Ceramics Vocabulary Flashcards

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1
Q

Terra cotta

A

A brownish-orange earthenware clay body commonly used for ceramic sculpture.

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2
Q

Wheel thrown

A

The term throw comes from Old English meaning spin. A piece of clay is placed on a potter’s wheel head which spins. The clay is shaped by compression while it is in motion. Often the potter will use several thrown shapes together to form one piece (a teapot can be constructed from three or four thrown forms).

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3
Q

Casting

A

A clay form made from a mold. May also be referred to “plaster castings”

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4
Q

Slip/Score Technique

A

method used in hand building to connect two pieces of clay together.

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5
Q

Incising

A

Is a decoration technique, created by carving lines into tje clay or carving small areas out in the clay but not perforating it.

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6
Q

Leather-hard

A

Greenware that is allowed to become firm but still retains its wet look.

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7
Q

Bat

A

A plaster disk or slab for clay work.

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8
Q

Glaze

A

Glass-forming chemicals. usually with colorants added, that applied in liquid form to bisque ware and fired in a kiln, form a pleasing, usually glossy coating to the surface of the clay. Glaze can be colored, opaque, treanslucent or matte.

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9
Q

Transparent (T)

A

Clear base colors which are free from cloudiness or distortion.

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10
Q

Footing

A

the bottom of a piece that rests upon a surface (may be wheel thrown or hard-built). There are two kinds: raised and flush.

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11
Q

Matte (M)

A

A soft finish with little or no shine.

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12
Q

Conditioning Coat (glaze or underglaze)

A

Is a thin coat of color that will soak into the greenware or bisque ware.

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13
Q

Score

A

to draw or make line into clay.

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14
Q

Slab

A

a flattened out piece of clay; you may use a rolling pin or slab roller to achieve a slab of clay. Clay slabs are cut to shape and joined together using scoring and wet clay called slip. Slabs can be draped over or into forms, rolled around cylinders or built-up inro geometric forms. Large forms are difficult because of stresses on the seams and because the slab naturally sags. Some potters get around this by working fibers into the clay body. The fibers burn out during firing, leaving a network of tiny holes.

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15
Q

Vent Holes

A

Small holes made by puncturing the wet greenware with a needle tool when two pieces of ware have been attached. These small holes allow the air and gases to escape during firing. Also refers to the peep holes in the side of the kiln.

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16
Q

Bisque Ware

A

Clay objects that have been fired for the first time and without any glaze applied to them.

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17
Q

Casting Slip

A

Is the liquid clay used in the process of forming objects with molds. Also referred to as “slip”

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18
Q

Cone (Pyrometric cone)

A

A mixture of ceramic materials that is designed to soften and bend when the proper mixture of time and temperature is reached in the interior of the kiln.

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19
Q

Semi-Transparent (ST)

A

Slightly colored and/or speckled colors which allow most colors to show through with only slight distortions.

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20
Q

Shelf Cone Temperature

A

The cone temperature that is fired on the shelf of a kiln. The amount of heating the ware actually receives.

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21
Q

Kiln

A

A furnace designed specifically for heating clay to the temperatures necessary to make it premanently hard and stone like. Kilns can be electric, natural gas, wood, coal, fuel oil or propane. Materials used to heat the kilen can affect the work: wood ash can build up on the surfaces of a piece and form a glaze at high temperatures. Some potters introduce chemicals into the kiln to influence the effects of the firing. Famed cermist Beatrice Wood achieved a luster effect by throwing moth balls into the kiln.

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22
Q

Greenware

A

A term used to describe unfired clay objects in general.

23
Q

Kiln Wash

A

The refractory coating applied to the top of the kiln shelves to protect them from glaze drips.

24
Q

Cone Temperature

A

Is the ixture of time and temperature at which the cone will bend to show the kilns temperature on the shelf.

25
Q

Gloss (G)

A

A shiny, glass-like finish.

26
Q

Opaque (0)

A

Color which does not allow other colors to show through.

27
Q

Plasticity

A

Refers to the ability of clay to be formed into a shape and retain it.

28
Q

Loop Tool

A

A special tool with a wooden handle and a wire loop at one or both ends, used for carving and hollowing out clay forms.

29
Q

China

A

A term which usually refers to the bone china of England, but also is associated with vitreous white wares and porcelain.

30
Q

Slip

A

clay that has been watered down; acts as glue in slip/score technique. Slip is a fine, liquid form of clay applied to the surface of a vessel prior to firing. Slip fills in pores and gives uniform color.

31
Q

Coil Method

A

One of the oldest ways of forming pottery. Long strands of clay which are laid on top of each other and joined through blending coil to coil. Coil pieces can be almost any shape and any size.

32
Q

Firing

A

Clay is hardened by heating it to a high temperature, fusing the clay particles. Primitive pottery is usually fired on the ground or in pits with whatever flammable material is avaible. Kilns allow a more efficient use of materials and more control over the atmosphere during a firing. Firing has two basic atmoshperes. Oxidation and Reduction, these two atmospheres will affect the color of the final piece.

33
Q

Pinch Pots

A

Starting with a ball of clay the potter opens a hole into the ball and forms a bowl shape through a combination of stroking and pinching the clay. Many coil-built pieces are constructed on top of a pinched bottom.

34
Q

Wedging

A

Is the process of kneading the clay so as to remove air pockets and create uniform consistency of clay.

35
Q

Fettling Knife

A

Is a special knife-like tool with a fairly flexible blade for cutting into moist and lether-hard clay.

36
Q

Semi-Matte (SM)

A

Slightly colored and/or speckled colors which allow most colors to show through wth only slight distortions.

37
Q

Slip Clay

A

Clay in liquid form.

38
Q

Posts (kiln)

A

Articles made of refractory material which support kiln shelves during firing.

39
Q

Foot

A

The base or the part of the piece of ceramic on which it rests.

40
Q

Cone Plaque

A

Is a small clay cone holder used hen cones are placed on the shelf of the kiln stand.

41
Q

Peep Holes (vent holes)

A

Small holes in the side of a kiln for ciewing shelf cones and ventilating the kiln during the firing process.

42
Q

Bone Dry

A

Clay that is completely dried but not yet fired.

43
Q

Ceramic

A

Having to do with clay or glass.

44
Q

Semi-Opaque (SO)

A

Colors which generally allow only dark colors to show through.

45
Q

Pin Holes

A

Tiny holes in the final surface finish of a glaze or Underglaze.

46
Q

Stoneware

A

high-fire clay. Stoneware is waterproof even without glaze; the resulting ware is sturdier than earthenware.

47
Q

Earthenware

A

A low-fire clay body which is fired to maturity at spprox. 2000 oF.

48
Q

Under glaze

A

A color which is usually applied to greenware and in most cases is covered with glaze.

49
Q

Glaze Ware

A

bisque ware that has been glazed then fired.

50
Q

Sprigging-On

A

A term used to describe the technique of adding small clay forms as decoration on the surface of pottery forms; also called applied decoration.

51
Q

Food-safe

A

A product that has been tested and determined to be safe for use on durfaces which come in contact with food or drink.

52
Q

Sponge

A

Usually refers to a natural sponge used for cleaning and decorating greenware. There are also synthetic sponges avaible for ceramics.

53
Q

Element

A

The heating coils of an electric kiln. (Tired or burned-out elements refer to elements which carry too little or no electrical current for producing heat).