is ABACA
41
Style
attributes that unite similar works of art.
42
Middle Ages
476-1450 monophonic 476-1150 polyphonic 1150-1450
43
Renaissance
1450-1600
44
Baroque
1600-1750 opera 1600
45
Classical
1750-1820 melodies and triads, homophonic
46
Romantic
1820-1900 emotional, long music, clashes & tension.
47
Impressionism
1880-1920 light. a revolt from romantic writing.
48
Modern
1900-1985 different styles that reflect the violence of war. generally dissonant
49
Post Moderns
1945 to today.