carol ann duffy poems Flashcards

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1
Q

the only light is red and softly glows as though this were a church

A

simile, religious imagery

he sees himself as a priest because they spread news and change peoples lives and he does the same with photos

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2
Q

dark room

A

word choice, metaphor

suggest he literally is in a dark room it takes him to a dark place literally

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3
Q

finally alone

A

word choice, inversion

inversion is to emphasise

“finally” suggests he’s been longing for solitude

“alone” reflects the loneliness of his job

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4
Q

spools of suffering set out in ordered rows

A

alliteration, word choice

the harsh “s” and the “o” is marked out

the ordered rows brings the image of tombstones or ranks of soldiers linking to the horror of war

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5
Q

the only light is red and softly glows

A

“only” builds on the idea of solitude and loneliness

“red” symbolises danger/blood what be deals with taking photos

“softly glows” idea of safe,lonely, quiet

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6
Q

as though this were a church and be a priest preparing to intone a mass

A

extended imagine

the developing room is compared to a church

comparable to spreading the word of god

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7
Q

beirut. belfast. phnom panh

A

list, single word sentences

sounds like roll call like they’re from a longer list

the places have suffered from civil war genocide

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8
Q

all flesh is grass

A

biblical, juxtaposition

bible quotation used to illustrate that god is eternal

photographer is spreading an important message in his photos

mass graves where the bodies decompose and turn into grass

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9
Q

he has a job to do

A

simple sentence

refers to him developing photos that he literally has a job to do

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10
Q

solutions slop

A

alliteration, word choice, onomatopoeia

“solutions” means literally the liquid used to develop the pictures also suggests the solution to the problem

the solution to the problem is sloppy

contrasts between the messiness of war and the order at home

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11
Q

hands which didn’t tremble then though seem to now

A

his hands were steady when taking photos when he’s home he suppress his stress

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12
Q

rural england

A

word choice

shifts to the photographers home rural connotes a perfect country side life

green grass, peaceful, calm

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13
Q

Ordinary pain which simple weather can dispel

A

word choice

The oxymoron “ordinary pain”, then, makes the reader consider what is meant. The kind of pain experienced in “rural England” is not really pain at all, but unhappiness which can be solved by more sunshine.

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14
Q

Fields which don’t explode beneath the feet of running children in a nightmare heat

A

word choice

These lines emphasise the terrible contrast between this life, and the “nightmare” life in a war zone (which might contain minefields.)

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15
Q

Something is happening

A

simple sentence

The “something” is ambiguous: literally a photograph is developing, but something else is happening too – the photographer is experiencing all the associated feelings and memories that the photo holds for him.

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16
Q

A stranger’s features/slowly start to twist before his eyes

A

word choice

The photograph begins to develop. The word “twist” is a verb with connotations of pain, anguish, horror or shock. This may be because the man in the photo is dying or in pain, it may reflect the anguish of the photographer himself.

17
Q

A half-formed ghost

A

metaphor

The man in the photo has become a ghost. This suggests his death. Perhaps too, the photographer is “haunted” by memories of it.

18
Q

He remembers the cries/of how this man’s wife, how he sought approval/without words to do what someone must/and how the blood stained into foreign dust.

A

As the photograph begins to come to life, so too do the photographer’s memories of the incident.

Extra senses are described: the sound of the wife’s sorrow and the colour/texture of his blood soaking into the earth.

The incident highlights the moral dilemma faced by the war photographers. They have a job to do but they are intruding on other people’s misery.

19
Q

A hundred agonies in black and white

A

metaphor

In this metaphor the photographs have become physical manifestations of pain and suffering: each one tells a story

the pictures are literally monochrome. Alternatively, there is no doubt or uncertainty about the agony in the pictures:

the suffering is there to see in black and white

20
Q

From which his editor will pick out five or six

A

word choice

In contrast to the “hundreds” of pictures of suffering available, the editor only has room for a few. The word “pick” and the vagueness of “five or six” suggests a criticism of the editor for being casual/off-hand when dealing with these pictures.

21
Q

For Sunday’s supplement

A

alliteration, word choice

There is perhaps an implicit criticism here: the photographer’s pictures aren’t considered important enough to be part of the main news section, but are relegated to the “extra bits.