Ceramic Vocabulary Flashcards

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1
Q

Having to do with clay or glass or the making of objects from clay or glass

A

Ceramic

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2
Q

Clay that has been watered down; acts as glue in slip/score technique. Slip is a fine liquid form of clay applied to the surface of a vessel prior to firing. Slip fills in pores and gives uniform color.

A

Slip

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3
Q

To draw or make lines into clay

A

Score

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4
Q

Method used in hand building to connect two pieces of clay together.

A

Slip/Score Technique

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5
Q

is the process of kneading the clay so as to remove air pockets and create uniform consistency of clay

A

Wedging

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6
Q

One of the oldest ways of forming pottery. Long strands of clay which are laid on top of each other and joined through blending coil. Coil pieces can be almost any shape and any size.

A

Coil Method

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7
Q

High-fire clay. stoneware is waterproof even without glaze; the resulting ware is sturdier than earthenware.

A

Stoneware

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8
Q

A flattened out piece of clay; you may use a rolling pin or slab roller to achieve a slab of clay. clay slabs are cut to shape and joined together using scoring and wet-clay called slip. slabs can be draped over or into forms, rolled around cylinders or built-up into geometric forms. large forms are difficult because of stresses on the seams and because the slab naturally sags. Some potters get around this by working fibers into the clay body. the fibers burn out during the firing, leaving a network of tiny holes.

A

Slab

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9
Q

Clay that is completely dried but not yet fired

A

Bone Dry

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10
Q

A term used to describe unfired clay objects in general

A

Greenware

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11
Q

clay objects that have been fired for the first time and without any glaze applied to them

A

Bisque ware

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12
Q

Bisque ware that has been glazed then fired

A

glaze ware

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13
Q

is a special knife like tool with a fairly flexible blade for cutting into moist and leather hard clay.

A

fettling knife

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14
Q

a special tool with a wooden handle and a wire loop at one or both ends, used for carving and hollowing out clay forms.

A

loop tool

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15
Q

a term used to describe the technique of adding small clay forms as decoration on the surface of pottery forms; also called applied decoration

A

sprigging on

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16
Q

is a decoration technique, created by carving lines into the clay or carving small areas out of the clay but not perforating it

A

incising

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17
Q

a furnace designed specifically for heating clay to the temperatures necessary to make it permanently hard and stone like. kilns can be electric, natural gas, wood, coal, fuel oil or propane. Materials used to heat the kiln can affect the work; wood ash can build up on the surfaces of a piece and form a glaze at high temperatures. some potters introduce chemicals into into the kiln to influence the effects of the firing. Famed ceramist Beatrice wood achieved a luster effect by throwing moth balls into the kiln

A

kiln

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18
Q

the heating coils of an electric kiln. ( tired or burned-out elements refer to elements which carry to little or no electrical current for producing heat)

A

element

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19
Q

the bottom of a piece that rests upon a surface (may be wheel thrown or hand-built). there are two kinds: raised and flush.

A

footing

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20
Q

clay is hardened by heating it to a high temperature, fusing the clay particles.

A

firing

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21
Q

Glass forming chemicals, usually with colorants added, that applied in liquid form to bisque ware amd fried in a kiln, form a pleasing. usually glossy coating to the surface of the clay. Glaze can be colored, opaque, translucent, or matte.

A

Glaze

22
Q

Clay in a liquid form

A

Slip Clay

23
Q

a plaster disk or slab for clay work

A

Bat

24
Q

a clay form made from a mold.

A

Casting

25
Q

is liquid clay used in the process of forming objects with molds. Also referred to as “slip”

A

Casting Slip

26
Q

bone china of England, but also associated with vitreous white wares and porcelain

A

China

27
Q

is a thin coat of color that will soak into the green ware or bisque ware

A

Conditioning Coat

28
Q

a mixture of ceramic materials that is designed to soften and bend when the proper mixture of time and tempature is reached in the interior of the kiln

A

Cone

29
Q

small clay cone holder used when cones are placed on the shelf of the kiln to stand

A

Cone Plaque

30
Q

mixture of time and tempature at which the cone will bend to show kiln tempature on the shelf

A

Cone Tempature

31
Q

A low- fire clay body which is fired to maturity at approx. 2000 oF

A

Earthenware

32
Q

A product that has been tested and determined to be safe for us on surfaces which come in contact with food or drinks.

A

Food-safe

33
Q

The base or the part of the piece of ceramic on which it rests

A

Foot

34
Q

a shiny, glass-like finish

A

Gloss

35
Q

the re factory coating applied to the top of the kiln shelves to protect them from glaze drips.

A

Kiln wash

36
Q

green ware that is allowed to become firm but still retains its wet look.

A

Leather-hard

37
Q

A soft finish with little or no shine

A

Matte

38
Q

color which doesn’t allow other colors to show through

A

Opaque

39
Q

small holes in the side of a kiln used for viewing shelf cones and ventilating the kiln during the firing process

A

Peep holes

40
Q

tiny holes in the final surface finish of a glaze or underglaze

A

pin hole

41
Q

refers to the ability of clay to be formed into a shape and reatin it

A

Plasticity

42
Q

articles made of refractory material which support kiln shelves during firing

A

posts

43
Q

a satin-like surface which has a slight sheen to it

A

Semi-Matte

44
Q

colors which generally allow only dark colors to show through

A

Semi-Opaque

45
Q

a slightly colored and/or speckled colors which allow most colors to show through with only slight distortions

A

Semi-Transparent

46
Q

clear base colors which are free from cloudiness or distortion

A

transparent

47
Q

a brownish-orange earthenware clay body commonly used for ceramic sculpture

A

Terra cotta

48
Q

building pots using only your hands and simple tools rather than potters wheel.

A

Handbuilding

49
Q

applying slip to it like icing

A

Slip Trailing

50
Q

pressing forms into the clay to get decorative effects

A

Stamping

51
Q

type of tin glazed pottery

A

Majolica

52
Q

creating designs by folding different colored clays together into different patterns then slicing them like cookies.

A

Mille Fiore