Chapter 3 Flashcards

1
Q

Which of following can be said about Bob Dylan and Joan Baez during the folk revival?
they produced several hit singles
they were pop-oriented
they had top 40 albums
they were cover artists

A

they had top 40 albums

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2
Q

The focus of American Bandstand was:
provocative live performances
resurrecting rhythm and blues songs
teenagers dancing to pop music
developing new songwriting talent

A

teenagers dancing to pop music

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3
Q

A playlet is a:
short song telling a humorous story
song that romanticizes teenage death
song produced and performed by the same person
song that combines rockabilly sounds with Brill Building recording techniques

A

short song telling a humorous story

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4
Q

“Dead Man’s Curve” was a splatter-platter hit by:
the Beach Boys
the Shangri-Las
George “Shadow” Morton
Jan and Dean

A

Jan and Dean

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5
Q

Almost no aspect of pop music during the early 1960s was completely immune from the influence of Brill Building practices. T/F

A

True

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6
Q

“Bubblegum music” is a term used to describe the music that emerged from teen idols in the late 1950s. T/F

A

True

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7
Q

Which aspects of “Leader of the Pack” indicate it is a playlet?
It was recorded by a girl group.
It contains a story line and an epilogue.
It was produced by Phil Spector.
It is an example of a surf song.

A

It contains a story line and an epilogue

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8
Q

In the early 1950s, many folk musicians ran into problems due to:
accusations of Communism
protesting the Korean War
sympathizing with Civil Rights
opposing Vietnam

A

accusations of Communism

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9
Q

All of the following were populist characteristics of the folk song movement EXCEPT:
the folk tunes were familiar to the audience
almost anyone could play folk music
the folk music singer’s prowess and image among the audience
the importance of song lyrics

A

the folk music singer’s prowess and image among the audience

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10
Q

The name of the record label formed by Leiber and Stoller was Spark Records. T/F

A

True

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11
Q

Phil Spector referred to the singles he produced as:
one-hit wonders
teenage symphonies
musical playlets
Splatter Platter

A

teenage symphonies

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12
Q

Teen idols were marketed primarily as:
bad boys
ideal boyfriends
singer/songwriters
professional studio musicians

A

ideal boyfriends

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13
Q

Sam Cooke’s singing style is often referred to as:
rhythmic soul
sweet soul
melodic soul
gentle soul

A

sweet soul

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14
Q

Which of the following cities produced an especially high number of teen idol hits from 1957–1963?
New York
Boston
Los Angeles
Philadelphia

A

Philadelphia

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15
Q

Who developed “the Wall of Sound”?
Mike Stoller
Carole King
Phil Spector
Jan Berry

A

Phil Spector

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16
Q

The pop audience’s perception of the image and authenticity of folk music was the result of the:
wide acceptance of the music by the college-age audience
effort of the music industry to market the movement
availability of long-playing albums
homespun image of folk music singers

A

effort of the music industry to market the movement

17
Q

Which folk music group had a hit song with a cover of Bob Dylan’s “Blowin’ in the Wind”?
the Kingston Trio
the Weavers
the Highwaymen
Peter, Paul, and Mary

A

Peter, Paul, and Mary

18
Q

Prior to the 1960s, an A&R man was a specialist in charge of shaping the sound of a record. T/F

A

False

19
Q

An important component of the Beach Boys’ success was:
Dick Dale’s guitar solos
Jan Berry’s songwriting
Brian Wilson’s production and writing
Chuck Berry’s guitar influence

A

Brian Wilson’s production and writing

20
Q

The Beach Boys’ first number-one hit was:
“Surfin’ Safari”
“Fun, Fun, Fun”
“I Get Around”
“Surfin’ U.S.A.”

A

“I Get Around”

21
Q

All of the following are examples of girl groups EXCEPT:
the Ronettes
the Drifters
the Crystals
the Dixie Cups

A

The Drifters

22
Q

The role of the A&R man was to:
write and record songs
develop trademark sounds on pop recordings
organize and coordinate the professionals involved in recording
find the right producer to record a hit song

A

organize and coordinate the professionals involved in recording

23
Q

Dick Dale was known for:
influencing the Beach Boys
his trademark fast tremolos on the guitar
writing playlet songs
singing in falsetto

A

his trademark fast tremolos on the guitar

24
Q

Musical influences on the Beach Boys include all of the following EXCEPT:
sweet soul
Phil Spector
doo-wop
Chuck Berry

A

sweet soul

25
Q

A distinctive vocal feature of the Everly Brothers was:
a smooth rhythm and blues influence in their harmonies
doo-wop-style backing vocals
a combination of low chest singing and high falsetto pitches
harmonies sung at the high end of the male vocal range

A

harmonies sung at the high end of the male vocal range