canon midterm Flashcards
trinity with the virgin, st john the Evangelist, and donors
masaccio, first half 15th century,Italian renaissance
1427, linear perspective, donors in painting/same size as saints
(first) David
donatello, first half 15th century, Italian renaissance
1446, free standing and naked!, contraposto
Battista Sforza and Federico (two sided portrait)
Piero Della Francesca, second half 15th century, Italian renaissance
1465, realistic, commissioned portrait,
the last supper
da vinci, second half 15th century, Italian renaissance
1498, linear perspective, fresco
School of athens
raffaello, first half 16th century, Italian renaissance
1511,greek thinkers,contemporary artistst in paintig, ego
(second) david
Michelangelo, first half 16th century, Italian renaissance
1504, contraposto, very big, immense skill, hes very pretty
ghent altarpiece
jan and hubert van eijck, first half 15th century, Northern Renaissance
1432, lot of detail!
Haywain
Bosch, second half 15th century, Northern Renaissance
1495-1500, religious iconography/ moral message
self portrait
durer, first half 16th century, Northern Renaissance
1500, makes himself look like jesus,ego,nuff’ said.
peasant wedding
Pieter Breughel the elder, second half 16th century, Northern Renaissance
1567, everyday happening
calling of st matthew
caravaggio, beginning 17th century, Italian/Southern Baroque
1599-1602, chiaroscuro, this could happen to you!, counterreformation
(third) David
Bernini, first half 17th century, Italian/Southern Baroque
1623, full of emotion, mid movement
Abduction of the sabine women
Poussin, first half 17th century, Italian/Southern Baroque
1633, line vs colour, movement/emotion, antique subject, history paintin
Las meniñas
Velazquez, mid 17th century, Italian/Southern Baroque
1656, subtle tenebrism, commision, selfportrait?, questions
militiaman holding a berkemeyer
Frans Hals, first half 17th century, Northern Baroque
1630, capturing a moment, random guy, loose strokes make movement
Garden of love
Reubens, first half 17th century, Northern Baroque
1635, colour over line, genre painting
nachtwacht
Rembrandt, first half 17th century, Northern Baroque
1642, commission by just rich people not nobles, tenebrism, movement
view of Haarlem
van Ruisdael, second half 17th century, Northern Baroque
1682, landscape painting
Still life with flowers
Rachel Ruysch, second half 17th/early 18th century, Northern Baroque
1690-1720, vanitas painting, still life
pilgrimage to Scythera
watteau, first half 18th century, rococo
1717, fluffy pastel, escape to island of love, conversation piece
Voltaire seated
houdon, first half 18th century, Neoclassicism
1741, antique, realistic, sculpture, ode to reason
oath of the Horatii
jacque- louis David, second half 18th century, Neoclassicism
1785, poussiniste, linear perspective, clear composition, no emotion
the 3rd of may
Goya, first half 19th century, Romanticism
1815, drama, emotional, martyrdom, contrast in colour, political
liberty leading the people
delacroix, first half 19th century, Romanticism
1830, all classes, lively, political, emotional. allegorical liberty
slave ship
turner, mid 19th century, Romanticism
1840, sublime landscape painting, political meaning hidden in nature
history of a burial
courbet, mid 19th century, Romanticism
1849, normal event the size of a history painting
Le dejeuner sur l’herbe
Manet, second half 19th century, Impressionism
1863, real naked lady?!, about the joys of the middle class
impression, soleil levant
Monet, second half 19th century, Impressionism
1872, refraction of light, painting of an impression, quick strokes
Dimanche d’été à La Grande Jatte
Seurat, late 19th century, Post-impressionism
1884, pointillism, optical mixing, joys of the middle class,
Starry Night
Van Gogh, late 19th century, Post-impressionism
1889, thick layers of paint, emotional, study of light
the gates of hell
Rodin, late 19th/early 20th century, Post-impressionism
1880-1917,
portrait of madame Matisse
Matisse, early 20th century, fauvism/ post-impressionism
1905
Les demoiselles d’avignon
Picasso, post-impressionism, proto-cubism, early 20th century
1907
Le portigais
Braque, post-impressionism, Analytical cubism, early 20th
1911
Guitar, sheetmusic and wineglass
Picasso, post-impressionism, Synthetic cubism, early 20th
1912
abstract speed
Giacomo Balla, Futurism, early 20th
1913
Dancing around the Golden
Calf
Emil Nolde, german expressionism, Die Brucke, early 20th
1910
composition VII
Kandinsky, German expressionism, der blaue reiter, early 20th
1913
fountain
Duchamp, dadaism, ready-made, early 20th
1917
painting
miró, abstract surrealism, mid 20th
1933
La persistance de la
mémoire
Dali, oneiric surrealism, mid 20th
1931
Black square
Malevich, Russian avant-garde, Suprematism, early 20th
1915
Model for
Monument to the Third International
Tatlin, Russian avant-garde, constructivism, early 20th
1919-1920
Composition with Large Red
Plane, Yellow, Black, Grey,
and Blue
Mondriaan, De Stijl, early 20th,
1921
Villa Savoye
Le Corbusier, International style/bauhaus, mid 20th
1928-1931
Number 5
Pollock, abstract expressionism, action painting, mid 20th
1948
Noº14
Rothko, abstract expressionism, colourfield, mid 20th
1960
Ophir
Frank Stella, Abstract expressionism, hard edge, mid 20th
1960-1961
the Sony building
Philip Johnson, postmodernism, late 20th
1978-1984
Flag
Jasper Johns, postmodernism, neo-dada, mid 20th
1954-1955
Campbell’s soup cans
Warhol, postmodernism, pop-art, mid 20th,
1962
One ton prop (house of cards)
Serra, Postmodernism, minimal art, mid 20th
1968-1969
One and Three Chairs
Joseph Kosuth, postmodernism, conceptual art, mid 20th
1965
The dinner party
Judy Chicago, feminist art, late 20th
1974-1979
Do women have to be naked to get into the Met. Museum?
Guerilla Girls, feminist art, late 20th
1989
