Chapter 1: Pre-production Flashcards

1
Q

How do you find stories before everyone else?

A
  • Personal network
  • PR departments
  • Social networks
  • News radio, TV, and online resources
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2
Q

How can a photographer stay ready to shoot?

A
  • Charged batteries, all equipment is functional

- Have a go bag ready

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3
Q

How can you know your partner for a story?

A
  • Read stories they have done in the past
  • Meet with them face to face to discuss the story
  • Know where you can compliment each other
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4
Q

What should you always do when in the field?

A

ALWAYS have your eyes open when in the field

  • Finding unexpected shots that make the story
  • Looking for unusual behavior around
  • When in the field to communicate everything
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5
Q

What do planned assignments give you?

A

Some time

  • When you are given time to plan for a shoot USE IT
  • Think of when the action of the story is
  • Think of the lighting you will be given
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6
Q

What can you do to give yourself the best opportunity?

A

Making arrangements

  • Meet with the reporter about times and goals
  • Know what the goal of the piece
  • Cover the story when it works best for you
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7
Q

How can you create your own assignments?

A
  • Budget meetings in a news room
  • Staying on top of potential stories from your own sources
  • Befriend reporters
  • Stay on top of social media
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8
Q

What does an overall shot do?

A
  • Sets the scene
  • Get a high vantage point
  • Usually wide angle lens
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9
Q

What does a medium shot do?

A
  • Should tell the whole story in one photo
  • Balance action with relationship to the situation
  • Anticipate where the action will take place
  • Mostly Wide angle lenses
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10
Q

What should close up shots do?

A
  • Take advantage of the intimacy
  • Isolate and emphasize a single element
  • Objects may tell a story better than people
  • Longer lenses are more appropriate
  • Play with depth of field
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11
Q

How can you use angles?

A
  • Avoid the 5’7” syndrome

- Try “Hail Mary” and “Down and Dirty” shots

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12
Q

Should you always depend on your camera’s zoom?

A
  • Physically change distances
  • Don’t always depend on the camera to do the work
  • Changing proximity changes your shot
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13
Q

What are multi-layered images?

A
  • Use subjects at different depths in the same photo

- Emphasize the central subject with surroundings

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14
Q

What is the difference between a pro and an amateur?

A
  • Pros keep snapping until there is absolutely no time left

- Amateurs shoot a few pictures and hope for the best

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15
Q

What does keep shooting mean?

A
  • If you see a picture TAKE IT
  • Don’t wait for the perfect picture
  • Move around the subject
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16
Q

What are some strategies for candid shots?

A
  • Preset your camera
  • Know what you want to capture
  • Use autofocus on continuous mode in certain situations
  • Watch your subject carefully
  • Anticipate what is coming next
  • Capture the peak of the action
17
Q

What are four approaches to a candid shots?

A

Out in the open
-The subjects are so focused on the activity they forget there is even a camera there

Click and Run
-Watch for a subject capture the moment and leave

Big Game Hunter

  • Study the subject out of sight usually with a medium-long zoom lens, and a longer fixed telephoto lens
  • Patience is a huge factor in this approach

Introduce yourself

  • When stealth is not an option
  • Introduce but do not engage in conversation