Chapter 3-5 Flashcards

1
Q

How is the clash in educational standards/ perceptiveness between Keith and Stephen made clear?

Chapter 3

A
  • Keith’s incorrect spelling: “Logbook, Secrit.”/ “Privet.” Keith’s bad spelling throughout/ Frayn’s use of wordplay.
  • Stephen thinking to ask “how “ Keith actually knows his mother is a spy.
  • Although Keith is more superior in the relationship, Stephen is definetely more perceptive. Power struggle.
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2
Q

How is Uncle Peter described in the picture alongisde Dee and Mrs Hayward?

Chapter 3

A
  • “lounging boyishly.”
  • Repetition of “boyish”- playful, carefree.
  • “air-force blue”: often associated with distinct colours linked to RAF.
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3
Q

How is Mr Hayward juxtaposed with Uncle Peter in his description in the photograph that the boys see?

Chapter 3

A
  • “lifeless clipped grey hair.”
  • “grey” juxtaposing the “air-force blue.”
  • “lifeless” - serious, austere, standing separate in the picture, not involved in family as Peter is.
  • He is naemless in Frayn’s description here, very sinister.
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4
Q

What does Stephen say he is doing by invading Mrs Hayward’s private space in chapter 3?

A
  • “penetrate the secrets of the present and dismantle the future.”
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5
Q

What do the boys find in Mrs Hayward’s diary?

A
  • X’s, exclamation marks.
  • x = when her period comes
  • ! = when she has sex, only 3 times a year shows her “lifeless” relationship with Mr Hayward.
  • The fact Stephen misinterprets this as secret meetings shows his great immagination/ immaturity.
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6
Q

References to power dynamic between Stephen and Keith. What could Frayn be commenting on here?

Chapter 3

A
  • “loyal squire that sword bearer requires.” Medieval imagery. Stephen self-depriciating , thinks he isn’t important - on several occasions!
  • “he uttered words and the words became so.” Mirroring biblical creation story. God grants life “to be” and it simply does.
  • Critiquing the class divide, causing divisions between EVEN children/ showcasing that childhood relationships have lifelong psychological consequences.
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7
Q

How is Keith described to look at Stephen in chapter 3?

A
  • “looks as his father must.”
  • He mirrors his dad’s behaviour throughout narrative.
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8
Q

Clue as to Stephen being Jewish in chapter 4.

A
  • “it’s always nice if I stay in on Friday evening.” Friday: Sabath for Jews. “nice” –> family trying to hide Jewish heritage from Stephen to protect him.
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9
Q

Significance of the use of elipses in chapter 4 and throughout the novel.

A
  • Symbolic of piecing together fragments of memory.
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10
Q

How is Uncle Peter described by Stephen in his memory in chapter 4, when all the children are gathering around him?

Pg. 75

A
  • “golden light.” Repetition of “gold” and “silver” –> his royal position.
  • Eagle (on uniform) “spread wings protectively.” Father figure to everyone/ takes responsibility; like Peter in the bible.
  • “worshipping faces.”: religious imagery, he is God-like, guidance figure.
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11
Q

What repeated phrase is used by Frayn to describe Mrs Hayward?

A
  • “unhurried and composed.”
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12
Q

How are the houses in The Close described when Stephen is following Mrs Hayward?

A
  • “sinister ordinariness.”
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13
Q

How does Stephen describe the mystery after having followed Mrs Hayward?

pg.77

A
  • Feels as though she keeps “disappearing.”
  • Calls it a “ghost story”: foreshadowing Uncle Peter’s death. Uncle Peter described as “ghost” later on.
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14
Q

How does Stephen describe Barbara Berril?

pg. 80

A
  • “little white summer socks.”
  • Repetition of “little”, infantalising her/ thinks that he is superior.
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15
Q

What words are echoed at the beginning of chapter 5, where were these words mentioned before?

A
  • “Everything is as it was, and everything has changed.”
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16
Q

What could Keith and Stephen be seen as?

A
  • Binary opposites.
17
Q

How are The Lanes described by Frayn? Why are there houses there after Old Stephen returns?

ch.5

A
  • “raggedy children.”
  • “desolate no man’s land.” WWII Imagery.
  • Houses: housing crisis after WWII, needed to build on places were theres were no buildings previously.
18
Q

When is there a break in narrative, why is this frustrating - what does it add to?

A
  • Between ch.4 and 5.
  • Reader wants to continue action on Mrs Hayward.
  • Revealing events in fragments, just as memory does.
19
Q

How is the train described in chapter 5? Quotes.

pg. 92

A
  • Motif throughout.
  • “magestic danger” Paradoxical
  • “terrified worshipers prostrate before a God.”
  • Train= symbol of war, boys idolise this idea - find it “magestic” but really, there’s physical/ psychological “danger” behind it.
  • “carriage after carriage” –> never-ending strength/ symbol of WWII being never-ending as train carries artilery.
20
Q

What is the train a symbol of?

THROUGHOUT TEXT

21
Q

Significance of symbol “X”

ch.5

A
  • Has infinite possibilites (as he says: birthday cards, Judas Kiss of betrayal.)
  • Adds to theme of boy’s imagination.
22
Q

How is Barbara Berril described by Stephen?

ch.5

A
  • “bobbly blue leather, shiny blue popper.”
  • Synesthesia - including all senses.
23
Q

Give examples of word-play throughout that Frayn uses. What does this enhance?

A
  • “Germs”, “Geranium”, “German.”
  • “Privy”, “privet”, “private.”
  • Losing all sense of reality, reader feels as though they are in someone’s head/ delving into their emotions.
24
Q

Image Frayn uses to show Stephen being so close to the truth but not being able to get it?

ch.5

A
  • “touches the solidity of silver frame, Barbara Berrill’s story bursts like a soap bubble in my hand.”
  • Image of temporary nature of memories.
  • Barbara Berill idea that Auntie Dee has a “boyfriend” - Stephen can’t believe, looks up to Peter. IRONY.
  • Frayn intermingling images, memory being distorted - can’t remember the truth
25
Q

What does Mrs Hayward say to Stephen in the privet hedge that mirrors Stephen’s own speach?

A
  • “Thank you for having me.”
  • She is putting herself on Stephen’s level/ humbling herself/ suggesting secret that needs to be kept = very important.