Chapter 2 - Environmental Perception/Spatial Cognition - Pgs 23 - 33 Flashcards

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1
Q

What is environmental perception?

A
  • The initial gathering of information. It also includes the ways by which we collect information through all our senses
  • The term can also be used to include aspects of how we appraise and assess environments
  • The participants often move in and around the scene; they are part of the scene
  • Moving through the environmental display means that the perceiver experiences it from multiple perspectives
  • The perceiver is connected to the environmental display by a clear goal or purpose - example - scanning a wilderness scene for a clean campsite
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2
Q

What is spatial cognition?

A

The manner in which we process, store, and recall information about the locations and arrangements of places

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3
Q

What is environmental cognition?

A

How we think about places, beyond their spatial aspects

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4
Q

What is object perception?

A

The emphasis is on the properties of simple stimuli, such as their brightness, colour, depth, perceptual constancy, form, and apparent movement

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5
Q

What are the ways in which environmental perception is divided?

A
  1. Utilitarian purposes

2. Aesthetic purposes

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6
Q

What is habituation?

A

The way people adapt or habituate to a feature of their environment

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7
Q

Give an example of the Weber-Fechner law

A

As the amount of air pollution increases, larger and larger increments of new air pollution are needed before people notice that pollution is becoming worse

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8
Q

What is environmental numbness?

A

Sometimes we pay very little attention to our surroundings, even if they cause us discomfort
Numbness or lack of awareness of our surroundings often arises when more lively aspects of the world command our attention
- It can cause us to overlook major problems such as air pollution etc.

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9
Q

What is Herbert Leff’s exercise to get more out of any scene?

A
  1. Rapidly switch your visual focus from one point in the scene to another while forming a vivid impression of each view
  2. Look for views in the scene that would make a personally relevant photograph
  3. Imagine what it would be like to be one of the objects in the scene
  4. See inanimate objects as if they were alive
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10
Q

How do researchers present an environment to a perceiver?

A
  • Due to issues like lighting, weather, etc. showing the same scene to different people and asking for their perceptions is not always helpful. One person may have looked at the scene on a bright, sunny day. The next person may look at the same scene on a rainy, cold day. Based on weather alone, they could have different perceptions of the same scene
  • Sometimes researchers show people videos, pictures, or soundtracks to convey information on an environment
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11
Q

What are the 5 methods used to measure a person’s perception?

A
  1. Self-report
  2. Time sampling - report at certain intervals what they are looking at, listening to etc.
  3. Behaviour-inference method - inferring something about perception from the perceiver’s behavior
  4. Psychophysical method - people can reliably adjust some physical variable in direct proportion to the perception of a psychological construction. These magnitude estimations allow for the calculation of equations called power functions that express a psychological variable in terms of a known physical scale
  5. Phenomenological approach - the research is the perceiver. Rather than employ many subjects, the goal is to use a single very carefully trained observer whose goal is to perceive the essence of a setting in a qualitative way
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12
Q

What is a power function?

A
  • An equation that expresses a psychological variable in terms of a known physical scale. In one example of this, subjects adjusted the brightness of alight to correspond to their perception of how architecturally complex different houses seemed to them
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13
Q

How can 2 people have different perceptions of the same room? Example …. it’s so hot in here … no, it isn’t

A
  1. Difference amongst perceivers
  2. Difference in cultural background and experiences
  3. Difference in perception of physical attributes such as architectural style etc.
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14
Q

What characteristics of observers themselves are associated with different perceptions of the environment?

A
  1. Variability in perceptual ability such as reduced hearing or vision
  2. Personal characteristics - gender, education, training, experience with a setting also affect environmental perception
  3. Our “way of seeing” - this is based on education or training. We learn a way of seeing that is characteristic of our chosen profession
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15
Q

What is meant by the carpentered-world hypothesis?

A
  • Differences in perception are due to the striking discrepancies among the perceptual environments of various societies
  • Urban settings, with their high frequency of rectangular objects and straight lines, produce different perceptual experiences than uncarpentered settings, simple rural places where curved, rounded lines characterize the houses and landscape
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16
Q

What is size constancy?

A

The learned tendency to stabilize perceived size despite changes in objective distance and the size of the image on our retinas

17
Q

What makes a room look “enclosed”?

A
  • A room has walls, flooring, and a ceiling, which “establish space”
  • Are all of the above elements perceived equally?
  • Apparently, ceilings are three times as important in establishing the perception of enclosedness as floors, and that walls are twice as important
18
Q

What has happened when someone likes a colour on a paint chip, but hates the colour when it’s on the wall?

A
  • Colours have different impacts when they are on a wall rather than a small chip
19
Q

List some of the perceptual illusions listed by Helen Ross

A
  1. Fog makes features of the environment such as trees or hills appear to be farther away and larger than they actually are
  2. The same phenomena occurs when viewing things underwater, particularly as the water gets murkier
20
Q

What is the terrestrial saucer effect?

A
  • Leads mountain climbers to believe that neighboring mountain peaks equal in altitude to their own are much higher than their own
  • The same effect also influences the perception of roads so that, under certain conditions, slopes that are actually uphill appear to be downhill, and vice versa
21
Q

What is probabilism?

A

It refers to Brunswik’s belief that no single cue is either a perfectly unreliable clue to the true nature of the environment, but rather has a certain probability of being accurate

22
Q

What is the Brunswik Lens Model?

A
  • Used to explain behavioural research
  • Perspectives about the environment are generated (observed) through a ‘lens’ of imperfect cues
  • Statistical modelling is applied to determine the weighting (importance) of the various cues (independent variables) to the criterion event of success (dependent variable)
23
Q

What is Brunswik’s ecological validity?

A
  • Refers to the degree of “truth” in the probabilistic relations between the environment and each of the cues
24
Q

What is Brunswik’s cue utilization?

A
  • Represents the probabilistic weights given to each cue by the perceiver, whether the cue valid or not
25
Q

Outline Brunswik’s Lens Model

A

Brunswik’s lens model applied to environmental perception. Qualities of the setting itself are not perceived directly. Rather, they are manifested in distal cudes

26
Q

What was Gibson’s Affordances Theory?

A
  • Gibson believed that certain arrangements of cues give the perceiver direct, immediate perceptions of the environment
  • The world can be conceptualized as being composed of substances (clay, steel, glass) and surfaces (floors, walls, ceilings)
  • The arrangements of these substances and surfaces are called layouts and provide what Gibson called affordances, or instantly recognizable functions
  • We do not have to interpret sensory information, construct reality, or weight cues
  • Gibson’s ideas refocus attention on the environment itself
  • Gibson’s perception is not composed of elemental building blocks of perception such as colour, form, and shape
  • Traditional architecture emphasizes the “basis” of design, form, and shape, while users of the built environment, do not see form and shape when we see a place, we see what the place can do for us
27
Q

Explain Berlyne’s Collative Properties

A
  • Environmental scenes have collative properties - characteristics that cause the perceiver to pay attention, investigate further, and compare
  • Novelty - newness to the perceiver
  • Incongruity - perception that something is out of place
  • Complexity - a large variety of elements
  • Surprisingness - unexpected elements
  • Collative properties influence the perceiver’s aesthetic judgment
  • This happens via 2 psychological dimensions:
    1) Hedonic tone –} the amount of beauty or pleasure experienced
    2) Uncertainty-arousal
  • Relations between complexity and preference may apply only to the built environment
  • Scenes of built environments show the predicted results (buildings of moderate complexity are most preferred)
  • Research on collative properties has found a relationship between the property and rated beauty or preference
  • Researchers have suggested additions to the collative properties list, including “that which suits a certain setting”
28
Q

What are the 4 theories of environmental perception?

A
  1. Brunswik - Probabilistic Functionalism
  2. Gibson - Affordances
  3. Berlyne - Collative Properties
  4. Phenomenology
29
Q

Explain Phenomenology

A
  • Phenomenological approach results in self-report, but these self-reports differ in important ways
    1. Emphasis is on perceptions of an individual rather than on a group
    2. Try to overcome the distinction between setting and perceiver
    3. Researcher is usually the perceiver
    4. In trying to understand the meaning of a place qualitatively, as revealed by the place, rather than be resorting to external concepts or ideas
30
Q

What is topophillia?

A

Emotional attachment to a place

31
Q

What is existential outsideness?

A

Alienation from a place

32
Q

Apply Brunswik’s lens model to environmental perception

A
  • Qualities of the setting itself are not perceived directly - rather they are manifested in distal cues (objectively measurable characteristics of the setting)
  • Proximal cues are the observer’s subjective impressions of these distal cues
  • Perceived beauty will closely approximate actual beauty (there will be high achievement)