Ceramic Vocabulary Flashcards

1
Q

Ceramic

A

Having to do with with clay or the making of objects from clay or glass

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2
Q

Slip

A

Clay that has been watered down:acts as glue in slip/score technique.slip a fine,liquid form clay applied to the surfaceof a vessel prior to firing.Slip fills in pores and gives uniform color.

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3
Q

Score

A

To draw and makes line in clay.

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4
Q

Wedging

A

Is the process of kneading the clay so as to remove air pockets and create uniform consistency.

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5
Q

Coil method

A

One of the oldest way of forming pottery.Long strands of clay which are laid on tp of each other and joined blending coil to coil.Coil pieces can be almost any shape and any size.

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6
Q

Stoneware

A

High-fired clay.Stoneware is water proof even without glaze; the resulting ware is sturdier than eartenware.

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7
Q

slip and score techinique

A

method used in hand building to connect two pieces of clay together.

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8
Q

Slab

A

A flatten out piece of clay;you may use a rolling pin or slab roller to achieve a slab of clay.Clay slabs are cut to sape and joined together using scoring and wet clay called slip.Slabs can be draped over or into forms,rolled aroud cyinders or buid-up in geomemetric forms.Large forms are difficult because of stress on the seams.

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9
Q

Bonedry

A

Clay that is completly dried but not yet fired.

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10
Q

Greenware

A

A term used to discribe unfired clay objects in general

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11
Q

Bisque Ware

A

Clay object that has been fired for the first time and without any glaze applied to them

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12
Q

Glaze Ware

A

bisque ware that has been glazed then fired.

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13
Q

Felting Knife

A

Is a special knife-like tool with a fairy flexi ble blade for cutting into moist and leather- hard clay.

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14
Q

Loop Tool

A

A special tool with a wooden handle and a wire loop at one or both ends, used for carving and hollowing out clay forms.

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15
Q

Sprigging-on

A

a term used to described the technique of adding small clay as decoration on the surface of pottery form;also called applied decoration.

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16
Q

Incising

A

Is a decorative technique,created by craving lines into the clay or carving small area out of the clay but not perforating it.

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17
Q

Kiln

A

A furnace designed specifically for hating clay to temperatures necessary to make it permanently hard and stone like.Kiln can be electric,natural gas,wood,coal,fuel,oil or propane.Material used to heat the Kiln can affect the work:wood ashes can build up on the surface of a piece and form a glaze at high temperate.Some potters introduce chemical into the kiln to influence the effect of firing. Frame ceramist Beatrice Wood achieved a luster effect by trowing a moth ball into the kiln.

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18
Q

Element

A

The heating of a electric kiln.

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19
Q

Footing

A

The bottom of a piece that reset upon a surface.There are two kinds:raise and flush.

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20
Q

Firing

A

Clay is hardened by heating it to a high temperature,fusing the clay particles.Primitive pottery is usually fired on the ground or the pits with watever flammable material is available.Firing has two basic atmosphere. Oxidation and Reduction ,these two atmosphere willaffect the color of the final pieces.

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21
Q

Glaze

A

Glass forming chemical usually with colorants added,that applied in liquid form to bisque ware and fired in the kiln,forming a pleasing,usually glossy coating to the surface of the clay.Glaze can be colored,opaque,translucentor matte.

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22
Q

Slip Clay

A

Clay in liquid form.

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23
Q

Bat

A

A plaster disk or slab for clay work.

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24
Q

Casting

A

A clay form made from a mold.May also br referred to as “ plaster castings.”

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25
Q

Casting Slip

A

Is liquid clay used in the process of forming object with molds.Also referred to a “slip.”

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26
Q

China

A

A term which usually refers to the bone of England,but also is associated with vitreous white wares and porcelain.

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27
Q

Conditioning Coat

A

Is a thin coat of color that will soak into the greenware or bisque ware.

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28
Q

Cone

A

A mixture of ceramic materials that is designed to vsoften and bend whenthe proper mixture of time and temperature is reached in the interior of the kiln.

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29
Q

Cone Plaque

A

Is a small clay cone holder used when cones are placed on the shelf of the kiln to stand.

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30
Q

Cone Temperature

A

Is the mixture of time and temperature at which the cone will blend to show the kiln temperature of the self.

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31
Q

Earthenware

A

A low-fired clay body which is fired to maturity at approx.2000 0F.

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32
Q

Food-safe

A

A product that has been tested and determined to be safe for use on surfaces which come in contact with food or drinks.

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33
Q

Foot

A

The base of the part of the piece of the ceramic on which it rests.

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34
Q

Gloss

A

A shiny,glass-like finish

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35
Q

Kiln Wash

A

The refractory coating applied to the top of the kiln shelves to protect them from glaze drips.

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36
Q

Leather-hard

A

Greenware that is allow to become firm but still retains its wet look.

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37
Q

Matte

A

A soft finish with a line or no shine.

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38
Q

Opaque

A

Color which do not allow other colors to show through.

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39
Q

Peep Hole

A

Small holes in the side of a kiln used for viewing shelf cones and ventilating the kiln during the firing process.

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40
Q

Pin Holes

A

Tiny holes in the final surface finish of a glaze or Underglaze.

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41
Q

Plasticity

A

Refers to the ability of clay to be formed into a shape and retain it.

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42
Q

Posts

A

Articles made of refractory material which support kiln shelves during firing.

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43
Q

Semi-matte

A

A satin- like surface which which has a slight sheen to it.

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44
Q

Semi-opaque

A

Color which generally allows only dark colors to show through.

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45
Q

Semi-transparent

A

Slightly colored and/or speckled color which allow most colors to show through with only islight distortion.

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46
Q

Shelf Cone Temperature

A

The cone temperature that is fired on the shelf of a kiln.The amount of heating tje ware actually receives.

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47
Q

Sponge

A

usually refers to a natural sponge used for cleaning and decorating greenware.There are also synthetic sponges available for ceramic.

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48
Q

Transparent

A

Clear base colors which are free from cloudiness or distortion.

49
Q

Under glaze

A

A color which is usually applied to greenware and in most cause is covered with glaze.

50
Q

Vent hole

A

Small holes made by puncturing the wet greenware with a needle tool when two pieces of ware have been attached>these small holes allow air and gases to escape during firing.Also refers to the peep hole in the side of the kiln.

51
Q

Pinch Pot

A

Starting with a ball of clay the potter opens a hole into the ball and forms a bowl shape through a comnination of stroking and pinching the clay.Many coil-built pieces are constructed on the top of a pinched bottom.

52
Q

Terra cotta

A

A brownish-orange earthenware clay body commonly used for ceramic sculpture.

53
Q

Wheel thrown

A

A pieces of clay is place on the potter’s wheel head which spins.The clay is shaped by compression while it is in motion.Often the potter will use several thrown shapes together to form one pieces.

54
Q

Having to do with with clay or the making of objects from clay or glass

A

Ceramic

55
Q

Clay that has been watered down:acts as glue in slip/score technique.slip a fine,liquid form clay applied to the surfaceof a vessel prior to firing.Slip fills in pores and gives uniform color.

A

Slip

56
Q

To draw and makes line in clay.

A

Score

57
Q

Is the process of kneading the clay so as to remove air pockets and create uniform consistency.

A

Wedging

58
Q

One of the oldest way of forming pottery.Long strands of clay which are laid on tp of each other and joined blending coil to coil.Coil pieces can be almost any shape and any size.

A

Coil method

59
Q

High-fired clay.Stoneware is water proof even without glaze; the resulting ware is sturdier than eartenware.

A

Stoneware

60
Q

method used in hand building to connect two pieces of clay together.

A

slip and score techinique

61
Q

A flatten out piece of clay;you may use a rolling pin or slab roller to achieve a slab of clay.Clay slabs are cut to sape and joined together using scoring and wet clay called slip.Slabs can be draped over or into forms,rolled aroud cyinders or buid-up in geomemetric forms.Large forms are difficult because of stress on the seams.

A

Slab

62
Q

Clay that is completly dried but not yet fired.

A

Bonedry

63
Q

A term used to discribe unfired clay objects in general

A

Greenware

64
Q

Clay object that has been fired for the first time and without any glaze applied to them

A

Bisque Ware

65
Q

bisque ware that has been glazed then fired.

A

Glaze Ware

66
Q

Is a special knife-like tool with a fairy flexi ble blade for cutting into moist and leather- hard clay.

A

Felting Knife

67
Q

A special tool with a wooden handle and a wire loop at one or both ends, used for carving and hollowing out clay forms.

A

Loop Tool

68
Q

a term used to described the technique of adding small clay as decoration on the surface of pottery form;also called applied decoration.

A

Sprigging-on

69
Q

Is a decorative technique,created by craving lines into the clay or carving small area out of the clay but not perforating it.

A

Incising

70
Q

A furnace designed specifically for hating clay to temperatures necessary to make it permanently hard and stone like.Kiln can be electric,natural gas,wood,coal,fuel,oil or propane.Material used to heat the Kiln can affect the work:wood ashes can build up on the surface of a piece and form a glaze at high temperate.Some potters introduce chemical into the kiln to influence the effect of firing. Frame ceramist Beatrice Wood achieved a luster effect by trowing a moth ball into the kiln.

A

Kiln

71
Q

The heating of a electric kiln.

A

Element

72
Q

The bottom of a piece that reset upon a surface.There are two kinds:raise and flush.

A

Footing

73
Q

Clay is hardened by heating it to a high temperature,fusing the clay particles.Primitive pottery is usually fired on the ground or the pits with watever flammable material is available.Firing has two basic atmosphere. Oxidation and Reduction ,these two atmosphere willaffect the color of the final pieces.

A

Firing

74
Q

Glass forming chemical usually with colorants added,that applied in liquid form to bisque ware and fired in the kiln,forming a pleasing,usually glossy coating to the surface of the clay.Glaze can be colored,opaque,translucentor matte.

A

Glaze

75
Q

Clay in liquid form.

A

Slip Clay

76
Q

A plaster disk or slab for clay work.

A

Bat

77
Q

A clay form made from a mold.May also br referred to as “ plaster castings.”

A

Casting

78
Q

Is liquid clay used in the process of forming object with molds.Also referred to a “slip.”

A

Casting Slip

79
Q

A term which usually refers to the bone of England,but also is associated with vitreous white wares and porcelain.

A

China

80
Q

Is a thin coat of color that will soak into the greenware or bisque ware.

A

Conditioning Coat

81
Q

A mixture of ceramic materials that is designed to vsoften and bend when the proper mixture of time and temperature is reached in the interior of the kiln.

A

Cone

82
Q

Is a small clay cone holder used when cones are placed on the shelf of the kiln to stand.

A

Cone Plaque

83
Q

Is the mixture of time and temperature at which the cone will blend to show the kiln temperature of the self.

A

Cone Temperature

84
Q

A low-fired clay body which is fired to maturity at approx.2000 0F.

A

Earthenware

85
Q

A product that has been tested and determined to be safe for use on surfaces which come in contact with food or drinks.

A

Food-safe

86
Q

The base of the part of the piece of the ceramic on which it rests.

A

Foot

87
Q

A shiny,glass-like finish

A

Gloss

88
Q

The refractory coating applied to the top of the kiln shelves to protect them from glaze drips.

A

Kiln Wash

89
Q

Greenware that is allow to become firm but still retains its wet look.

A

Leather-hard

90
Q

A soft finish with a line or no shine.

A

Matte

91
Q

Color which do not allow other colors to show through.

A

Opaque

92
Q

Small holes in the side of a kiln used for viewing shelf cones and ventilating the kiln during the firing process.

A

Peep Hole

93
Q

Tiny holes in the final surface finish of a glaze or Underglaze.

A

Pin Holes

94
Q

Refers to the ability of clay to be formed into a shape and retain it.

A

Plasticity

95
Q

Articles made of refractory material which support kiln shelves during firing.

A

Posts

96
Q

A satin- like surface which which has a slight sheen to it.

A

Semi-matte

97
Q

Color which generally allows only dark colors to show through.

A

Semi-opaque

98
Q

Slightly colored and/or speckled color which allow most colors to show through with only islight distortion.

A

Semi-transparent

99
Q

The cone temperature that is fired on the shelf of a kiln.The amount of heating tje ware actually receives.

A

Shelf Cone Temperature

100
Q

usually refers to a natural sponge used for cleaning and decorating greenware.There are also synthetic sponges available for ceramic.

A

Sponge

101
Q

Clear base colors which are free from cloudiness or distortion.

A

Transparent

102
Q

A color which is usually applied to greenware and in most cause is covered with glaze.

A

Under glaze

103
Q

Small holes made by puncturing the wet greenware with a needle tool when two pieces of ware have been attached>these small holes allow air and gases to escape during firing.Also refers to the peep hole in the side of the kiln.

A

Vent hole

104
Q

Starting with a ball of clay the potter opens a hole into the ball and forms a bowl shape through a comnination of stroking and pinching the clay.Many coil-built pieces are constructed on the top of a pinched bottom.

A

Pinch Pot

105
Q

A brownish-orange earthenware clay body commonly used for ceramic sculpture.

A

Terra cotta

106
Q

A pieces of clay is place on the potter’s wheel head which spins.The clay is shaped by compression while it is in motion.Often the potter will use several thrown shapes together to form one pieces.

A

Wheel thrown

107
Q

Bonedry

A

Clay that is completely dried but not dry.

108
Q

Greenware

A

A term used to describe unfired clay object in general.

109
Q

Bisque Ware

A

Clay object that had been fired for the first time and without glaze applied to them.

110
Q

Glaze Ware

A

Bisque ware that has been glaze then fired.

111
Q

Fettling Knife

A

It is a special knife-like tool with a fairly flexible blade for cutting into moist and leather-hard clay.

112
Q

Loop Tool

A

A special tool with a wooden handle and a wire loop at one or both ends,used for. Carving and hollowing out clay form.

113
Q

ceramic

Clay that is completely dried but not dry.

A

Bonedry

114
Q

ceramic

A term used to describe unfired clay object in general.

A

Greenware

115
Q

ceramic

Clay object that had been fired for the first time and without glaze applied to them.

A

Bisque Ware

116
Q

ceramic

Bisque ware that has been glaze then fired.

A

Glaze Ware

117
Q

ceramic

It is a special knife-like tool with a fairly flexible blade for cutting into moist and leather-hard clay.

A

Fettling Knife

118
Q

ceramic

A special tool with a wooden handle and a wire loop at one or both ends,used for. Carving and hollowing out clay form.

A

Loop Tool