Chapter 1 Film as Art: Creativity, Technology, and Business Flashcards

1
Q

Fact# 1

A

Films are designed to create experiences for viewers.

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2
Q

Important Director Question

A

If I do this, as opposed to that, how will viewers react?

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3
Q

Throughout this book, we focus on the two basic areas of choice and control in the art of film:

A

Form and Style

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4
Q

Form

A

Is the overall patterning of a film, the ways it’s parts work together to create specific effects.

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5
Q

Style

A

Involves the film’s use of cinematic techniques.

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6
Q

Those style techniques fall into four categories:

A

: Mise-en-scene
: Cinematography
: Editing
: Sound

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7
Q

Mise-en-scene

A

Or the arrangement of people, places, and objects to be filmed.

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8
Q

Cinematography

A

The use of cameras and other machines to record images and sounds.

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9
Q

Editing

A

The piecing together of individual shots.

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10
Q

Sound

A

The voices, effects, and music that blend on a film’s audio track.

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11
Q

Fact# 2

A

A film consists of a series of frames, or still pictures.

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12
Q

Fact# 3

A

If you flash a light faster and faster and faster, at a certain point (around 50 flashes per second), you see not a pulsating light but a continuous beam.

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13
Q

Fact# 4

A

A film is usually shot and projected at 24 still frames per second.

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14
Q

Fact# 5

A

The projector shutter breaks the light beam once as a new image is slid into place and once while it is held in place. Thus each frame is actually projected on the screen twice.

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15
Q

Fact# 6

A

This means that the number of frames is still 24 but the number of flashes is doubled to 48. This is the threshold of what is called Critical Flicker Fusion.

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16
Q

Fact# 7

A

Early silent films were shot at a lower rate (often 16 or 20 images per second), and projectors broke the beam only once per image.

17
Q

Fact# 8

A

The picture had a pronounced flicker - hence an early slang term for movies, “flickers,” which survives today when people call a film a “flick.”

18
Q

Apparent motion

A

Is a second factor in creating cinema’s illusion. If a visual display is changed rapidly enough, our eye can be fooled into seeing movement.