Buckley: Grace 1994 Flashcards
Instrumentation
o Soloist – Buckley o Accompaniment: 1. Electric Guitars (printed in tab) – ‘Drop D’ tuning (plucked and strummed) 2. Bass Guitar 3. Synthesiser 4. Strings 5. Drum Kit 6. Backing Vocals
Texture
o Mainly Homophonic
o Drums & Guitars – rhythmic patterns and broken chords
o Synthesiser & Strings – add effects and vary texture
o Coda – texture thickens
Technology
o Modulation – synthesiser at start
o Distortion – rough and harsh sound
o Flanging – subtle swirling sounds
o Overdubbing –vocal parts in bridge/guitar, thicker texture
o Equalisation – remove lower frequencies of voice
Structure
o Intro – instrumental o Verse 1 – voice o Chorus 1 – voice (‘Wait in the Fire’) o Intro – instrumental o Verse 2 – voice o Chorus 2 – voice (‘Wait in the Fire’) o Bridge – voice (vocalisation) o Intro – instrumental o Verse 3 – voice (uses EQ) o Coda – voice (improviser)
Tonality
o E minor o Ambiguous (introduction starts on F minor 7th chord)
Harmony
o Chromatic Chords – unconventional of a rock song/ballad
o Parallel Motion (semitone steps in chorus F-Em-E♭)
o Dissonant (particularly chorus)
Melody
o Improvised Quality (vocal part)
o Wide Range (over 2 octaves)
o Falling Phrases (reflect mood of song)
o Ornamentation (glissandos)
Word-Setting
o Mostly Syllabic but Some Melismas (‘love’ and ‘fire’)
o Bridge – Vocalisation (wordless singing) and Falsetto (high notes)
o Word Painting – Buckley’s bleak outlook on love:
1. Verse 1: ‘cries’ set to a falling fifth, sounds like crying
2. Bridge: ‘pain’ and ‘leave’ in high register, sound fraught
3. Verse 3: ‘slow’ set to long note
4. Coda: thick texture built up to ‘drown my name’
Metre
o 12/8 – Compound Time
Rhythm
o Accentuation – bass drums (1,3) snare drum (2,4)
o Syncopation – free vocal melody
o Cross-Rhythms – quavers against dotted quavers