Bredon Hill Flashcards

1
Q

What is the difference in the beginning of stanza 1 and stanza 2?

A

Stanza 1 begins with anacrusis, while stanza 2 is on beat 1.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

How is the accompaniment different between stanza 1 and stanza 2?

A

Stanza 1 is accompanied by sustained chords throughout, whereas stanza 2 features a more interesting, dotted rhythm.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

What is the texture of the accompaniment in stanza 2?

A

Stanza 2 features antiphonal accompaniment between strings (playing the dotted rhythm) and the piano that plays alternating minor 7th chords.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

How do the melodic rhythms of the two stanzas differ?

A

The melodic rhythms of the two stanzas are slightly different to allow room for the lyric.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Where is an occasional 2nd inversion chord heard?

A

In the first section A

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

What chromatic chord is heard in bar 104 to accompany the words ‘groom there was none’?

A

A half diminished chord (G, Bb, Db, F).

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

What two instrumental techniques are used at the very start in the upper strings?

A

Con sord and double stopping.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

How does the composer give the impression of bells?

A

By using tied semibreves and solemn sustained chords, like the tolling of bells.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Describe the texture when the vocal enters (bar 24).

A

Melody dominated homophony.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Describe features of the vocal melody.

A

Frequent anacrusis to fit the iambic poetry rhythm, recitative-like, mainly syllabic, with some melismas such as ‘ring’ and ‘happy’ - Word painting.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Describe the use of harmony in this piece.

A

Chords alternate between two different chords, with rising parallel 7th chords in bars 9-10 and parallel 4ths in bars 16-17 and 20-23.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

What is the melody’s mode and style?

A

Diatonic melody in mixolydian mode, with a folk-like quality.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

What is notable about the phrases in the vocal melody?

A

The first three short phrases of each stanza are higher than the previous.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

What is the tessitura of the vocal melody?

A

Limited tessitura.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

What type of chords open the piece?

A

Minor 7th block chords.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

What rhythmic motif is present in the melody?

A

A dotted rhythm motif with two different notes, giving the impression of two bells.

17
Q

What is the structure of the song ‘Bredon Hill’?

A

Introduction A
ABB1CDAPostlude

18
Q

Before section B, how is the instrumentation reduced and what rhythm is played?

A

Piano plays crotchet triplets.

19
Q

What two string techniques are used simultaneously to sound like church bells?

A

Pizzicato and arco.

20
Q

What string technique is heard towards the end, before Section A returns?

A

Open harmonics.

21
Q

What rhythmic feature is often used at the start of a phrase to fit the iambic nature of the poetry?

A

Anacrusis.

22
Q

What mode is explored in the vocal line to create a folk song melody?

A

Mixolydian on G (flattened 7th).

23
Q

What melodic feature is used on the word ‘melisma’?

A

Through long sustained chords (tied semibreves).

24
Q

How are the strings used at the start to imitate the sound of tolling bells?

A

Sustained minor 7ths all in root position.

25
What type of chords dominate this piece?
7th chords.
26
What type of chords are used at the start?
Sustained minor 7ths all in root position.
27
How do the chords change in the piano part just before section B (bar 52)?
Now added 11ths, played in crotchet triplets.
28
What does the texture change to when the vocal line comes in at A?
Melody dominated homophony.
29
What is the time signature at the start?
2/2.
30
What performance direction is given at the start?
Moderato tranquilo.