CHAPTER 3 Flashcards

1
Q

involves recognizing, organizing, and making sense of sensations received from environmental stimuli.

A

Perception

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2
Q

What are the 4 Basic Concepts of Perception?

A

Distal Object:
Informational Medium:
Proximal Stimulation:
Perceptual Object:

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3
Q

The external object in the world (e.g., a tree falling).

A

Distal Object:

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4
Q

The medium that carries information (e.g., sound waves, light waves).

A

Informational Medium:

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5
Q

Occurs when sensory receptors (e.g., retina) receive input from the environment (e.g., light waves).

A

Proximal Stimulation:

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6
Q

The mental image or understanding of the external object created by the brain.

A

Perceptual Object:

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7
Q

Involves the direct stimulation of sensory receptors (e.g., detecting light, sound, touch).

A

Sensation:

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8
Q

When exposed to a uniform visual field (e.g., a dense fog), perception of the stimulus fades over time, resulting in a gray visual field.

A

Ganzfeld Effect:

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9
Q

Our minds create ____ _______ of objects based on sensory input, which may not always correspond directly to the stimuli received

A

Mental Representations:

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10
Q

illustrate that what we sense is not necessarily what we perceive.

A

Perceptual illusions

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11
Q

Long, thin photoreceptors that are concentrated in the periphery of the retina. They are responsible for night vision and detecting light and dark stimuli.

A

Rods:

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12
Q

Short, thick photoreceptors located in the fovea (central retina), responsible for color perception.

A

Cones:

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13
Q

_____ in rods and cones react to light, converting electromagnetic energy into neural signals that are transmitted to the brain via bipolar cells and ganglion cells.

A

Photopigments

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14
Q

Responsible for processing the location and movement of objects.
Extends to the parietal lobe.

A

Dorsal Pathway (Where Pathway):

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15
Q

Processes the identity, color, shape, and form of objects.
Extends to the temporal lobe.

A

Ventral Pathway (What Pathway):

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16
Q

Controls how we move and interact with objects based on their location and properties.

A

How Pathway:

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17
Q

this hypothesis suggests that the pathways refer to what objects are and how we interact with them

A

What–How Hypothesis:

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18
Q

Perception begins with sensory information and moves upwards to higher cognitive processes.

A

Bottom-Up Theories

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19
Q

The sensory receptors and environmental context provide all the necessary information for perception.

A

Direct Perception (Gibson’s Theory of Direct Perception):

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20
Q

We compare observed stimuli suggest that our minds store highly detailed templates (models) for recognizing patterns.

A

Template Theories

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21
Q

propose that we match features of a pattern (e.g., edges, lines) rather than whole patterns to stored features in memory.

A

Feature-Matching Theories

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22
Q

What are the 4 The Pandemonium Models?

A

Image Demons:
Feature Demons:
Cognitive Demons:
Decision Demon:

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23
Q

Receive the visual input and pass it on to feature demons.

A

Image Demons:

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24
Q

Detect specific features of the stimulus and shout them out.

A

Feature Demons:

25
Q

Compare the identified features with memory and suggest possible matches.

A

Cognitive Demons:

26
Q

Chooses the most likely pattern based on the strongest cognitive demon input.

A

Decision Demon:

27
Q

Small-scale details (e.g., individual letters in a larger pattern).

A

Local Features:

28
Q

The overall shape or structure (e.g., large letter formed by small letters).

A

Global Features:

29
Q

People tend to perceive global features (large shape) faster than local features (small letters) when the local features are close together

A

Global Precedence Effect:

30
Q

When local features are spaced out, people identify the local features more quickly than the global features

A

Local Precedence Effect:

31
Q

explains how we recognize 3D objects by breaking them down into simple geometric shapes called geons (geometrical ions).

A

Recognition-by-Components (RBC) Theory

32
Q

We perceive an object as the same size despite changes in its retinal image (e.g., a car approaching appears larger on the retina but is perceived as the same size).

A

Size Constancy:

33
Q

We perceive colors to remain the same under varying lighting conditions (e.g., bananas remain yellow in different lightings).

A

Color Constancy:

34
Q

Combining sensory data with knowledge and making judgments that we are not consciously aware of.

A

Unconscious Inference:

35
Q

refer to how the surrounding environment influences perception.

A

Context Effects

36
Q

Objects presented in certain configurations are easier to recognize than objects presented in isolation, even if the configuration is more complex

A

Configural-Superiority Effect:

37
Q

A target line forming part of a 3D object is recognized more accurately than when it is part of a disconnected 2D pattern.

A

Object-Superiority Effect:

38
Q

Perception is relative to the viewer’s perspective. Individuals store mental representations based on how an object appears from their viewpoint.

A

Viewer-Centered Representation:

39
Q

Perception is based on the object’s structure, independent of the viewer’s angle or perspective. The object remains stable regardless of orientation.

A

Object-Centered Representation:

40
Q

An alternative form where information is organized relative to a prominent landmark (e.g., navigating a city based on the location of your hotel).

A

Landmark-Centered Representation:

41
Q

explain how we perceive objects as grouped or separate, even when presented in complex arrangements.

A

Gestalt principles

42
Q

We separate objects (figures) from their background.

A

Figure-Ground Perception:

43
Q

Objects close to each other are perceived as a group.

A

Proximity:

44
Q

Objects that look alike are grouped together.

A

Similarity:

45
Q

We perceive continuous lines rather than broken ones.

A

Continuity:

46
Q

We perceive objects as complete even when parts are missing

47
Q

Symmetrical objects are perceived as a whole around a central axis.

48
Q

involves identifying configurations of visual elements, while face recognition is considered a specialized form of pattern recognition.

A

Pattern recognition

49
Q

Recognizes parts of objects and assembles them into wholes. Used when analyzing individual elements (e.g., identifying parts of a flower in biology class).

A

Feature Analysis System:

50
Q

Recognizes larger configurations and wholes without focusing on individual parts. Most relevant to recognizing faces.

A

Configurational System:

51
Q

is strongly activated when processing faces, especially when recognizing emotions.

A

Fusiform Gyrus

52
Q

cannot recognize familiar faces, though they can recognize facial emotions.

A

prosopagnosia

53
Q

Explain the Monocular Depth Cues:
Texture Gradients:
Relative Size:
Interposition:
Linear Perspective:
Aerial Perspective:
Motion Parallax:

A

Texture Gradients: Objects with more visible texture are perceived as closer.
Relative Size: Larger objects are perceived as closer than smaller ones.
Interposition: Objects that overlap are perceived as closer.
Linear Perspective: Parallel lines appear to converge in the distance.
Aerial Perspective: Distant objects appear blurrier due to atmospheric interference.
Motion Parallax: When moving, objects closer to you move faster across your visual field than distant objects.

54
Q

Explain Binocular Depth Cues:
Binocular Disparity:
Binocular Convergence:

A

Binocular Disparity: The brain interprets the slight differences in the images from each eye to gauge distance.
Binocular Convergence: As objects approach, the eyes turn inward, and the brain interprets this movement as a cue to distance.

55
Q

refer to the inability to recognize sensory information, even though sensory input (e.g., seeing colors and shapes) is intact.

56
Q

Individuals can see objects but cannot identify what they are.

A

Visual-Object Agnosia:

57
Q

A form of agnosia where individuals can only focus on one object at a time, failing to perceive multiple objects simultaneously.

A

Simultagnosia:

58
Q

Affected individuals can recognize facial expressions but cannot identify people by their faces.

A

Prosopagnosia:

59
Q

Individuals have difficulty reaching for objects even in well-lit environments, suggesting a breakdown in the dorsal stream.

A

Ataxias (Deficits in Knowing “How”)