Chapter 13 Quotes Flashcards

1
Q

Description of room

‘The lamp cast fantastic shadows on the wall and staircase. A rising wind made…

A

some of the windows rattle.’

Gothic description and builds tension

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2
Q

Description of room

‘A cold current of air passed them, and the light shot up for a moment in a …

A

flame of murky orange.’

Something wrong, cold atmosphere
Orange the colour of danger. Murky- everything is not clear. Locked room= part of the Gothic trope.

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3
Q

Description of room

‘he saw the whole place was covered with dust, and that the carpet was in holes. A mouse ran…

A

scuffling being the wainscoting. There was a damp odour of mildew.’

the portrait has tarnished and made the room horrible and dirty. The room is representative of Dorian’s soul, was once his place of boyhood purity but is now ruined.

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4
Q

'’So you think it is only God who sees the soul, Basil? Draw the curtain back and ….

A

you will see mine.’ The voice that spoke was cold and cruel. ‘You are mad Dorian or playing a part.’

Basil is Christian and this shows how anti-religious the portrait is. Perhaps Dorian is almost playing God with the lives of others and his own life, deciding who lives forever and who dies.’

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5
Q

’ An exclamation broke from the painter’s lips as he saw in the dim light the hideous face on the canvas …

A

grinning at him. There was something in its expression that filled him with disgust and loathing.’

The portrait is now completely changed the thing of beauty brings loathing now

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6
Q

’ The horror, whatever it was, had not yet entirely spoiled that marvellous beauty. There was still some gold in the thinning hair and some scarlet on the sensual mouth. The sodden eyes…

A

had kept something of the loveliness of their blue, the noble curves had not yet completely passed away.’

Basil sees there is still chance to save his soul, the picture is not completely ruined.

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7
Q

Basil

‘It was some foul parody, some infamous, ignoble satire… Still, he knew it was his own picture. He knew it, and he felt…

A

as if his blood had changed in a moment from fire to sluggish ice.’

fire- the joy of life and his anger at Dorian

Ice- feels frozen with guilt and fear
sluggish- slow realisation, reclining into himself.

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8
Q

Dorian

‘Years ago, when I was a boy’ said Dorian Gray, crushing the…

A

flower in his hand.’

The flower represents Dorian in youth and when he had a good soul, beautiful. But he crushed this version of himself, he does not accept Basil’s help to get out of this Faustian pact. The flower that eventually dies is an idea Dorian crushes.

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9
Q

Basil

‘I tell you the thing is…

A

impossible.’

Basil can not rationalise the supernatural in this age of science. He refer to the painting as a thing, he doesn’t want to give it a name or admit it is alive.

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10
Q

B- ‘You told me you had destroyed it.’

D- ‘I was wrong, It has…

A

destroyed me.’

Dorian admits he is destroyed, he has no hope for recovering his soul.

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11
Q

Dorian

‘It is the face of my…

A

soul.’

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12
Q

'’Each of us has Heaven and Hell in him, Basil,’ cried Dorian, with…

A

a wild gesture of despair.’

he rationalises his duality, there are two sides to him, the public persona and his dark inside. He is heaven to look at but inside he is hellish.

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13
Q

Basil

‘It was from within (the painting), apparently, that the…

A

foulness and horror had come.’

Basil tries to rationalise the painting by thinking an outside influence caused the decay but eventually admits the work of this supernatural thing.

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14
Q

Basil

‘Pray, Dorian,…

A

Pray.’

Basil tries to save Dorian through Christianity. In the tale of Dr Faustus he is offered a way out but like Dorian refuses to take it.

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15
Q

Basil

‘I worshipped you too much. I am punished for it. You worshipped yourself…

A

too much. We are both punished.’

God is punishing them both In Basil’s view.

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16
Q

Dorian

‘It is too later, Basil’…

A

he faltered.’

His falter says he considers the path Basil offers to him.

17
Q

Basil

‘Isn’t there a verse somewhere, “Though your sins be as scarlet, yet I will make them as …

A

white as snow?” “Those words mean nothing to me now.”’

Basil tries to get Dorian to pray but he rejects Christianity and says they mean nothing to him.

The prayer show his sins as scarlet, the red of danger sexuality and sin and make them white in the colour of purity and angels.

18
Q

Dorian

‘Suddenly an uncontrollable feeling of hatred for Basil Hallward came over him, as though it had been suggested to him by the image on the canvas, whispered into his ear by those grinning lips. The…

A

mad passions of a hunted animal stirred within him.’

His devilish soul begins to control him, supernatural whispering.

He feels hunted by Basil trying to trap him and change him and instinctively fights. By describing him as an animal it show shows how uncivilised he has become and how he yields to his innermost desires.

19
Q

‘stabbing again and again. There was a stifled groan and the horrible sound of someone …

A

choking with blood.’

Description is horrific and gothic. It shows extreme violence and Dorian can not stop. Basil chokes with blood preventing him talking, this is what Dorian wants.

20
Q

‘The thing was still seated…

A

in the chair.’

By referring to Basil’s body as a ‘thing’ it perhaps shows Dorian’s inability to acknowledge what he has done. He does not address that it is his friends corpse.

21
Q

‘The wind had blown the fog away, and the sky was like a monstrous …

A

peacock’s tail, starred with myriads of golden eyes.’

The fog that clouded everything, perhaps including Dorian’s judgement has cleared and golden eyes are now looking down from Heaven and judging him.

Again Dorian’s mind makes the beautiful image of the night sky ‘monstrous’

22
Q

‘He could not help seeing the dead thing. How still it was! How horribly…

A

white the long hands looked! It was like a dreadful wax image.’

again Dorian calls the corpse a dead thing, does not fully acknowledge who he has killed, but progress from ‘thing.’ The wax image shows the pallor of death but also perhaps how bodies are not the important part of a person, they are ‘dreadful.’