Bregman (1994) - Chapter 1 (1-46) Flashcards

1
Q

What is Auditory Scene Analysis?

A

The Perceptual Organization of Sound

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2
Q

Auditory Scene Analysis. The Perceptual Organization of Sound - Author?

A

Albert S. Bregman 1994

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3
Q

What is perception for Bregman?

A

The process of taking sensory input and deriving useful representations of reality from it.

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4
Q

What is the scene analysis problem in machine vision?

A

The allocation of regions to objects

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5
Q

An example to clarify how difficult auditory scene analysis can seem:

A

A game: digging two narrow channels at a lake. Guessing by the waves what’s going on on the lake.

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6
Q

What is the scene analysis problem in vision (generally speaking)?

A

The correct grouping of regions.

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7
Q

Why is the human ear believed to provide the human brain with a neural pattern that is much like a spectrogram?

A

Because of the long coiled ribbon in the inner ear called the basilar membrane. It’s sensible to low frequencies on one end and to high frequencies on the other end and everything in between.

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8
Q

Why is it not enough to think of the inner ear as providing us with spectrogram like neural activity?

A

Even access to spectrograms is not sufficient to discern elements in the auditory scene. The auditory world is very messy.

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9
Q

What is an “auditory stream”?

A

Our perceptual grouping of the parts of the neural spectrogram that go together.

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10
Q

Bregman refers to the perceptual unit that represents a single happening as …

A

… an auditory stream.

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11
Q

It’s better to use the term auditory stream instead of sound, because

A

First: a physical happening and its corresponding mental representation can consist of more than one sound.
Second: sound refers to physical sound and to our mental experience of it.

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12
Q

What is the word for sound in the physical world and for sound in our minds?

A

Physical world: acoustic event

Mental world: auditory stream

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13
Q

The exclusive allocation principle says that

A

a sensory element should not be used in more than one description at a time. If the line is assigned to the vase, that assignment uses up the line.

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14
Q

Describe the “old-plus-new heuristic”!

A

answer in chapter 3

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15
Q

An example experiment for exculsive allocation principle and old-plus-new heuristics:

A
B
         A
CCCF   FCC
Bregman and Rudnicky (1975)
Order of AB was hard to get, when Fs and AB formed a stream.
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16
Q

Principle of belongingness?

A

features cannot be experienced as disemodied.

must be attached to objects.

17
Q

An example for a missasignment illusion:

A

Diana Deutsch 1974:
R: high low high low
L: low high low high
heared (when listener assumed single tone):
R: high high
L: low low
Derive the pitch from one ear and the location from monitoring the higher tone -> missasignments possible

18
Q

Auditory streaming effect - experiment

A

1: low, 6: highest
sequence: 1 4 2 5 3 6
slow: heard as one sequence
fast: heard as two streams in parallel:
1 2 3 and 4 5 6
Impossible to focus on both streams.

19
Q

auditory streaming effect depends on:

A

frequency difference

tempo

20
Q

Auditory streaming effect and Gestalt psychology:

proximity?

A

in auditory stimuli proximity is two-fold:
vertically (frequency)
horizontally (time)
can also be read as two Gestalt principles:
similarity and proximity

21
Q

What is apparent motion?

A

A _ and _ A alternating is perceived as a moving A.

22
Q

Apparent motion laws by …

A

… Körte 1915.

23
Q

How can visually presented fragements be made to allicit closure?

A

Masking
Example: Fragments of B unmasked and masked.
Same in sound: Masking with white noise bursts

24
Q

Closure mechanism is a way to deal with …

A

… missing information.

25
Q

Closure mechanism experiment in auditory domain:

A

Dannenbring 1976:

tonal glides without and with masking bursts of white noise filling the gaps.

26
Q

Bregman, Pinker 1978
A
B
C

A

Assigning these to sources:
Source 1: A Source 2: BC (complex tone)
Source 1: A B Source 2: C
Both possible to perceive.

27
Q

Bregman and Pinker 1978 show two integration mechanisms:

A

Sequential integration: grouping events that follow each other in time
Spectral integration: grouping events that occurr at the same time

28
Q

Mechanism Bregman proposes for grouping:

A

heuristics (taken from computer modeling approach)

29
Q

Auditory scene analysis is seen as an accomplishment. How can it be interpreted as a breakdown?

A

Segregation into two streams occurs because a neural mechanism responsible for tracking changes in pitch has temporarily become less effective.
Experiments show that the segregation becomes stronger with longer repetitions of the cycle of tones. Presumably the detector for change has become habituated.

30
Q

Innate stream segregation?

A

primitive stream segregation

constraints in the environment that hold accross time, location and cultures (like light from above)

31
Q

Learned stream segregation?

A

Schema-based segregation

not constant, e.g.: music, different birds

32
Q

Roger Shepard “psychophysical complementarity”:

A

physical objects maintain shape, while rotated

same in mental rotation

33
Q

Relation between innate and learned components of stream segregation:

A

innate ones serve to bootstrap learned ones

34
Q

Gestaltists belief most of the principles are …

A

.. innate.

35
Q

Laurent Demany wanted to ..

A

.. find out about innate stream segregation.

Babies < 4 month

36
Q

Laurent Demany and his research on innate stream segregation used …

A

… method of habituation and dishabituation:
Babies look at screen and get rewarded by sound.
Same sound -> reward wears off:
H1 - L1 - H2 - L2 and reversed: Two streams stay the same. One strem is reversed.
Babies reacted to reversed stream as being the same
-> stream segragation had occurred

37
Q

Three auditory phenomena based on the stream formation:

A

the streaming effect
the decomposition of complex tones (ABC experiment)
perceptual closure through occluding sounds