Ch. 2 & 4; Quiz 1 Flashcards

1
Q

The visible spectrum can be seen when light passes through a prism and is separated into the colors of a rainbow as on a wall

A

Color comes from light

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2
Q

A sweater appears red because all of light’s wavelengths are being absorbed by the sweater, except red. Red is being reflected back to the viewer

A

Local color

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3
Q

The name of a color such as red, blue, or green; an indication of the color’s position in the spectrum and on the color wheel; a term for color

A

Hue

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4
Q

The lightness or darkness of a color and the amount of light reflected or transmitted by an object; the pure hues of the spectrum align with a gray scale; may be altered by the addition of black or white

A

Value

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5
Q

Indicates a color’s degree of purity or strength; In the spectrum or on the color wheel, hues are ideally as intense as possible; A weak hue is almost neutral or grey while a strong hue approaches the other end of the spectrum

A

Intensity/saturation/chroma

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6
Q

Warm and cool terms can be applied to color; R, O, Y, are warm hues - they stand out so predominantly that they seem to expand and come forward in space;
B, V and G are cool hues so spatially, they recede and contract.

A

Temperature

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7
Q

Red, blue and yellow; cannot be obtained by mixing other hues together, but if combined in proper amounts will produce every known hue.

A

Primary triad/colors

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8
Q

Any pair of hues directly opposite each other on the color wheel.

A

Complementary colors

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9
Q

Approximately three hues next to each other on the color wheel and all of which contain a common hue

A

Analogous colors

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10
Q

One hue, lightened, darkened and/or toned down

A

Monochromatic color

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11
Q

Black, white, and grey; black absorbs all light waves, hence it is hot in the summer heat; white reflects all light waves and hence it is cooler in the summer heat; when placed next to colors, they can enhance them/make them appear more intense. A grey can also take on the complementary properties of neighboring colors

A

Neutral colors

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12
Q

The imitation of the real world; the goal of the visual artist is to copy visual experience

A

Mimesis theory

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13
Q

The purpose of art is to create empathy and to portray emotion

A

Communication theory

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14
Q

Art is the quality to bring us aesthetic pleasure; to appreciate need nothing more than a sense of form and color

A

Significant Form theory

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15
Q

Art is an object or set of conditions that has been designated as art by persons deemed worthy to determine what is and is not art

A

Artworld/Institutional theory

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16
Q

A visual reference to the experiential world

A

Representational

17
Q

Art that does not attempt to present an aspect of the recognizable world

A

Non-representational/non-objective

18
Q

in art, the property of representing selected essential features of a particular subject
instead of relying on objective appearance alone

A

Abstract

19
Q

the physical parts of the artwork, or the form; shape, color, space, form, line, value, and texture

A

Elements of design

20
Q

The ways in which different parts are arranged or used, or the composition;balance, rhythm, pattern, emphasis, contrast, unity, and movement

A

Principles of design

21
Q

The use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition; a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modeling three-dimensional objects and figures

A

Chiaroscuro

22
Q

Colors are affected by their environment or what is near them; when placed next to one another, the contrast intensifies the difference between the two; complementary colors intensify each other; color will look more intense/pure when placed next to white, grey or black

A

Simultaneous contrast

23
Q

Neutralized colors, mixtures of complementary colors

A

Chromatic gray

24
Q

Overlapping, diminishing size, rising on the vertical plane are ways to create…

A

Spatial illusion/illusion of depth

25
Q

A Renaissance mathematical geometric system that employs the eye level and presents realistic view

A

Linear perspective

26
Q

Images are more clear and contain more contrast in the front and fade in the back

A

Atmospheric perspective

27
Q

Shapes and space interacting on a flat surface with no implied depth

A

Pictorial space

28
Q

Three-dimensional sense of space by adding depth through various artistic techniques

A

Illusionistic space

29
Q

The negative area between positive objects

A

Decorative space