Chapter 13 Flashcards

1
Q

seconda practica

A

music is a servant of the words, and you can break rules as a rhetorical device

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2
Q

How did science and technology affect people’s view of the authority of the church?

A

became more free thinking because science proved the church wrong (the Earth is not the centre of the universe)

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3
Q

What developments were notable in 17th century Italy?

A

the first recitatives

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4
Q

What developments were notable in 17th century Paris/Rome?

A

the first orchestras

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5
Q

What developments were notable in 17th century Venice?

A

Divas

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6
Q

What developments were notable in 17th century London?

A

Public concerts

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7
Q

What developments were notable in 17th century France?

A

the first child prodigy (not Mozart, a girl)

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8
Q

What overall were people interested in in 17th century music?

A

drama, instrumental music, new developments in tonality

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9
Q

What did René Descartes say about the affects?

A

He wrote the passions of the soul: for every motion there is a specific emotion evoked in the soul
- He put emphasis on observable effects

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10
Q

What are the seven categories of affection?

A

Sadness, joy, anger, love, fear, excitement, wonder

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11
Q

Which of all the affects was the one that you must learn first to understand the others?

A

wonder

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12
Q

What kind of emotion did second practica like to express?

A

bitterness, and they used dissonance to express it

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13
Q

Who created the idea of second practica?

A

Montiverdi

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14
Q

What were some characteristics of prima practica?

A

you cannot break the rules, the words follow the music

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15
Q

What did Giovanni Maria Artusi do?

A

Criticized Montiverdi for breaking the rules

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16
Q

Basso Continuo

A

bass line is written out and instruments fill in the chords to add to the melodic lines

17
Q

what are some continuo instruments?

A

harpsichord, organs, lutes, theorbo

18
Q

figured bass

A

the bass line is supplied with numbers, or sharp/flat symbols to indicate which chords to play

19
Q

realization

A

a piece is half-composed and the performer improvises some of it during the performance (think lead sheet)

20
Q

concertato

A

independent parts played together by multiple voices or different instruments

21
Q

ornamentation in baroque music

A

means for moving the affections