Ch 2-5 Vocab Flashcards

1
Q

the sequence of incidents or events through which an author constructs a story; skilled authors are careful to present the sequence in a significant order

A

Plot

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2
Q

arranging the plot elements

A

structure

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3
Q

a clash of actions, ideas, desires, or wills

A

conflict

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4
Q

the central character of the conflict, whether sympathetic or unsympathetic as a person

A

protagonist

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5
Q

any force arranged against the protagonist, whether persons, things, conventions of society, or the protagonist’s own character traits is the

A

antagonist

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6
Q

the quality in a story that makes readers ask “What’s going to happen next?”

A

suspense

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7
Q

an unusual set of circumstances for which the reader craves an explanation

A

mystery

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8
Q

a position in which he or she must choose between two courses of action, both undesirable

A

dilemma

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9
Q

closely connected with the element of suspense in fiction is the elements of

A

surprise

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10
Q

one that features a sudden, unexpected turn or twist

A

surprise

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11
Q

one that features a sudden, unexpected turn or twist

A

surprise ending

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12
Q

the protagonist must solve her problems defeat and adversary, win her man, “live a…”

A

happy ending

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13
Q

first of many situations in real life do have unpleasant outcomes; therefore if fiction is to reflect and illuminate life, it must acknowledge human defeats as well as triumphs.

or forcing us to ponder the complexities of life

A

Unhappy ending

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14
Q

some problems are never solved and some battles never permanently won. A story, therefore, may have an _____________ ______, one in which no definitive conclusion is reached.

A

indeterminate ending

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15
Q

essential to a good plot, all literary elements in the story successfully work together to achieve its central purpose with it being the idea or theme.

A

Artistic unity

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16
Q

an author who includes a turn in the plot that is unjustified by the situation or the characters is indulging in

A

plot manipulation

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17
Q

The readers feel manipulated if the plot relies too heavily on chance or on coincidence to provide a resolution to a story. Latin for god from a machine

A

deus ex machina

18
Q

the occurrence of an event that has no apparent cause in previous events or in predisposition of character

A

chance

19
Q

the chance occurrence of 2 events that may have a peculiar correspondence

A

coincidence

20
Q

the plot thickens, tensions grow

A

rising action

21
Q

the peak of the conflict

A

climax

22
Q

the aftermath of the climax, where things resolved

A

falling action

23
Q

who the person is, how the character is revealed and their personality

A

characterization

24
Q

tell us straight out, by exposition or analysis, what the characters are like, or they have another character in the story describe them

A

direct presentation

25
Q

the author shows us the characters through their actions; we determine what they are like by what they say or do.

A

indirect presentation

26
Q

the exaggeration of the character

A

dramatized

27
Q

reason for acting

A

motivations

28
Q

one or two predominant traits; can be summed up in one or two sentences

A

flat characters

29
Q

complex and many-sided; they have the three-dimensional quality of real people

A

round characters

30
Q

special kind of flat character, stereotyped figures who have recurred so often in fiction that we recognize them at once.

A

stock character

31
Q

remains essentially the same person of the beginnings of the story to the end

A

static character

32
Q

undergoes some distinct change of character, personality, or outlook

A

developing (or dynamic) character

33
Q

a moment of spiritual insight into life or into the character’s own circumstances

A

epiphany

34
Q

its controlling idea or its central insight

A

theme

35
Q

who tells the story, and, therefore, of how it gets told-has assumed special importance

A

point of view

36
Q

the story is told in the third person by a narrator whose knowledge and prerogatives are unlimited

A

omniscient point of view

37
Q

the story is told in the third person, but from the viewpoint of one character in the story

A

third-person limited point of view

38
Q

presents the apparently random thought going through a character’s head within a certain period of time, mingling memory and present experiences, and employing transitional links that are psychological rather than strictly logical

A

stream of consciousness

39
Q

the author disappears into one of the characters, who tells the story in the first person

A

first-person point of view

40
Q

the narrator disappears into a kind of roving sound camera

A

objective point of view

41
Q

It cannot comment, interpret, or enter a character’s mind. With this POV, readers are placed in the position of spectators at a movie or play

A

dramatic point of view