c4 Flashcards
When we take on the characteristics of another person for amusement or to tell a story, it is called Blank______.
imitation
Which of the following statements about acting on stage are true?
- The actor plays characters that are not real but representations of people.
- The actor must have an audience present.
Identify the three main challenges of acting.
- integration of skills
- vocal and physical skills
- believability
Believable acting requires that the audience believes in the
character portrayed
Identify the factors that resulted in the development of more realistic acting at the end of the nineteenth century.
- practitioners of theatre wanted to portray everyday life
- playwrights like henrik ibsen began writing more realistic plays
- audience wanted to see things that they could identify with in plays
In our everyday lives, when we play different parts or take on varied characteristics to fit in or fulfill expectations this is called
role playing
The factors that led to the development of Stanislavski’s System of acting included
- his observations of believable actors
- his work with Anton Chekhov
- his desire to pass along ways to achieve believable acting
True or false: Stage actors must always have an audience present.
true
Identify the three main challenges of acting: 1: believable, truthful acting, 2: advanced vocal and physical skills, and 3: Blank______ or synthesis.
integration
When an actor is able to let go of unwanted tension, both vocally and physically, is called
relaxation
An actor has Blank______ when he or she is able to convince the audience of the truth of their characters
credibility
The term ______ refers to the skill in Stanislavski’s System of acting whereby an actor focuses his or her entire attention on an object, person, or task to the exclusion of all else.
concentration
Stanislavski developed a Blank______ by which he could teach future generations the secrets of realistic, believable acting.
system
The first theatre practitioner to put together a system of acting that could be taught to others in order to reproduce truth on stage was
Konstantin Stanislavski
Acting before the twentieth century was more Blank______ than the acting we are accustomed to today.
formal and stylized
During which era were women allowed to perform as actors on stage?
today’s theatre
- not Elizabethan England nor ancient Greece
When an actor achieves the state of relaxation on stage he or she is much better able to
- move fluidly and effortlessly
- enjoy freedom from tension
- have lifelike movements
When an actor is focused on a particular area of the stage, an object, or another person, this is called
circle of attention
Stanislavski recognized that the ____ ____ could activate an actor’s imagination and transport him or her to new places, times, and situations based on his or her belief.
magic if
Stanislavski believed that all action performed on stage must have a(n)
purpose