Chapter 11 Sound, Auditory system, and Pitch perception Flashcards

1
Q

Sound (physical)

A

Pressure in the air or other medium

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2
Q

Sound (perceptual)

A

Experience we have when we hear

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3
Q
  • Condensation
  • Refraction
A
  • When surrounding air molecules are pushed together, increasing the air pressure
  • When air molecules spread out, filling in the increased space = decreased air presure.
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4
Q

Sound wave

A

Pattern of pressure change in a medium.
Air: 340m/s
Water: 1,500m/s

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5
Q

How do sound waves travel?

A

The air molecules move back and forth, but stay in the same place. Analogous to ripples in water when a pebble is dropped.

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6
Q

Pure tone

A

A sound wave that is characterized by a sine wave pattern of pressure change.

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7
Q

Amplitude

A

Size of the pressure change

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8
Q

Frequency

A

Number of times per second that the pressure changes repeat.

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9
Q

Decibel (dB)

A

Unit of sound indicating the presence of a tone relative a reference pressure.
dB = 20 log (p/po)
(p): pressure of the tone (stimulus)
(po): reference pressure (usually set at 20 micropascal)

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10
Q

SPL (sound pressure level)
ex. 20 dB SPL

A

Indicates we have a standard pressure (po) of 20 micropascals

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11
Q

Level/Sound level

A

Refers to decibels or sound pressure of a sound stimulus

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12
Q
A
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13
Q

What perception of sound is frequency associated with?

A

Pitch. Higher frequency = higher pitch

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14
Q

Frequency is indicated in what units?

A

Hertz. 1 Hz = 1 cycle per second

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15
Q

Fundamental frequency

A

First harmonic (lowest frequency) of a complex tone

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16
Q

Periodic tone

A

The properity of sound waves to repeat (pure tones, complex tones)

17
Q

Additive synthesis

A

Technique for building a complex tone in which a number of sine waves (pure tones) are added together. Fundamental frequency (ex. 200 Hz) is added with another pure tone that is a multiple of the fundamental (ex. 200Hz +200Hz = 400Hz).

18
Q

Harmonics

A

Additional tones added too the fundamental frequency during additive synthesis.

19
Q

Loudness

A

Quality of sound related to amplitude or sound pressure. Also referred to as the level of an auditory stimulus. dB is often associated with loudness.

20
Q

Decibel vs. Loudness

A

Decibel is a physical measure.
Loudness is psychological

21
Q

Pitch

A

The attribute of auditory sensation in terms of which sounds may be ordered on a musical scale. Perceptual quality we describe as “high” or “low”. Closely related to frequency.

22
Q

Tone height

A

The increase in pitch due to the frequency being increased.

23
Q

Tone chroma

A

Perceptual similarity of notes seperated by octaves.

24
Q

Octave

A

Tones that have frequencies that are binary multiples of each other. ex. 800Hz is one octave above 400Hz.

25
Q

How is pitch determined?

A

By information that indicates the fundamental frequency (ie. spacing of harmonics, repetition rate of waveform), NOT b/c of its presence.

26
Q

Effect of the missing fundamental

A

When the fundamental or other harmonics are removed but does not change the tones pitch. Produces a periodicity pitch.

27
Q

Periodicity pitch

A

A pitch that maintains its tone when some harmonics are removed.

28
Q

Range of hearing

A

Specific range of frequencies in which sound can be heard.

29
Q

Audibility curve

A

Indicates the threshold for hearing by comparing free-field presentation (listening to loud speaker) vs. frequency.

30
Q

What is our range of hearing?
What frequencies are we most sensitive too?

A

20Hz - 20,000Hz
-Most sensitive between 2,000Hz - 4,000Hz.

31
Q

Auditory repsonse area

A

Light green area above the audibility curve. We can hear sounds within this area.

32
Q

How do we determine the loudness of a tone?

A

By knowing its dB level and its frequency

33
Q

Equal loudness curves

A

Tones that create the same perception of loudness at different frequencies.

34
Q

Timbre

A

Another perceptual quality of tones; Distinguishes between two tones that have the same loudness, pitch, and duration, but still sound different.

35
Q

Attack

A

The buildup of sound at the beginning of the tone.