Camera Movement Flashcards

1
Q

Pan

A

a camera movement with the camera body turning to the right or left

on the screen, it produces a mobile framing that scans the space horizontally

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2
Q

Tilt

A

a camera movement with the camera body swiveling upward or downward on a stationary support

it produces a mobile framing that scans the space vertically

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3
Q

Tracking Shot

A

a mobile framing that travels through space forward, backward, or laterally

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4
Q

Crane Shot

A

a shot with a change in framing accomplished by placing the camera above the subject and moving through the air in any direction

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5
Q

Dolly

A

a camera support with wheels, used in making tracking shots

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6
Q

Handheld Camera

A

the use of the camera operator’s body as a camera support, either holding it by hand or using a harness

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7
Q

Reframing

A

short panning or tilting movements to adjust for the figures’ movements, keeping them onscreen or centered

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8
Q

What is the mobile frame?

A

the ability of the frame to move with respect to the framed material

mobile framing is what distinguishes film and video from still picture forms

changes onscreen and offscreen space considerably

can also change angle, level, height and distance

different types of mobile frames

different functions of mobile frames

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9
Q

What is a pan?

A

the rotation of the camera on the horizontal axis

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10
Q

What is a tilt?

A

the movement of the camera on vertical axis

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11
Q

What is a tracking shot?

A

the camera as a whole changes position in any direction

can be achieved by a dolly, crane, car, aircraft or Steadicam

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12
Q

What is a crane shot?

A

used to change camera height in an ascending or descending motion

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13
Q

What is a hand-held shot?

A

camera is supported by the cameraperson’s body without aid of compensating equipment

movement is more bumpy and notably less smooth than in dolly and Steadicam shots

used to mimic documentary aesthetic

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14
Q

What are the functions of the mobile frame?

A

most common function is to reframe a character when they move in relation to another character, often by pan or tilt

tracking shots primarily function to follow a character or object while in movement

can reveal or conceal offscreen space

mobile frames can detach from a character to reveal details of setting or plot development

visual field of mobile frame can yield a sense of subjective movement on the part of the spectator

the dolly-zoom shot can be used to underscore character’s subjective states

can emphasize duration especially in long takes

a plan sequence is an entire scene completed within one shot

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15
Q

What is the dolly-zoom shot?

A

expressing character subjectivity

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16
Q

What is duration and long take?

A

duration as real-time experience

17
Q

What are notable “one-shot” feature films?

A

historically restricted by the size of the film magazine in 35 mm film

advent of digital camera in the 1990s permitted much longer takes through digital storage

18
Q

How is 1917 an apparent one-shot film?

A

film consists of multiple takes digitally seamed together in editing

estimate of up to 34 seamless cuts

ellipsis of time during black out moment

film’s running time =/= film’s story time

19
Q

What are long takes and mobile framing?

A

filmmakers must introduce change within a long take to sustain viewer interest

one of the functions of editing is to introduce change through shot changes

change in long takes consists primarily of character and mobile frame movement

the mobile frame can replace editing functions through reframing and tracking