Ch 12: Hearing in the environment Flashcards

1
Q

What information can be used to localize auditory stimuli?

A

-see paper

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2
Q

What is the precedence effect?

A

-delay between two of the same sound
-if delay is shorter than 2ms, the sound fuses so it sounds like only one source
-if its longer than 35ms, two separate sounds are perceived (echo)

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3
Q

How can the visually impaired use sound for localization and locomotion?

A

-echolocation: reflection off objects used to locate location of objections

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4
Q

How does reverberation affect our experience of sound?

A

-reflection of sound by walls, ceiling, floor
-increases duration of the sound
-aids in localization
-less reverb as you get closer to the sound source

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5
Q

What are the two mechanisms responsible for auditory scene analysis? (gestalt stuff)

A
  1. PRIMITIVE GROUPING (bottom-up)
    -simultaneous: how categorize sounds happening one after other
    -pitch similarity, auditory continuity

-sequential: how group sounds happening @ same time
-location, onset synchrony
-timbre/pitch

  1. SCHEMA GROUPING (top-down)
    -via experience/expectation
    -attn = process more
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6
Q

Discuss the nature of absolute pitch.

A

-extreme accuracy 90% correct at ID musical note w/o reference note
-1/10k
-name key of piece of music
-influenced by timbre and tone chroma: similarity shared by musical tones that have the same name (ex C in one octave vs C in another octave)
-genetic, must start music young

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7
Q

How is music processed in the brain?

A

-hard to study b/c music so complex
-widespread brain activation, large individual diffs
-composer brain injury: conceptual abilities intact, can perceive music but not write new music
-suggests no one specific brain centre for music, since portions intact still
-primary and secondary auditory cortex handle early stages in music perception
-more complex for secondary, then even more complex for tertiary (integrate patterns into whole)
-beyond this area = association areas

IN GENERAL:
-L hem: intervals (distances between tones) and rhythm (durations of series of notes)
-R hem: recognizes holistic traits like meter (regular beat) and melodic contour (pattern of rising and falling pitches)

TUNING CURVED:
-neurons can shift their tuning curves to the frequency of a tone; became stronger over time w/o extra exposure
-learning can retune the brain so that more cells respond behaviourally to important sounds
-musicians have diff brain organization:
-more L auditory regions respond (specific to music, not non music tones)
-larger effect the younger you start music
-same temporal lobe brain activation for imagining music as actually listening

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8
Q

Describe the evidence for/against the “Mozart effect.”

A

FOR: -temporary improvement in spatial reasoning “equivalent of IQ score increase”
-improved spatial/temporal ability for 1/4 tests: enhances higher brain functions (preschool piano lessons)
-blood clot in brain go away via humming

AGAINST: -not replicable studies
-not studied over time
-results blown out of proportion via media coverage
-many studies lack control groups
-no demographic info given

CONCLUSION:
-nothing special about mozart
-music can improve mood which can lead to improved task performance maybe
-journals biased towards exciting findings

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9
Q

reverberation time

A

-time for sound to decrease to 1/1000th of original pressure
-too short = music sounds fead/flat
-too long = muddy
-concert halls should be 1.5-2s reverb

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10
Q

Jefress neural coincidence model

(THIS IS FOR BIRDS: its not so specific for mammals - loc coding for mammals is based more on broadly tuned neurons = POPULATION CODING, broadly tuned neurons interact to create a specific percept of certain loc)

A

-neurons wired so that when they receive signals from 2 ears, they can localize via the sound hitting ears at diff times triggers a specific neutron depending on the delay between L vs R sound hitting the ear
-its a coincidence!
-this is a model for interural time diff (VIA ITD NEURAL TUNING CURVE)

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11
Q

maybe you want to go over the specifics of how musical scene perception is grouped? (12.4)

A

see 12.4

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12
Q

WHAT and WHERE auditory pathways!

A

-see papee

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