Chapter 3: Being a Critic of the Arts Flashcards

1
Q

Interpretive criticism centers upon

A

content

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2
Q

Descriptive criticism focuses upon

A

form

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3
Q

Evaluative criticism centers on

A

the relative merits of a work

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4
Q

A work of art is most likely to be judged a masterpiece by an evaluative critic if

A

it resists monotony

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5
Q

A detail relationship of an artistic form is

A

the connection of a part to another part or parts

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6
Q

A region of a work of art is

A

a larger distinct part or group of parts

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7
Q

A structural relationship in a work of art is

A

the connection of a part to the overall structure

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8
Q

Which of the following was considered shock art?

A

Hirst, This Little Piggy Went to Market, This Little Piggy Stayed Home

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9
Q

Jackson Pollock’s Autumn Rhythm has

A

no clear-cut regions

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10
Q

The statement that Picasso’s Guernica is a better painting than Blume’s Eternal City is

A

evaluative

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11
Q

The statement that there are more detailed relationships in Autumn Rhythm than in Composition with Yellow, Blue, and Red is

A

descriptive

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12
Q

The statement that the bull in Guernica symbolizes Franco’s utter insensitivity to suffering is

A

interpretive

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13
Q

The statement that the subject matter of Guernica is about the bombing of defenseless citizens by the fascists in 1937 is

A

historical

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14
Q

Noticing the rhyme, steady meter, and quatrain stanza structure of Yeats’s “The Lake of Innisfree” is

A

descriptive criticism

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15
Q

N. J. Berrill points out in Man’s Emerging Mind that

A

we are more likely to see what we believe

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