chapter 1 Flashcards

1
Q

characteristics that all performers share

A

audience, actors, arrangement, arena, action

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2
Q

purposes of performance can be categorized as

A

organization, ?, ?

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3
Q

the difference between ritual and theatrical performance

A

theatre tries to be an artwork while rituals do not

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4
Q

aesthetic response is

A

positive response to the arts form and the quality of its execution

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5
Q

what type of theatrical genre became the most popular during 19th century Europe and America?

A

melodrama

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6
Q

what are Aristotle’s 6 elements of drama

A

plot, character, diction, thought, music, spectacle

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7
Q

episodic plays often have an early_______ and tend to explore a ______rather than tell a story.

A

point of attack, condition

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8
Q

playwrights give 4 main types of character information which are

A

physical: external experience
social: characters place in his or her environment
psychological: inner workings of the mind that precede the action
moral/ethical: what characteristics are willing to do to get what they want

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9
Q

if the character is alone on stage or speak as if the others cannot hear him or her

A

soliloquy

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10
Q

name four of the most predominate genres of plays

A

comedy, tragedy, melodrama, musical theatre

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11
Q

later in ______ and the in ______ world, play writing was professionalized, but still relativity esteemed, and although the works of only a handful of these playwrights exist today, we know the names of many more

A

Greece

Roman

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12
Q

the _____ plays of the middle ages, in fact, are identified by the town or city that produced them, such as new York and Wakefield cycles

A

cycle

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13
Q

the system of flat fees continued until the late 18th century, when the first law granting royalties(fees for performance) was passed in ______

A

France

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14
Q

the first professional female playwright was

A

Aphra Behn

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15
Q

this type of playwright became more common in the US during 1960’s as theatre artists and companies, such as the living and opera theatres, sought working methods alternative to those of the mainstream

A

collabrative

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16
Q

the most famous playwright off the “play doctor” was

A

Abe Burrows

17
Q

what is the process called “new play development”

A

playwright plays are chosen but can be altered through the process

18
Q

the four typical; configurations for theatre

A

thrust, proscenium, flexible, arena

19
Q

the proscenium stage was first introduced in_______ during the _______ in the _________ century in conjunction w/ the development of _______ scenery

A

Italy, the renaissance, 16th, perspective

20
Q

flat scenery unless put far upstage, fails to work in ______ configuration

A

thrust

21
Q

theatre of Dionysus on the Akrapolis in Athens has a ______ configuration

A

thrust

22
Q

the _____ theatre consists of a stage surrounded on all four sides by raised audience

A

arena

23
Q

Paratheatricals are

A

gladiatorial combat in ancient italy

24
Q

“black box” theatre and many amateur, educational, and even professional companies have all used the ______ configuration

A

flexible

25
Q

Much of _____ performance regained the sacred function that had been lost in ancient Rome

A

medieval

26
Q

Cycle or mystery plays are ____ plays based on stories from_____ there were elaborately staged, often during festival.

A

medieval, the bible, Christian

27
Q

______ in the late 17th century France, ______ in 18th century England, and _______ in 18th century Germany were among the most famous actor managers in Europe

A

Molier, Garrick, Neubar

28
Q

what are the four foremost tasks of the director?

A

plan/work with actors, designers, read text, collab all elements