Chapter 2: Art Making And Art Criticism Flashcards

1
Q

It applies human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power

A

Artmaking

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2
Q

It represents reality, communicate emotions or ideas, creates a sense of beauty, explores the nature of perception, and explore formal elements for their own sake.

A

Artmaking

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3
Q

He said that art-making traces back to the love of imitation and recognizing likenesses that characterize humans.

A

Aristotle

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4
Q

He who intensifies that artmaking is a human activity, consisting in this, that one person consciously, by sure external signs, conveys to other feelings he has experienced, and other people are affected by these feelings and live them over themselves

A

Leo Tolstoy

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5
Q
  • It is the analysis and evaluatation of works of art.
  • It is interpretive, involving the effort to understand a particular piece of art from a theoretical perspective and establish its significance in art history
A

Art Criticism

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6
Q

It is minimally required to be a connoisseur, which means he must have a “sound knowledge” of art history.

A

Critic

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7
Q

It often faced with a choice: to defend old standards, values, and hierarchies againsts new ones or to defend the new against the old (Kuspit, D.B 2021)

A

Critic

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8
Q
  • It forms an integral part of fully digesting the minute details of the art.
  • It provides the viewers to see the horizon it depicts and what lies behind it
A

Art Criticism

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9
Q
  • It is something that can be seen using the human eye
  • It is the practice of graphically representing information to efficiently, effectively create meaning (Pimenta, S. & Pooviah, R. 2010)
A

Visual

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10
Q

It is the trasmission of information and ideas using symbols and imagery

A

Visual Communication

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11
Q

What are the three main types of communication?

A
  • Verbal Communication
  • Non-verbal Communication
  • Visual Communication
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12
Q

It is believed to be the type that people rely on most, and it includes signs, graphic designs, films typography, and many others (Study.com 2003)

A

Visual Communication

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13
Q

What do you call the study of symbols and visual communication?

A

Semiotics

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14
Q

It aims to analyze how people make meaning out of signs and how those symbols are interpreted.

A

Semiotics

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15
Q

It is the realm of what our eyes gaze at and our mental processes

A

Visual Communication

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16
Q

It is a fun and rewarding way for people to express themselves and learn a broad range of skills and concepts

A

Art Making

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17
Q

_______ is at the heart of making art

A

Production

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18
Q

What are the 5 stages of Art Making?

A
  • Inspiration
  • Percolation
  • Preparation
  • Creation
  • Reflection
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19
Q

It is an exciting moment in the process of creating art

A

Inspiration

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20
Q

It is refining your ideas before making art

A

Percolation

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21
Q

A more active and focused time to create your blueprint

A

Preparation

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22
Q

This vary depending on your personal temperament , artistic style, and medium

A

Creation

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23
Q

This stage will vary depending on the artists

A

Reflection

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24
Q

It has the ability to flex our imagination

A

Art

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25
Q

Who emphasizes that human experience is now more visual and visualized than ever before

A

Seeing and Sense, as Mirzoeff (1999)

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26
Q

Who defined human voice as semantikos psophos, “significant sound”, or sounds that make meaning (Shirato, T. & Webb, J., 2004)

A

Aristotle

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27
Q

An effective tool for analysis because it deals with the signs anything which stands for something

A

Semiotics

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28
Q

Who viewed that Art Criticism analyzes and evaluates any art form?

A

As Wilson K. (2021)

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29
Q
  • This would leave out judgements and our interpretations of what we think
  • It is to describe what we see
A

Description

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30
Q

It is determining what described elements suggest and why the artists used those specific colors, angles, or shapes etc. To convey feelings, ideas or historical events

A

Analysis

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31
Q

It is used to establish context explaining why we think the artist created it and its meaning

A

Interpretation

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32
Q

It is to decide where an artwork stand alongside similar works and explain what aspects are most important when determining it quality

A

Evaluation of Judgement

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33
Q

What are the 2 interpretative strata of photograph

A
  • material structure; the real meaning of the text and its sign and the specificity of its content
  • simply reading of the conventional subject matter, in terms of reorganizing the pure forms as particular objects with a social meaning, a process of deciphering

(Shirato & Webb 2004)

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34
Q
  • It connects us to other areas of our lives
  • It pave the way to communicate points of view and shape the way communities think and identify themselves
A

Visual Arts

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35
Q

This refers to a movie or motion pictures/Movies are up of a series of still photographs, each showing a slight in motion then projected

A

Film

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36
Q
  • This is were the viewer sees a moment in a story that allows the viewers to understand what happened prior to and after the moment caught by the artists
  • It has an element of literacy
A

Narrative Painting

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37
Q
  • It used to describe a painting that focuses on a serious narrative or includes exemplary actions
  • Subjects are derived from the Bible, mythology, secular literature and historical events
A

History Painting

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38
Q
  • This comes from the latin word ‘animare’ (to breathe into life)
  • It is the visual art of making a motion picture from a series of still drawings
A

Animation

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39
Q
  • Comes from the greek word ‘komikos’
  • Printed arrangement of art and balloons i sequence
A

Comics

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40
Q

It is the pictorial representation of or reference to one or more ‘events’. It occur in a sequence of time and bring a change in the condition of at least one character

A

Narrative Illustration

41
Q
  • Comes from the latin word ‘pictorius’ meaning a painter
  • and ______ means engaging in the act of narration
A

Pictorial Narrative

42
Q
  • It is a phenomenon that every society is acquainted with
  • defined as a graphic that essentially and explicitly narrates a story, something that can be seen in the human eyes
A

Visual Narratives

43
Q

______ illustrates a series of events linked by causality, temporarily, or sequence of the order of occurence

44
Q

The act of telling a story of the story itself or the order of presentation

45
Q

What are the 5 characteristic features of Visual Narrative?

A
  • The Presence of the story ( it could belong to any genre: fiction, mythology, fairy tale, folklore, fables, religious stories & etc. )
  • The Visual, constructed with the idea of communicating a story to the onlooker
  • Presence of a participant (actor)
  • A universe of its own
  • A visual narrative could be expressed on any medium
46
Q
  • It is a method of presenting related events to tell a compelling story
  • It connects disparate occurences through a theme, idea, or storyline
47
Q
  • It’s simpliest form means ‘story’
  • It comes from the latin word ‘narrate’ which means to ‘relate’ it denotes both what is told and the process of telling
48
Q

What is the study of narrative called?

A

Narratology
(Shirato & Webb 2004)

49
Q
  • This can be used to describe a kind or quality of a text
  • It also explains how we interpret a particular text, how we order and make meaning out of unordered information we take in from the world, and how we employ narration to express our views and experiences to others through stories
50
Q

It is a way of presenting related events to tell a good story

51
Q
  • This type of narrative presents the story’s events in the order they happened
  • It can be accomplised through any narrative perspective: First person, Second person, or third person
A

Linear Narrative

52
Q

It presents the story’s events out of order, employing flashbacks and other literacy devices to shift the chronology of a story

A

Non-Linear Narrative

53
Q
  • This narrative is where the protagonist works tirelessly towards a goal
  • The pursuit of this goal likely becomes their all-consuming passion, and they must face seemingly insurmountable obstacles along the way
  • The character must go on a long journey to obtain it
A

Quest Narrative

54
Q

This is designed to express the points of view or subjective personal experience of the main character or other fictional characters in the story

A

Viewpoint Narrative

55
Q

Who said that Art Criticism, responds to, interprets meaning, and makes critical judgments about specific works of art.

A

Barret, T. (1994)

56
Q
  • They are the ones who help viewers perceive, interpret, and judge artworks.
  • They tend to focus more on modern and contemporary art from cultures close to their own.
A

Art critics

57
Q

Who tend to study works made in cultures that are more distant in time and space.

A

Art historians

58
Q

What are the 4 levels of Formal Analysis?

A
  • Description
  • Analysis
  • Interpretation
  • Judgment
59
Q
  • This is pure description of the object without value judgments, analysis, or interpretation.
  • It answers the question, “What do you see?”
A

Description

60
Q
  • It is determining what the features suggest and deciding why the artist used such features to convey specific ideas
  • It answers the question, “How did the artist do it?”
61
Q
  • It is establishing the broader context for this type of art.
  • It answers the question, “Why did the artist create it, and what does it mean”
A

Interpretation

62
Q
  • a piece of work means giving it rank in relation to other works and, of course, considering an essential aspect of the visual arts; its originality.
  • Is it good artwork?
63
Q

switches between the POV’s and private thoughts of multiple central characters

A

Omniscient narrator

64
Q

either deliberately deceptive ( liar or trickster ) or unintentionally misguided, forcing the readers to question their credibility as a storyteller

A

unreliable narrator

65
Q

figuring out what they imply

A

deciphering the visuals

66
Q

parts of our body, that fascinate us and they are the window to our souls

67
Q

what we see is thus neither natural nor straightforward, and our ability to see is similar to our ability to speak

A

Seeing and making sense

68
Q

Art criticism 3 collaborations

A

PSYCHOLOGICAL
MORAL
SPIRITUAL

69
Q

actual historical moment with 2 interpretative strata

A
  1. Material Structure
  2. Reading of the conventional subject matter
70
Q

Want to express themselves according to their taste and preferences by saying their thoughts and ideas.

A

Human Beings

71
Q

Form of Art
Medium of work
Size and scale
Elements or general shapes
Description of an axis
Description of line
Description of how line describes shapes and space
RELATIONSHIPS between shapes
Description of color and color scheme
Texture of surface
Context of objects

A

DESCRIPTION

72
Q

Form of Art
Medium of work
Size and scale
Elements or general shapes
Description of an axis
Description of line
Description of how line describes shapes and space
RELATIONSHIPS between shapes
Description of color and color scheme
Texture of surface
Context of objects

A

DESCRIPTION

73
Q

Architecture, sculpture, painting or one of the minor arts

A

Form of art

74
Q

clay, stone, steel , and pain

A

medium of work

75
Q

Relationship to a person and or frame and or contexy

A

Size and scale of work

76
Q

vertical, diagonal, horizontal

A

Description of an axis

77
Q

contour as soft, planar, jagged

A

Description of line

78
Q

Description of color and color sceme

79
Q

original location and date

A

context of object

80
Q

Reaction to object or monument (Barret T)

81
Q

Contrasty, shadowy, illogical, warm, cool, sumbolic

A

Analysis of the use of light and role of color

82
Q

Main idea is the overall meaning of the work

A

Interpretation

83
Q

Is it a good artwork?

A

Judgement ni hehe
Judgemental ka ghorl?

84
Q

Interpretive statement and evidence involve

A

INTERPRETATION

85
Q

Criteria, Evidence, and Judgement is involved

86
Q

How many principles of Interpretation

87
Q

Artworks have ________ And demand interpretation

88
Q

Interpretation are _______ arguments

A

Persuasive

89
Q

_________ of art tell more about the artwork than the critic

A

Good interpretation

90
Q

________ are guides to interpretation

91
Q

Are often based on a worldview

A

Interpretation

92
Q

are not so much right, bur more on less reasonable, convincing, enlightening and informative

A

Interpretation

93
Q

can be judged by coherence, correspondence, and inclusiveness

A

Interpretation

94
Q

An ______ is nor necessarily about what the artist wanted it to be

95
Q

The objects of ________ are artworks, not artist

A

Interpretation

96
Q

All ____ is in part about the world in which it emerged

97
Q

is ultimately a communal endeavour, and the community is ultimately self- corrective

A

Interpretation

98
Q

Invites us to see for ourselves and continue on our own.

A

Good Interpretations